[Editor’s note: The release this week of March Book Two by Rep. John Lewis, Andrew Aydin and Nate Powell has already made headlines with its story of the fight for civil rights in the 60s, and the covers to both volumes have become iconic in their own right. The message of the courage to fight for equality for all in the face of violent opposition is as relevant and needed today as it was 50 years ago. But powerful images to cover powerful times don’t always spring up fully formed. Here Powell and Top Shelf designer Chris Ross with an in-depth breakdown of how they created these covers and combined imagery to capture both history and ideals.]
NATE: March was originally a single, massive volume, so the initial front and back covers were intended to house the entire narrative: the front introduced the basic visual theme of opposition, with two elements facing off against each other, though a contingent of riot-ready white supremacist police were prominently featured across the bottom. After some discussion with Chris Ross, Andrew Aydin, and Congressman Lewis, we all agreed that we should shift some of that focus to the folks on the front lines, and away from Jim Crow police forces. Around that time, we decided to release the saga as a trilogy, so Chris and I jumped in to further develop the oppositional themes, but playing with different angles and approaches to the cover’s division.
Brought to you by Publishers Weekly, it’s More To Come, the weekly podcast of comics news, interviews and discussion with Calvin Reid, Kate Fitzsimons and The Beat’s own Heidi MacDonald. In this week’s podcast Calvin Reid interviews acclaimed comic creator Miss Lasko-Gross about her background in comics, her new graphic novel ‘Henni’ – a story […]
It’s possible you missed it last year, but New York Comic-Con has a secondary convention, starting last year in early Summer, called Special Edition. Touted as the comics-only convention for New York (and greater) fans, initial response was mixed. It was announced late, but the guest lineup was strong. It fell on Father’s Day weekend, but the tickets weren’t expensive. It seemed like people were optimistic about the first iteration of the event. Unfortunately, attendance wasn’t exactly what you’d call great. Saturday was acceptable according to a number of exhibitors I talked to but Sunday was completely dead, maybe 200-300 attendees over the full day. I saw many exhibitors pack up early to beat the traffic home – not a heartening sight. I wasn’t sure if they’d continue the event, but hey – with ReedPop’s bankroll, why not?
Marjorie “Marge” Henderson Buehl, the magazine cartoonist who created Little Lulu, and Bill Woggon, creator of Katy Keane, an early example of crowd sourced comics, have been selected for the Will Eisner Comic Awards Hall of Fame by this year’s judges. An additional 13 names will be on the ballot for the awards: Lynda Barry, […]
We reported on this topic just a few weeks back, but now according to Variety, Bryan Singer has settled on his three younger versions of Cyclops, Jean Grey and Storm for the 1980’s set X-Men: Apocalypse. Playing Cyclops will be Tye Sheridan, who blew my socks off in Mud and the recent David Gordon Green […]