Tweet[Previous chapters: Introduction, 1 - Prehistory, 2 - Marvelman Rises, 3 - Marvelman Falls, 4 - Intermission: 1963 to 1982, 5 - Prologue to Warrior, 6 - A Warrior is Born, 7 - A Warrior Stumbles] By 1984, things were starting to fall apart at Warrior. Alan Moore’s Marvelman is threatened by Dez Skinn’s Big […]
Tweet[Previous chapters: Introduction, 1 - Prehistory, 2 - Marvelman Rises, 3 - Marvelman Falls, 4 - Intermission: 1963 to 1982, 5 - Prologue to Warrior, 6 - A Warrior is Born] When Dez Skinn had started Warrior, he wanted the creators to own their own creations, which they all did, more or less. Marvelman was […]
Interview: Eddie Campbell — “My theory is that we cannot stand the idea that the universe is random…”
TweetIn May Top Shelf in the US and Knockabout in the UK will be co-publishing The From Hell Companion. The Top Shelf website describes it as An astonishing selection of Alan Moore‘s original scripts and sketches for the landmark graphic novel, with copious annotations, commentary, and illustrations by Eddie Campbell. Here for the first time […]
Tweet[Previous chapters: Introduction, 1 - Prehistory, 2 - Marvelman Rises, 3 - Marvelman Falls, 4 - Intermission: 1963 to 1982, 5 - Prologue to Warrior] Warrior took nearly a year from its original inception in the spring of 1981 to finally reaching the shelves in March 1982. The contents of that first issue were, in […]
Tweet[Previous chapters: Introduction, 1 - Prehistory, 2 - Marvelman Rises, 3 - Marvelman Falls, 4 - Intermission: 1963 to 1982] Born in Goole in Yorkshire on the 4th February 1951, by 1982 Derek ‘Dez’ Skinn already had a long and successful history working in British comics. He had started producing the comics fanzine Derinn Comicollector […]
Tweet[Previous chapters: Introduction, 1 - Prehistory, 2 - Marvelman Rises, 3 - Marvelman Falls] In the nineteen-year gap between L Miller and Co Ltd‘s publication of Marvelman #370 in 1963 and Dez Skinn’s Quality Communications Ltd revitalisation of the character in the pages of Warrior #1 in 1982, a number of the parties involved in […]
London’s Tate Gallery are running an exhibition of work by Roy Lichtenstein, who is famous for
stealing ‘appropriating’ panels from comics and representing them as works of high art. The exhibition runs until the 27th of May, if you’re interested.
TweetPoisoned Chalice Part 3: Marvelman Falls [Previous chapters: Introduction, 1: Prehistory, 2: Marvelman Rises] The actual work on the Marvelman titles was done by various artists, and Mick Anglo goes into quite a bit of detail about them and their different styles in Nostalgia: Spotlight on the Fifties. The outstanding Marvelman artist amongst all of […]
TweetPoisoned Chalice Part 2: Marvelman – The Miller Years I [Previous chapters: Introduction, 1: Prehistory] If American comics can be said to have begun with the publication of Famous Funnies: A Carnival of Comics in 1933, their British equivalent began half a century earlier with Ally Sloper’s Half Holiday, first published on May 3rd 1884. […]
Superman, co-created by writer Jerry Siegel and artist Joe Shuster, first appeared in Action Comics #1 in June 1938, published by Detective Comics Inc, a fore-runner of National Periodical Publications and DC Comics. Virtually overnight it became a huge seller, and is running to this day, with uninterrupted publication for well over seventy years. A vast amount has been written over the years on the history of Superman, and by people substantially more qualified than I, but one claim, that Superman was based on the character of Hugo Danner, from Philip Wylie’s novel Gladiator, (Alfred A. Knopf, New York, 1930), has some relevance to the larger story of Marvelman and, although I decided that it might be too far back to start this series of articles, if you’re interested in reading what I have to say about it, you should go read this article, and then meet us back here.
The comic character Marvelman has a fascinating – and probably unique – history in the field of comics. His extended origin goes all the way back to the very beginnings of the American superhero comics industry, and it seems likely that his ongoing story will stretch on well into the future. It involves some of the biggest names in comics. It’s a story of good versus evil, of heroes and villains, and of any number of acts of plagiarism and casual breaches of copyright.