asian american comiconThe first ever Asian American ComiCon will be held next Saturday, July 11th in NYC, and they are only selling 250 tickets, so we advise buying one in advance! The guest list and programming schedule have been released and here they are. The programming sounds great, and with folks like Derek Kirk Kim, Larry Hama, Misako Rocks and Greg Pak on hand, it sounds like yet another must attend event. Info on purchasing tickets is at the bottom of the post.

The organizers of the First Annual Asian American ComiCon (AACC) have announced the complete Featured Guest list and final Schedule of Events for this celebration of the unique contemporary role and historical legacy of Asians and Asian Americans in the world of graphic fiction, which will take place Saturday, July 11, 2009 from 10 a.m. to 5 p.m. at the Museum of Chinese in America (215 Centre Street in New York).

Confirmed Special Guests Include:
• Larry Hama (writer, G.I. Joe)
• Bernard Chang (artist, Wonder Woman)
• Cliff Chiang (artist, Green Arrow)
• Derek Kirk Kim (artist, The Eternal Smile)
• Greg Pak (writer, Incredible Hulk)
• Khoi Pham (artist, Mighty Avengers)
• Sean Chen (artist, Iron Man)
• Christina Strain (colorist, Runaways)
• Fred Chao (writer/artist, Johnny Hiro)
• Christine Norrie (artist, Breaking Up)
• Tak Toyoshima (writer/artist, Secret Asian Man)
• Misako Rocks! (writer/artist, Biker Girl)
• Kuo-Yu Liang (VP Sales & Marketing, Diamond Book Distributors)
• Sharad Devarajan (CEO, Liquid Comics)
• William F. Wu (writer, Hong on the Range)
• The Editors of Secret Identities (www.secretidentities.org)



Other special guests of the con will include: Ben Nugent, author, American Nerd; Hua Hsu, professor, Vassar College; Ed Lin, author of Waylaid and This Is a Bust; Monica Ferrell, author, The Answer Is Always Yes; Monica Youn, author, Ignatz (forthcoming); Vyshali Manivannan, author, Invictus; Paolo Javier, author, 60 lv Bo(e)mbs; Jennifer Lee, former editor, Marvel Comics and DC Comics; Kai-Ming Cha, comics and manga reporter, Publishers Weekly; Aimee Bahng, assistant professor, English, Dartmouth College; Ken Okabayashi, founder of Piggy Back Studios; Tyler Chin-Tanner, artist/writer, American Terrorist; Daniel Ketchum, editor, Marvel Comics; Karl Taro Greenfield, author, Speed Tribes; and Arune Singh, sales coordinator, Marvel Comics.

In addition, the following creators will be participating in the AACC’s Artists Alley, and will conduct signing and sketch sessions throughout the day. Each artist will also donate an original sketch for AACC’s silent auction, proceeds to benefit the nonprofit Museum of Chinese in America.

• Jimmy J. Aquino (writer, “Sampler,” SECRET IDENTITIES)
• Jeremy Arambulo (writer/artist, ROGUE SOUP & BUG)
• Bernard Chang (artist, WONDER WOMAN)
• Sean Chen (artist, IRON MAN)
• Tyler Chin-Tanner (writer/artist, AMERICAN TERRORIST)
• Robin Ha (writer/artist, THE MAGIC 8-BALL)
• Dongyun Lee (writer/artist, ZOOM)
• Yali Lin (writer/artist, SHAKESPEARE’S ROMEO & JULIET)
• Jerry Ma (art director, SECRET IDENTITIES)
• Allan Norico (writer/artist, THINGS I’VE SEEN AT SHOWS)
• Khoi Pham (artist, MIGHTY AVENGERS)
• Misako Rocks! (writer/artist, BIKER GIRL)
• Sarah Sapang (artist, “16 Miles,” SECRET IDENTITIES)
• Christina Strain (colorist, RUNAWAYS)
• Alex Tarampi (artist, “Gaman,” SECRET IDENTITIES)
• Tak Toyoshima (writer/artist, SECRET ASIAN MAN)
• Paul Wei (writer/artist, THE ADVENTURES OF MAXWELL & GRANDMA)
• Ken Wong (writer/artist, SCHRODINGER’S CAT)

COMPLETE SCHEDULE OF EVENTS
The event will be divided into three tracks: Reading Comics, Making Comics, and Creator Spotlight. Each track includes a diverse range of interactive and immersive panels and workshops, featuring leading Asian and Asian American figures from comics, literature and academia.

Reading Comics

How do we read comic books today? This track answers this question by putting comic book artists at the same table with novelists, professors and industry professionals. A mash-up of fan convention, Asian American studies conference and literary festival, this one-of-a-kind series of panels and readings confronts pressing issues, such as the globalization of pop culture, the representation of Asian Americans in comics, and, of course, the nature of nerdiness.

Sessions Include:

· Nerdpop: The Rise of the Nerds!: Asian Americans have long been stereotyped as “nerds,” but nerdiness has become something to celebrate. With the rise of digital culture and the mainstreaming of comic books and other once nerdy genres, nerds have gone from persecuted minority to masters of the universe. This panel examines the historical development of nerd identity, particularly among Asian Americans, and the aesthetics of nerd pride. Moderated by Hua Hsu, professor, English, Vassar College, featuring panelists Ben Nugent, author, American Nerd; Derek Kirk Kim, artist/writer, Same Difference & Other Stories; and Keith Chow, senior editor, Secret Identities: The Asian American Superhero Anthology

· Every Comic Is Asian American: The most prominent Asian American comic characters have typically been slanty-eyed sidekicks and supervillains, speaking in broken English and colored the shade of school buses. This panel starts with an all-star line-up of novelists and poets re-imagining their favorite comic book characters as Asian American and continues with a panel of professors, artists, and journalists discussing how Asian Americans have been represented in graphic novels. Moderated by Ken Chen, executive director of The Asian American Writers’ Workshop, featuring panelists like Ed Lin, author, Waylaid and This Is a Bust; Monica Ferrell, author, The Answer Is Always Yes; Monica Youn, author, Ignatz (forthcoming); Vyshali Manivannan, author, Invictus; Paolo Javier, author, 60 lv Bo(e)mbs; and Karl Taro Greenfeld, author, Speed Tribes

· The Asianization of Pop Culture: The rise of the graphic novel could really be described as the Asianization of American pop culture. In fact, the graphic novel renaissance has in many ways been powered by the popularity of manga, Japanese comics that still account for half of the new comics released in the America today. Panelists discuss the influence of manga, manhwa, and anime on American comics and American pop culture more generally. Moderated by Kai-Ming Cha, comics and manga reporter, Publishers Weekly, featuring panelists Aimee Bahng, assistant professor, English, Dartmouth College; Kuo-Yu Liang, VP, Sales & Marketing, Diamond Book Distributors; Ken Okabayashi, founder of Piggy Back Studios; and Misako Rocks!, artist/writer, Biker Girl

· The New Villains: Muslim insurgents. Chinese spies. North Korean dictators. Is it just us, or are Asians increasingly being cast in the role of the global evildoer? What’s the history of the portrayal of villainous Asians in comics and cartoon art, how does that history shape what we’re seeing in those fields today, and what does this mean for Asians and Asian Americans in the real world? Moderated by Jeff Yang, editor-in-chief, Secret Identities: The Asian American Superhero Anthology, featuring panelists Larry Hama, creator, G.I. Joe mythology; William F. Wu, author, Hong on the Range and The Yellow Peril; Tyler Chin-Tanner, artist/writer, American Terrorist; and Sharad Devarajan, CEO, Liquid Comics

Track Two: Making Comics
This track focuses on the art and business of making comics— from alt-comics and literary graphic fiction to mainstream superhero books and syndicated strips. Featured workshops will include a hands-on demonstration by leading creators; explorations of the business side of comics; and other sessions highlighting comics as a profession, a discipline, an art form and a commercial landscape.

Sessions include:

· Writers’ Bloc: Writers of indie and superhero comics and a syndicated comic strip discuss the craft of scripting sequential art and their strategies for tackling everyday creative challenges. Moderated by Greg Pak, writer, The Incredible Hulk and War Machine, featuring panelists Fred Chao, artist/writer, Johnny Hiro; Larry Hama, creator, G.I. Joe mythology; Christine Norrie, artist/writer, Cheat; and Tak Toyoshima, artist/writer, Secret Asian Man

· Visual Storytelling—The Art of Collaboration: Top graphical storytellers share their experiences and tips for making the most of the challenges and opportunities of collaboration between pencillers, inkers, colorists, and writers. Moderated by Greg Pak, writer, The Incredible Hulk and War Machine, featuring panelists Sean Chen, artist, Iron Man; Daniel Ketchum, editor, Marvel Comics; Derek Kirk Kim, artist/writer, Same Difference & Other Stories; Khoi Pham, artist, Mighty Avengers; and Christina Strain, colorist, Runaways

· Visual Storytelling—Hands On: A diverse group of acclaimed artists sketch in real time as they discuss their different approaches in making creative choices. Moderated by Greg Pak, writer, The Incredible Hulk and War Machine, featuring panelists Bernard Chang, artist, Wonder Woman; Fred Chao, artist/writer, Johnny Hiro; Cliff Chiang, artist, Green Arrow/Black Canary; and Misako Rocks!, artist/writer, Biker Girl

· The Business of Comics: For anyone who’s ever dreamed of joining the comics world, here’s your chance to get an insider’s look at the commercial side of graphical storytelling. Comic book pros from every corner of the biz introduce their fields and discuss breaking in, maintaining a career, and keeping up with what the future has in store. Moderated by Jennifer Lee, former editor, Marvel and DC Comics, featuring panelists Bernard Chang, artist, Wonder Woman; Fletcher Chu-Fong, manager, Events & Retail, DC Comics; Kuo-Yu Liang, VP, Sales & Marketing, Diamond Book Distributors; Arune Singh, sales coordinator, Marvel Comics; Tak Toyoshima, artist/writer, Secret Asian Man; and Sharad Devarajan, CEO, Liquid Comics

Track Three: CREATOR SPOTLIGHT Sessions
In this track top comics creators paired with interesting counterparts (outside of comics) for one-on-one discussions covering craft, inspirations and influences, shared themes and future collaborations.

Sessions Include:

· Similar Differences—SPOTLIGHT on Derek Kirk Kim: A candid discussion with the brilliant author and artist of Same Difference and Other Stories and co-creator, with Gene Yang, of the new graphic novel The Eternal Smile. Moderated by Jeff Yang, editor-in-chief, Secret Identities: The Asian American Superhero Anthology

· From Chop-Chop to Silver Samurai—SPOTLIGHT ON: William F. Wu: A guided tour with science fiction legend William F. Wu, as he shares samples from his collection of thousands of comics depicting Asian images…good, bad, and definitely ugly. Moderated by Jeff Yang, editor-in-chief, Secret Identities: The Asian American Superhero Anthology

· Hama Time!—SPOTLIGHT on Larry Hama: Catching up with comics pioneer Larry Hama, creator of the G.I. Joe universe and winner of this year’s KIYAMA AWARD! Moderated by Keith Chow, senior editor, Secret Identities: The Asian American Superhero Anthology

All tracks are open to all AACC registrants; however, to manage traffic flow and seating, we will ask registrants to tentatively identify which sessions they intend to join upon receiving confirmation of their attendance. Space for some sessions is limited, and will be available on a first-come, first-serve basis, with VIP Pass holders receiving priority.

Tickets for the nonprofit Asian American ComiCon are $15 for students, $25 for adults (18 and older), and $75 for a special VIP Pass, entitling the bearer to priority reserved seating at all panels and workshops, a complimentary Asian American graphic novel, signed by its creators, and an original sketch from one of the artists participating in the event’s Artists Alley. Registration will be limited to 250 attendees, and is available in advance through the following link: https://www.nycharities.org/event/event.asp?CE_ID=4187

1 COMMENT

  1. Apologies in advance for my great ignorance – which will be apparent whatever the answer – but Larry Hama and Greg Pak are Asian?

    Well, being Asian myself…cool.

  2. – but Larry Hama and Greg Pak are Asian?

    Here is an interview with Hama:

    Q4: People tend to ask a ton of questions about multiculturalism and diversity in interviews with you, more than with other comic writers. Given that making racial classifications is such an artificial exercise in labeling people, do you ever become frustrated as some try to classify you as an Asian-American and focus on what “importance” they can make out of it, or drag out stereotypes, specifically with regard to your comic work?

    Larry Hama: I tried to read the Wikipedia article about me once, but the first thing it says is something about me being Japanese-American, which I found so off-putting it kept me from reading the rest of it. Is Ronald Reagan described as being Irish-American? Maybe it’s to make clear that I am not Scandinavian or Syrian? (Hama being a perfectly good name in either place) Not that I am not proud of my heritage, but my grandparents came to this country a hundred years ago. When do I get to be just a plain American? This hyphenation distinction doesn’t come into play outside of this country. In England, France, Spain, Russia, and even Japan, they peg me for an American right off the bat.

    and an interview with Pak:

    CK: Let’s talk about why you wanted to create a Korean American character.

    GP: I’ve always thought it was particularly fun when you take a genre or story that doesn’t have anything to do with Asian American issues and then you cast that story with Asian American characters. Sometimes it allows for almost a more subtle kind of commentary that can come out of almost surprising or unexpected ways. We didn’t throw Amadeus out there like, “Here is the latest and greatest Asian American character: It’s Asian Man!” The hook was, this is a great conflicted character with a fun attitude, a good sort of Marvel-esque tragic back story, a big learning curve ahead of him and some dramatic potential.

    CK: So why the name “Amadeus”?

    GP: I thought of Asian American families giving their kids crazy names like Stanford and Harvard, and I just thought it was a fun idea that this family would name their kid Amadeus because they want or know he’s going to be a genius.

  3. I never understood the reason for doing something like this. When people are struggling for acceptance and to not be viewed by their race, this comes along to once again point out differences, and separation. It doesn’t make any sense, what is the purpose? What next?

  4. There seem to be two major approaches in how society handles minorities: the “melting pot,” which emphasizes minimizing differences and promoting social homogeneity, and “celebrating differences,” which allows minorities to preserve their cultural identities while remaining loyal to the nation. I don’t think either approach is wrong, as long as the overriding purpose is to avoid social and political conflict.

    SRS

  6. Melting pot or tossed salad?

    I’m German-American, but unless I’m commenting on my heritage (such as having uncles who exerienced the World War II from both sides), it should’t matter.

    Living in New York, so vermischt, well… background is just another aspect of someone, like the color of one’s hair, or if one wears glasses, or reads comics.