TweetBy Todd Allen DC is being a big tease about Earth 2 again. They’ve released Jim Lee’s design sketch for the Earth 2 Batman. They also have an interesting quote in: “Who will Batman kill to save his own daughter?” asks EARTH 2 editor Pat McCallum. “Right out of the gate that should tell you […]
On the “authority” scale, the idea of New Yorker cover editor Françoise Mouly launching a blog about New Yorker covers and art would rank….very high. And so Blown Covers, which she describes as a personal blog. Although it’s unafiliated with the New Yorker, she’s holding weekly themed New Yorker cover contests and is “always on the lookout for good ideas and great artists.” So yeah, this is an audition.
Is the world ready for a new graphic novel from outsider musician/artist Daniel Johnston?
Johnston, whose long career as a very eccentric musician was the subject of the 2006 documentary THE DEVIL AND DANIEL JOHNSTON, is also an avid comics reader, and this is his first GN. It comes complete with added soundtrack and app for the 360º experience. For those not familiar, Johnston is somewhere north of Wild Man Fischer and south of They Might be Giants and early Beck.
Has anything ever felt more natural?
Buy the T-shirt right here.
No trademark infringement going on. Buy with confidence.
As cat people, we’re not really sold on on the whole “dress your pets” humiliation tool; however, for those who like to dress their doggie, Marvel and Fetch are introducing a line of Marvel-themed pet attire called cool pets!. The line of toys, apparel, and accessories will be available at your local PetSmart.
By Paul O’Brien
Perhaps it’s a side effect of the decision to trim the line, but Marvel seem to have gone back to the days when each month had a small number of new launches that they could focus on properly. This month’s sole new title is SCARLET SPIDER, and the only major new miniseries is WOLVERINE AND THE X-MEN: ALPHA & OMEGA. There’s also WOLVERINE #300, and the second issue of the AvX lead-in mini AVENGERS: X-SANCTION.
DC’s resurgence continued in January, as once again Marvel faced a fight to be the top publisher in the direct market. In terms of market share, it’s really too close to call; DC led in units, by 40% to 38%, while Marvel led in dollars, by 36% to 34%. On the other hand, DC swept the top ten with the fifth issues of their regular titles – some of which are selling in a different league from anything in Marvel’s range. It’s been a long time since AQUAMAN was outselling the entire Marvel line.
Thanks as always to ICV2.com for permission to use these figures.
Okay, now it’s video games that are using comics to revive their dormant properties; only, fittingly, they’re using webcomics, because those are two great tastes that go great together. Clever. Namco/Bandai has launched ShiftyLook with SKY KID, by Jim Zub and Jeffrey “Chamba” Cruz, via UDON, and XEVIOUS by Mike Costa and Mike Norton via Cryptozoic Entertainment, with a third title imminent, as shown by a big empty spot on the website. Both are old ’80s console games long unseen.
Well, looks like this Valiant relaunch is going to go places we’ve never gone before. The first issue of X-O Manowar will have a QR Voice Variant—”the world’s first QR code-augmented, talking comic book cover!” Jelena Kevic-Djurdjevic supplies the art. On Wednesday, a preview poster will be shipped to local comic shops so you can preview the technology, which involves a QR code, a smart phone and a steady hand.
The great and hilarious Emily Flake is doing a cartoonist’s diary for TCJ, and the first episode includes much on the Freelancer’s Dilemma (pants or no pants) as well as scenes where the cartoonist works on New Yorker submissions at the laundromat while hoping a little girl will come throw her giraffe at her. Yes, it’s like that. BOOKMARK!
Remember how we keep telling you that kids’ graphic novels are the fastest growing segment of the US GN market? One of the reason for the spurt is that the books keep getting better. For example, GIANTS BEWARE! from First Second by writer Jorge Aguirre and artist Rafael Rosado. It’s a pretty simple tale:
Unlike last year’s extremely uncomfortable Oscar® telecast, with its poorly-matched, inexperienced hosts, this year was as comfy as a cup of warm borscht, as Billy Crystal busted out venerable schtik and timing. Other than that, it was all a parade of white dresses, sequins, and very, very predictable wins. But a few moments stood out for Our Kind: