Recently, letterer/artist Chris Eliopoulos posted some guidelines for how to stay in the business once you’ve broken in. There are a few comics-specific details, but mostly, this is how you stay in any field. A sampling:
In his spare time, the MUSH artist likes to doodle in a series called REED-iculous RICHARDS.
Top Shelf has just announced a team-up with comiXology that includes their own iOS app, and a separate app for the Kids Club line. Books from LEAGUE OF EXTRAORDINARY GENTLEMEN to OWLY will be available across various platforms.
Interestingly, Top Shelf is the first “alt.comix” type publisher to go whole hog with digital. D&Q and Fantagraphics and most of the smaller indies have remained remained aloof to the ecomics world. Although most art comics are best suited to the paper medium — and are, indeed the very type of objects that will keep print books alive for quite some time — a lot of indie cartoonists read just fine on the screen — we’ve found some of the “panel grid layout” types even look great on an iPhone. It seems like only a matter of time before everyone has their own app and storefront…but how long?
Not that Avengers. The ones with John Steed and Mrs. Peel.
You know, Diana Rigg.
The image suggests a six-issue miniseries beginning in January based on the ’60s TV show The Avengers, whch featured an urbane pair of British spies. The show was a huge influence on Morrison, so it’s not hard to see why he’d want to write a miniseries based on the property.
In case you were not on Twitter orFacebook in comics circles this weekend, Frank Miller, evidently tired of being asked when Sin City 2 would go into productions, decided to set up a diversion by airing his feelings on the Occupy Wall Street movement in a calm, reasoned editorial that did not contain ad hominem attacks: