From September 1 to December 30, Oregonians and near Oregonians will be able to visit 25 Charles Schulz original on display at “GOOD GRIEF! A Selection of Original Art from 50 Years of Charles M. Schulz’s PEANUTS” at the Jordan Schnitzer Museum of Art’s Artist Project Space. More details of the exhibit and related activities […]
As we reported a few days ago, Ingram/Lightning Source has announced an incredibly cheap level of color print-on-demand, and Todd Allen has seen the samples:
After reading Bon Alimagno’s excellent interview/evaluation with colorist Erick Arciniega on iFanboy, I decided that it was time for more of us to start jumping on the coloring bandwagon. Getting the right colorist on a comic can be crucial to the success of the book, and yet there’s really very little coverage of this side of the industry available. With that in mind I contacted colorist-whizz (and nicest man alive) Val Staples, whose recent credits include books like Swamp Thing, New Mutants, Deadpool and Hulk, to get a basic insight into his life as a colorist.
In a post on her artistic techniques, Colleen Doran reveals that she’s working on a graphic novel with Neil Gaiman, to be published by Dark Horse. The two previously collaborated on issues of THE SANDMAN.
Ticketfails have become as much a part of fandom as slashfic and cosplay. While PR flubs and angry complaints get a fair bit of attention, the crash of ticket sales for last week’s promotion of a Doctor Who premiere in New York also illustrates the potential for legal problems.
A few thoughts on the legal dimension of online event ticketing — and why it matters — after the jump.
So, I finally saw THE DARK KNIGHT RISES…yes, yes I know. In my defense, I tried seeing it twice and it was sold out and then I had a hard time finding three spare hours. And also…well, I’m not the biggest fan of the Nolan Batman trilogy. I get why it is so beloved and all, but the filmmaking is often sloppy to my tastes. (The horrible sound editing in DKR being one example.) Anyway, I did enjoy it, even though it was so lax in its storytelling. And I kept getting distracted by things. Like Catwoman’s high heels. As soon as she appeared, I wondered “How is she running in those high heels?” And as if to answer my question, some hapless gunsel asks the same question in the film and Catwoman shows that they are really fearsome weapons. Got it.