TweetWell, the year is winding down, and with it comes the annual “Best Of” lists from various websites and media. Publishers Weekly led the charge, issuing an actual graphic novel listing within their greater big list, with Chris Ware’s Unbuilding making the overall “Best Books” listing. Yesterday, the Washington Post released their list, and it […]
This was the third indie show of the year—TCAF and SPX were the other two—where I experienced the complete rapture of falling in love with comics all over again for the first time. Love, death, mystery—when the first time happens all over again, you know you’re in the right place. I wasn’t the only one feeling the love.
TweetA HUGE list of books that will be debuting at Saturday Brooklyn Comics and Graphics Fest. Gas is a little short but mass transit is working so get yourself over to Williamsburg! And yes this list is long, but please at least scan it — you’ll see an amazing array of books available, from Maxfield […]
Tweet After gaining huge mainstream attention for BOTTOMLESS BELLY BUTTON and BODY WORLD—both formally experimental graphic noels that remained emotionally true—Dash Shaw has kept a low profile in recent years, as he works on multimedia projects, including animation. But Fantagraphics has just announced two new books, NEW SCHOOL and 3 NEW STORIES. Exciting news for […]
Tweet Remember that Harvey Pekar Memorial Statue that was Kickstarted and planned to be installed in the Cleveland Public Library? Well, i’s going to be dedicated in just a few weeks, on October 14th. In the meantime, here’s a short film on the making of the statue, starring Pekar’s widow and collaborator Joyce Brabner.
TweetBy Steve Morris Currently under way despite Nevada’s attempt to suck the entirety of comics inside Las Vegas, The Morley Literature Festival is yet another sign that when it comes to comics, Leeds is the place to be. Now in their seventh year, this year the festival sees British faces like Stuart Maconie (first time […]
“How does it feel to be here, surrounded by cats?” The moderator’s already off to an auspicious start, given his (what I believe to have been, given my complete lack of German comprehension) promise not to discuss “why mice, why the holocaust.” It’s the proverbial gorilla in a room full of cats, of course, and while Spiegelman has visited the country a number of times in the past 25 years or so, it seems an odd choice not to discuss it the day before the opening of a retrospective on the cartoonist’s work. And here we are, like clockwork, dipping our toes in the water, the moderator asking how it feels sitting in this room, being, you know, the guy who got famous by writing a comic book about the Holocaust.
Much has been written and lauded about this year’s SPX, and I’m late to the game but I have a few thoughts I wanted to put to pixel before the memories fade. It was a great time for just about everyone, I think. I had a blast at TCAF this year and came away from it completely optimistic about The State of Comics. That mood was only deepened by SPX, and I don’t expect it to fade any time soon. A few little notes:
Tweet Photo via @eee Possibly the best SPX ever—and definitely the most financially successful one. That’s what everyone was saying last night. By 4:30 Fantagraphics had made more money than they did at all of last year’s show. Similar stories were reported at PictureBox, Nobrow, D&Q and everywhere really. With a bigger floor space and […]
This weekend The Small Press Expo takes place in North Bethesda, MD, offering what seems to be a once in a lifetime lineup of guests: Dan Clowes. Chris Ware. Both Hernandez Brothers. No one ever seems to remember seeing them all in one place before. They won’t all be on the same panel, but there is one featuring Clowes, Los Bros and Adrian Tomine. Get there early.
Meanwhile, in Chicago it was the all-time greatest cartoonist confab, the Comics: Philosophy and Practice event, which was overshadowed a bit by the presence of a NATO summit in Chicago at the very same time—apparently traffic and security were taxing.
Christopher Borelli’s report is written contrasting the two summits, while noting the enormity of the attendees:
While any noteworthy comics events are taking place this weekend, the not notable—and perhaps the most notable in recent comics history—is taking place at the University of Chicago’s new $114 million Reva and David Logan Center for the Arts: the Comics: Philosophy and Practice symposium organized by Hilary Chute. The lineup?