It would almost be self-aggrandizing to praise Noelene Clark’s recent women in comics piece in the LA Times, since I”m quoted so extensively in it, but I’m happy to say that the bulk of the cartoonists she spoke with were also proponents of the idea that I often promote here: women have already had massive, historic success in the comics industry, and at this point those outlets that aren’t adapting to the wave of female readers and creators are truly out of step with the times, and not the trendsetters.
I’ll make it short and sweet: creators have to create. Marvel and DC no longer allow them to do that, except within rigidly proscribed guidelines. And the Paolo Riveras of the world are going to have to move on. It might not be too long before the Big Two are just steppingstones to get your name out there for even bigger things.
At iFanboy, Josh Flanagan brings up an issue that we often mention at BarCon:Are There Any Superstar Comic Artists Left?:
Or: how did we get here anyway? Chris Eckert does something we’re surprised more
anal retentive fans internet researchers haven’t done, and collates Five Years Later: The Oral History of Countdown to Final Crisis using the plethora of internet interviews that flooded the comics internets in the innocent days of 2007. Although, as Eckert points out, a lot of material from that era has been removed, including most of Newsarama and The Pulse, to name but two. So what was Countdown?
Over at iFanboy, Jim Mroczkowski points out that the battle between Good and Wednesday has been very clearly won by Wednesday, with both Marvel and DC sticking to schedules even if it means the artist rosters are in constant flux:
Listen to Heidi MacDonald, The Beat herself, discuss 2011 in comics on a special year-end edition of More To Come, the PW Comics World podcast! As you may or may not know, Heidi has been one of the hosts of our bi-weekly comics news podcast for the past several months. In this episode, Heidi MacDonald and her co-hosts PW Comics World editor Calvin Reid and I discuss the biggest trends and events of the past year, including…
When DC announced the 52 relaunch, there were a handful of titles I was concerned about: Xombi, Legion of Super-Heroes, Jonah Hex and T.H.U.N.D.E.R. Agents. As it turns out, the only one I got burned on was the criminally under-appreciated Xombi. Last week, the new volume of T.H.U.N.D.E.R. Agents came out.
The first question is: “Did the last series count or is this a total reboot?”
By Todd Allen What is it about the Legion of Super-Heroes that pulls in ex-Marvel editor-in-chiefs. Roy Thomas wrote it. Gerry Conway wrote it. Jim Shooter came back for another run. Now Tom DeFalco is taking over Legion Lost with issue #7. Writing changes announced on Superman, Green Arrow and Legion Lost before the 4th […]
By Todd Allen Back in August, DC released the “TALES OF BATMAN: GENE COLAN VOL. 1” hardcover book. This book reprints Batman #340, 343-345, 348-351 and Detective Comics #510, 512, 517, 528 and 529. As we see a trend towards naming collections of a title by the creator(s),we come across a little glitch. When collecting […]
“Venom by Rick Remender Vol. 1” is not the flashiest title ever conceived for a book (pun intended). There’s a trend of breaking up titles runs by creator. Over at Marvel, you’ve got “Ultimate Comics Spider-Man by Brian Michael Bendis,” “Moon Knight by Brian Michael Bendis and Alex Maleev,” and so forth. Over at DC, You’ve got “Tales of the Batman” volumes for Gene Colan and Don Newton. I suppose it’s good for branding the work of a particular creator on a series, though it’s the rare title like Moon Knight that’s spreading the love between both writers and artists. We’ll see how long this naming trend sticks around and whether more heavily promoted storylines are collected under the creators’ names (as of this writing, it’s Spider-Man: Spider Island, not Dan Slott’s Spider-Man Vol. *.*”)
Venom by Rick Remender has Remender on writing chores, with the art split between Tony Moore and Tom Fowler, and a variety of inkers on Moore. I pulled this volume out of the library on a lark and it turned out to be a much deeper read than I was expecting.
This afternoon, Bill Willingham tweeted some typically frank thoughts about working on superhero comics — in recent years, he wrote JSA for DC, and before that Shadowpact, a group book featuring several of DC’s more supernatural characters…and Detective Chimp. And as many have said before him, working with recent brands of editorial direction tended to mitigate against spontaneity: