
Actually they are not so mysterious; they are just cool. John Shableski shares this photo he took while touring the Penn State campus.
The News Blog of Comics Culture

Actually they are not so mysterious; they are just cool. John Shableski shares this photo he took while touring the Penn State campus.

If you haven’t checked out the Study Group webcomic site, you are missing some great stuff, which we hope to be spotlighting in more depth very soonish, but for now, here’s The Blonde Woman – Part 1 – by Aidan Koch, an abstract, mysterious opus that many art comics readers have been buzzing about.

Of all the Lego videos, this is by far the most violent and nihilistic we’ve seen…and perhaps the greatest, next to this one. It features Captain America. And the Wilhelm scream.

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How dangerous or offensive were pre-code crime comics – really? Most of us probably agree that the anti-comics hysteria of the early 1950s was ludicrously overblown, and can probably also think of a few current issues that are similarly hyper-inflated by reactionary gasbags. Dr. Fredric Wertham’s claims (enshrined in his ridiculously titled pseudoscientific 1954 screed Seduction of the Innocent) about the ill effects of comic books on easily-corruptible young minds probably said more about Wertham’s Germanic way of seeing the rest of humanity than they did about observable reality. But how do these Golden Age crime comics look to contemporary readers? A couple of new releases collect some of the best pre-code crime comics and prove that they still pack a wallop, both in terms of their swift, punchy visual storytelling, and in their ability to deliver real shocks.

The Doug Wright Awards, which recognize English language Canadian comics creators in three categories, have just announced the 2012 finalists. Expected names like Chester Brown and Kate Beaton are mixed with newer folks like Ethan Rilly and Connor Willumsen. There’s not a title on this list that isn’t worthy of reading.

André Franquin’s Marsupilami is a very popular character in the Franco-Comics belt. Marsu is a funny cat monkey with a long tail who lives in the jungle. Cat monkey. Sold. He’s also known for his funny cry of “Houba!” which is what cat monkeys say instead of “Wooah!”

Some old art on Kyle Baker’s hard drive, probably for licensing.

After a 20-year break from making longform manga, Katsuhiro Otomo is starting a new longform manga.

This is the last one before Beaton moves back to Canada. Guests are DAVE HILL, VICTOR VARNADO, DOMITILLE COLLARDEY, JIM TOROK, and COREY PANDOLPH.

Over at Comic Book Resources, Kiel Phegley interviews David Gabriel about what’s going on at Marvel right now. There aren’t a lot of raw numbers discussed but the vector they’re moving in is certainly worth noting.

Deadline is reporting that WB has changed tactics and now wants a trial in the ongoing rights battle over Superman:

In case you were sleeping under a tree, it’s official: HUNGER GAMES was the third biggest opening ever, with $152.5 million, the best non-sequel opening ever, only behind HARRY POTTER AND THE DEATHLY HALLOWS: PART 2 and THE DARK KNIGHT.
Heady company for a girl who hunts squirrels.
The success of the movie also puts the lie to Hollywood’s beloved trope that an actioner starring a women can’t be successful. And as such, it’s going to have a lot of repercussions. Because Hollywood is full of copycats and they’re going to try to repeat the formula. But what formula will they see in HUNGER GAMES?
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