Straight from the offices of Publishers Weekly, it’s More to Come! Your podcast source of comics news and discussion starring The Beat’s own Heidi MacDonald. In this week’s podcast the More to Come Crew – Heidi “The Beat” MacDonald, Calvin Reid and Kate Fitzsimons – discuss Special Edition, the new New York comics-only show from […]
By Jason Enright
Hi everyone! My name is Jason Enright and I am going to be analyzing the Marvel sales charts for you. I have a background as a comic book retailer and now a comic book marketing specialist. As we go along I’ll be adding in my thoughts as to why we may be seeing these numbers and what they tell me as a fan, retailer, and marketing guy.
A few things to keep in mind about these charts:
1. The direct market (comic book shops that order through Diamond) does not track sell-through. So these numbers don’t represent what actually sold, but instead represent what retailers ordered. A book can get high orders and sit on the shelf (which often leads to lower orders in later months) and a book can be under-ordered and sell out (see Black Widow further down this chart). These numbers are what retailers estimated would sell in their shops.
2. We currently don’t have any digital sales data so this is only a look at what is selling in stores. Until we somehow convince Marvel and all the other publishers to release their digital sales numbers, we have no clue how well most of these books are really doing, as digital is a very quickly growing marketplace which sees a lot of new first-time comic readers.
As announced yesterday, Skottie Young, Eisner winning artist, will be writing and drawing a ROCKET RACCOON ongoing series in July. And here’s some interior pages. Also of note: David Peterson (Mouse Guard) will be supplying a variant cover. Sold and sold. As defenders of the cosmos go, Rocket Raccoon has faced his fair share of […]
Jim Zub’s 2014 is picking up some real speed right now. Most well-known for his series Skullkickers with Edwin Huang and Misty Coats, which is soon heading towards the penultimate arc, he’s building up a head of stream to take him straight through into 2015. Alongside his creator-owned fantasy sword-swinging monster-kicking fighty fight series, he’s also now writing various projects for DC, Marvel, Dynamite and many others.
One of the most interesting things about Zub as a creator, and what first caught my attention, is his openness about his career and creative process. The extensive comic book tutorials on his website offer some brilliant advice on a range of topics, from publicity to building a creative team, and right through to the tricky stuff nobody else talks about – like, for instance money.
Which means there’s a lot to talk to him about! Ahead of issue #25 of Skullkickers – which you’ll get to see preview pages from below – he spoke to me about building Skullkickers, assembling the team, and how he’s managed to keep interest in the series so high.
Image Publisher Eric Stephenson delivered a speech to retailers this morning and here’s the text, courtesy of Image comics: I hope you don’t mind if I deviate from standard practice, but instead of talking about Image Comics this morning, I’d like to talk about you. This is my fourth year at ComicsPRO, and one of […]
[No comics content here. This falls under "pop culture" and general geekery. ] So, your waistline (and gastrointestinal tract) has recovered from the Super Bowl. You’re sick and tired of the weather. You seek another diversion. Well, next Sunday, Hollywood holds their soiree, handing out Oscar statuettes (“Academy Awards of Merit”, according to the rule […]