TweetArtist Declan Shalvey has had an incredible year. Whilst working as regular artist for books like Venom and Thunderbolts at Marvel, he’s also created art and covers for books published at Dark Horse (Conan and The Massive), IDW (Half Past Danger and TMNT), Boom (Robocop) and Vertigo (American Vampire). In February his first-ever cover at Marvel […]
TweetBy David Nieves Amidst his first special-guest-of Comic Con appearance, the opening day of SDCC held Chris Samnee’s first spotlight panel. Jovially introduced by his Daredevil partner and moderator Mark Waid, Chris talked about his influences and beginnings, and answered some questions from fans.
Tweet [Eds note: want to get a portfolio review at Comic-Con? READ ON.] by Bon Alimagno I’m Bon Alimagno, writer of the #Tweetfolio portfolio review column Heidi has linked to here on the Beat in the past. As a longtime reader of the Beat and even longer friend of Heidi’s, I’m pleased to bring this […]
TweetEvery Friday, Stately Beat Mansion invites round a comic creator or two for a cup of tea, complementary Kit Kat, and a chat about their work in The Phoenix. The Phoenix is a UK series which features a range of the best all-ages comics available, from all kinds of wonderful creators – all compiled into a […]
Tweet Okay is it OK Cupid for Comics Creators? Not exactly, but if you are a CWC looking for a AA, DDF, then the Comic Creators Connection is for you. Comixology, as mentioned before, is getting more into the mix at Comic-Con, sponsoring a much of charity benefits, and co-sponsoring the Eisners and more. It’s […]
TweetMarvel’s female characters do tend to be their very best, so here at The Beat we’ve been following Will Sliney (at a distance, so he doesn’t suspect) as he helps set up the all-female Fearless Defenders team. Whenever a new character joins the team, Will very kindly talks a little about them, and how he […]
TweetLater this year IDW will be publishing Half Past Danger, a new series written, drawn, and created by Stephen Mooney. After working as artist on several IDW titles including Star Trek and Angel for the last few years, Mooney decided it was time to set up a creator-owned project, which he’d have full control over. […]
TweetAs a new character joins the cast of Cullen Bunn and Will Sliney’s Fearless Defenders, so she joins team members Valkyrie and Misty Knight in our growing group shot of the team! Today sees the release of Fearless Defenders #2, which sees Dani Moonstar enter the scene. The leader of the New Mutants for years […]
Following up on last year’s bestselling Vader and Son, Jeffrey Brown is back this April with Vader’s Little Princess a series of gags based on Vader as dad to little Leia, from toddler to teen. Art Director Steve Mockus has a process post on putting together the book’s cover; since it covered an age range the idea wasn’t immediately apparent.
The other day the New York Times interviewed South Park’s Matt Stone which you should be able to read unfirewalled here, and Stone delivers a confirmation of Content as King:
TweetMarvel seem to be making a proper investment in their female characters in 2013, with a number of new books launching and several of their more prominent female characters getting a boost in profile. Of their many comics featuring female characters, though, one of the most anticipated is Fearless Defenders, in which an all-female team of […]
Tweet Well, as we were just saying, colorists are an integral part of the comics creation process, more responsible fore the look of a book than anyone else, really in the modern production process. And yet one con does not think that colorists are worthy to be listed as guests for their show. Or that’s […]
This is one of those “the killer is calling from inside the house!” posts. As the digital tide slowly eats away at the limestone foundations of print, sometimes it’s the hidden damage that is most destructive. In this case, artist Jim Rugg points out something that isn’t discussed nearly enough: how coloring comics on computer monitors is not really an adequate preparation for the print versions. In this case, he notes that the print version of Mike Mignola’s Hellboy in Hell just doesn’t look as good as the digital version:
TweetRon Perazza has been at the forefront of new digital comic projects for years, with his work at Zuda and ComiXology helping to pave the way for digital comics as we now know them. Thrillbent, Madefire, Aces Weekly, Double Feature, Monkeybrain – they all owe a debt to his work. His most recent leap is […]