Business news briefs

200904061336
• ECCC news: The initial launch of the BOOM!/Fox Atomic partnership will be an ongoing 28 DAYS LATER comic:

Initial launch story will be firmly based in 28 DAYS LATER continuity with the first arc focusing on Selena. Bridging the gap between 28 DAYS LATER and 28 WEEKS LATER, a few key questions will be answered along the way: what happened to Selena after 28 DAYS LATER? How did Selena happen upon the machete she wields in 28 DAYS LATER?


The creative team wasn’t mentioned, but the Tim Bradstreet (Above) and Sean Phillips(Below) cover art that came with the PR is a good start.

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• ECCC News: Writer/Artist Rick Remender has signed an exclusive with Marvel, where he’s writing PUNISHER. The article doesn’t mention any exceptions for his creators-owned books like FEAR AGENT and THE END LEAGUE, so one assumes those are on hold for now.

Todd Allen continues his look at a post-direct market world with a survey of monetizing webcomics:

The first thing we need to do is acknowledge that the online readership of many print comics is larger than the paid physical readership. .CBRs are popular, as are torrents. No two ways about it. You have to accept you have a problem before you can deal with it.

The second thing we need to do is understand what revenue models work for webcomics and why. If the print publishers need to get into digital distribution, reinventing the wheel is folly, and potentially dangerous.

• Heed Japan: Masahiro Itabashi’s romantic comedy series Boys Be has come back as a comic for cell phones.

The new manga is called Boys Be 2009 1 and as far as I can tell is an updated version of the original 1991 manga, revolving around students dealing with both platonic and romantic relationships in their daily lives, particularly average-guy Kyouichi Kanzaki and his childhood friend Chihara Nitta.

• John Jakala catches that Tokyopop has raised the price of their GNs from $9.99 to $10.99:

I’m assuming the price increase won’t be accompanied by any additions to the manga volumes, like better paper stock or color inserts. It would be interesting if Tokyopop followed a page from DC’s recent playbook and offset the price increase with backup features. Like DC, Tokyopop could use the price increase as an opportunity to publish fan favorites that don’t sell well enough to justify individual publication. It’d be especially interesting if Tokyopop used such backups to complete the many OEL series stuck in publishing limbo. Of course, you’d run the risk of fans complaining about charging more for series they don’t want to read, but if the prices were going to go up anyway, I assume most fans would rather get something additional rather than nothing at all.

Comments

  1. Regarding Remender, his interview with CBR today says that all of his creator-owned projects are being gradually wound down:

    http://www.comicbookresources.com/?page=article&id=20682

    The main pull quote would probably be “My creator-owned schedule for the next couple of years will be lean as I’m going to focus all my time and energy on my Marvel work.”

  2. Everytime I see the word monetizing I think, ‘that looks nothing like Monet.’

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