By Matt O’Keefe A few months ago, editor-in-chief of The Beat Heidi MacDonald shared on social media that she’d been interviewed for the comic book podcast Stuff Said. I really enjoyed her conversation with host Gregg Schigiel, and soon after listening to that episode I devoured the rest of the show’s catalogue. I learned that Gregg Schigiel is […]
I’ve long been awaiting Jeff Trexler’s analysis of the Marvel/Kirby Settlement, and he starts a two-part piece with Should the Kirby Family Have Settled? In case it hasn’t been explicitly stated enough, it was Trexler’s exploration of the potentially ground breaking work for hire aspects of the case that Kirby family attorney Marc Toberoff seems to have used to get the Supreme Court to even look at the case. To allow it to go to decision would have established an important precedent—but it was extremely risky for the Kirby heirs:
The Angoulême Festival International de la Bande Dessineé for 2015 has released the schedule of art exhibits, spotlights and other goodies. They attached this as an English-language pdf which I’ve inserted below. There are several amusing typos on the list, see if you can spot them. All that aside, this is a pretty stunning—and cosmopolitan—line-up, […]
Although The Beat is a loyal New Yorker subscriber (it’s the only thing that holds our attention whilst on the elliptical) just beause you’re a subscriber does’t mean you get the Cartoons of the Year special edition. However if our email is to be believed, this issue includes several new pieces that may necessitate a trip to the newsstand.
This photo was posted on Marvel.com in a piece commemorating Veteran’s Day.
Obviously there is no one in comics more suitable for this kind of salute than Kirby who would tell his war stories to all.
JACK KIRBY ON MARVEL.COM
By David Nieves Even though Los Angeles is the entertainment capital of the world, ten years ago, you’d be remiss to find comic conventions, toy shows, or most other forms of pop culture gatherings. The monthly mini show at the Shrine Expo was at times more a flea market than a convention and Frank and […]
On Monday, James Sturm, cartoonist and director of the Center for Cartoon Studies, posted a cartoon at The Nib called “The Sponsor”. I’m sure if you are a cartoonist you’ve already read it, since it was the talk of the town for a few days. Basically it concerns cartoonists, jealousy, the low bar for success, anxiety over one’s abilities, tumblr hits, Kickstarter and more. All in 24 panels. I’d call that a good job.
The basic conceit is that as in various 12-step programs, cartoonists have sponsors they can call in moments of stress. A young cartoonist named Casey calls his sponsor, Alan, in the middle of the night to fret about another cartoonist named Tessa who has a six figure Kickstarter, a line out the door at a Rocketship signing, and a book deal with D&Q. Tessa’s success sends Casey into such a tizzy that he has to work things out and consider grad school, despite Alan’s insistence that Crumb never thought about hits. And despite his “stay strong” rhetoric to Casey, Alan soon picks up the phone to call his OWN sponsor.
Buy a copy of The Walking Dead Vol. 1 with an original oil painting by Ben Templesmith for an absurdly low price
Renowned horror/fantasy artist Templesmith has been experimenting with hand-painted covers for several books, and this is an original one of a kind oil painting done on a copy of The Walking Dead Volume 1. The painting was varnished, and I don’t know if you can read the book inside, but it seems to me that this is a pretty darned sweet collectible…especially for Halloween.
Also…Christmas is coming.
More Templesmith stuff at the 78Squid retail website.
by Alexander Jones What would Ben Grimm do? After a few months of truly bizarre speculation across the internet, and denial from the publisher, Marvel confirmed this morning at their Axel-In-Charge panel at New York Comic-Con that they are indeed canceling their main Fantastic Four title. The publisher seems like they are planning something new for […]
By Kyle Pinion IN REAL LIFE, a graphic novel collaboration between journalist/author Cory Doctorow and comics creator Jen Wang, centers on a young gamer named Anda who becomes enraptured by an massively multiplayer online game (MMO) called “Coarsegold Online”. While logged-in, she makes new friends, including a gregarious fellow gamer named “Sarge” and a “gold-farmer” […]
A film has been made about Seth, the single named Autuer of Clyde Fans, It’s A Good Life If You Don’t Weaken, Palookaville, and countless illustrations. It’s called Seth’s Dominion, it’s directed by Luc Chamberland and it is described as “a hybrid documentary/animation film exploring the life of master cartoonist Seth.”
Given that Seth is a perfectionist, you’d expect no less of a film about him, so to no one’s surprise the film has won the Grand Prize for Best Animated Feature at this year’s Ottawa International Animation Festival.
Friday’s announcement of a settlement between Jack Kirby’s heirs and Marvel seems like good news—but is it? And what does it mean?
I’m told Jeff Trexler, whose identification of the “instance and expense” aspect of the lawsuit may have helped get that into the petition to the Supremes, is writing his summary for TCJ.com, so while we all eagerly await that, here’s a little of the known knowns and known unknowns:
First off, Mark Evanier, a Kirby family confidant, a witness at various Kirby-related trials and filier of an amicus curiae brief is certainly in a position to know more of the Kirby position and this is all he had to say on the matter:
A joint statement has just been released by Marvel and the family of Jack Kirby indicating that a settlement of somekind hs been made:
“Marvel and the family of Jack Kirby have amicably resolved their legal disputes, and are looking forward to advancing their shared goal of honoring Mr. Kirby’s significant role in Marvel’s history.”
You can read my official SPC report at PW, with news and notes, but I’m guessing that everyone who was at SPX is probably, like me, realizing that the magic is over and we have a whole year to go, or maybe a few weeks if you count APE, but in the meantime, I can keep the magic going a few moments more by rounding up some of the magical, mystical memories of SPX. I said there were a few people who didn’t have a good time, and you can find one of two on Tumblr who sat outside hotel rooms sadly waiting for the person with the key to come back. But if you could open your heart, SPX would make you love it. As the above picture shows, SPX is the only con where you can find Julia Wertz and Renee French just sitting and smiling with each other. It’s also the only place where someone would leave their computer just sitting out on a table (as one prominent comics personage di don Friday)and feel pretty secure that it would be just fine. There is a reason why people puts up so many pics and blog so much about this show—it’s a full on love affair.