Naoki Urasawa is probably the greatest living genre cartoonist. Sorry ya’ll but it’s all true. Combining dense, suspenseful plotlines with thrilling, heart stopping artwork that never sacrifices character, he’s just the master. He’s even won an Eisner Award.Works in English, all published by Viz include MONSTER, PLUTO and 20th CENTURY BOYS. And now, MASTER KEATON, an early (pre-Monster) work from 1988 about a heroic insurance investigator who goes around using his archaeological skills to solve mysteries. SOLD. The series was co-written by Hokusei Katsushika and Takashi Nagasaki.
Tweet Jen Sorenson has become the first woman to win the Herblock Prize, awarded each year to an editorial cartoonist “to encourage editorial cartooning as an essential tool for preserving the rights of the American people through freedom of speech and the right of expression.” Along with the praise, it offers a $15,000 prize. Sorenson’s […]
Tweet Josei Manga superstar Moyoco Anno is comif to this year’s TCAF. WOOT! It’s her second US convention—she appeared at New York Comic Con in 2012—and the fact she’s back for more is pretty exciting. (Melinda Beasi interviewed her for the Beat here.) Deb Aoki has all the reasons you should be aware of Anno’s […]
As you may have recalled, Ridley is actually one those big comics fans in Hollywood and spent a while writing comics for Wildstorm, including a run on the Authority, the mini-series Razor’s Edge: Warblade, and The American Way. The latter is a book that really deserves to be on more comics reading lists—an 8 issue mini-series drawn by Georges Jeanty and Karl Story that has similar themes to Darwyn Cooke’s New Frontier about the cold war and superheroes, but treats them with a much harsher view. The book follows the government’s development of the Civil Defense Corps, a pr-driven team of superheroes introduced in the early 60s, and the turmoil that stem from the first African-American member in the Civil Rights era. A lot of comics mini-series have tried to be “the Next Watchmen” and The American Way is one of the few series that takes that tired “What if superheroes really existed???” idea and gives it a take based on the real world and not the imagined one.
Few stories have been as entertaining to cover from a financial skullduggery aspect as the saga of Platinum Studios, a long running con game of a company that cheated a bunch of creators out of their creations while coasting on the success of the first Men in Black film, which it had published in comics form. Founded in 1997, it developed a ton of comics for years without publishing anything while hoping for salvation from the Cowboys and Aliens. I wrote a long history of the company’s bizarre penny stock antics here but the short version is that this business plan never works:
TweetAgents of SHIELD—or as we call it here, that’s So Coulson—is returning from an Olympics break tonight, and it’s kind of do or die, and the producers know it. Launched with tremendous fanfare the program has managed to present a dull bunch of twerps having adventures registering on the adventure scale somewhere below the typical […]