Tweet Even as the glow of great comics at TCAF is drifting away, some bad news for great indie comics festivals: according to a post on their Tumblr, The Brooklyn Comics and Graphics Festival is being suspended. We have decided not to continue with BCGF. We had a great run and thank all of our [...]
Tweet This weekend it’s the Toronto Comic Arts Festival 2013, with the actual event to be held May 11-12 at the Toronto Reference Library, 789 Yonge Street in Toronto. Normally I would be listing debuts and parties and whatnot, but the TCAF site already has just about every shred of info you will need.
Tweet It’s a truism that comics culture and the comics industry varies radically from country to country, but MoCCA Fest’s efforts to bring in an international perspective is laudable, to get past the stereotypes of difference and hear the story first-hand. Needless to say, it’s valuable to avoid a myopic perspective of the American comics [...]
TweetTowards the end of his life, witnessing the rise of the graphic novel as a format, Will Eisner commented on the fact that his books formed a subsection of the graphic novels display at a large bookstore by clarifying that his desire was to see his books shelved in the literature section alongside works by [...]
The Chicago Weekly profiles cartoonists cartoonist Ivan Brunetti, who talks candidly about his teaching, low comics output of late, depression, and home town. Perhaps best known for his Fantagraphics collection Misery Loves Comedy, Brunetti is a much respected foundational indie cartoonist. His two comics anthologies from Yale Press —Graphic Fiction and Grahpic Fiction Volume II — are also just about the best introductions to literary and art comics of recent years.
The Slate Book Review and the Center for Cartoon Studies have teamed up for a new cartooning honor: The Cartoonist Studio Prizes. There are two categories—Best Graphac Novel and Best Web Comic—with 10 finalists in each category. Winners will each receive a $1,000 prize
TweetWell, the year is winding down, and with it comes the annual “Best Of” lists from various websites and media. Publishers Weekly led the charge, issuing an actual graphic novel listing within their greater big list, with Chris Ware’s Unbuilding making the overall “Best Books” listing. Yesterday, the Washington Post released their list, and it [...]
This was the third indie show of the year—TCAF and SPX were the other two—where I experienced the complete rapture of falling in love with comics all over again for the first time. Love, death, mystery—when the first time happens all over again, you know you’re in the right place. I wasn’t the only one feeling the love.
TweetA HUGE list of books that will be debuting at Saturday Brooklyn Comics and Graphics Fest. Gas is a little short but mass transit is working so get yourself over to Williamsburg! And yes this list is long, but please at least scan it — you’ll see an amazing array of books available, from Maxfield [...]
Tweet After gaining huge mainstream attention for BOTTOMLESS BELLY BUTTON and BODY WORLD—both formally experimental graphic noels that remained emotionally true—Dash Shaw has kept a low profile in recent years, as he works on multimedia projects, including animation. But Fantagraphics has just announced two new books, NEW SCHOOL and 3 NEW STORIES. Exciting news for [...]
Tweet Remember that Harvey Pekar Memorial Statue that was Kickstarted and planned to be installed in the Cleveland Public Library? Well, i’s going to be dedicated in just a few weeks, on October 14th. In the meantime, here’s a short film on the making of the statue, starring Pekar’s widow and collaborator Joyce Brabner.
TweetBy Steve Morris Currently under way despite Nevada’s attempt to suck the entirety of comics inside Las Vegas, The Morley Literature Festival is yet another sign that when it comes to comics, Leeds is the place to be. Now in their seventh year, this year the festival sees British faces like Stuart Maconie (first time [...]
“How does it feel to be here, surrounded by cats?” The moderator’s already off to an auspicious start, given his (what I believe to have been, given my complete lack of German comprehension) promise not to discuss “why mice, why the holocaust.” It’s the proverbial gorilla in a room full of cats, of course, and while Spiegelman has visited the country a number of times in the past 25 years or so, it seems an odd choice not to discuss it the day before the opening of a retrospective on the cartoonist’s work. And here we are, like clockwork, dipping our toes in the water, the moderator asking how it feels sitting in this room, being, you know, the guy who got famous by writing a comic book about the Holocaust.