Best to all for a happy peaceful holiday. I’m thankful this year for a healthy family, good friends, cute cats, and a great job in the industry filled with the best people on earth. And I’m incredibly thankful for everyone reading this, especially the readers who have followed me from the original Beat through many […]
This photo was posted on Marvel.com in a piece commemorating Veteran’s Day.
Obviously there is no one in comics more suitable for this kind of salute than Kirby who would tell his war stories to all.
JACK KIRBY ON MARVEL.COM
No one is better than Charles Burns, and his unnamed trilogy—X’ed Out, The Hive and the new Sugar Skull—may be an even greater achievement in horror than his masterful Black Hole. The horror is on the page—talking maggots, ruined faces, a grim grey land of cannibals and humanoid insects—but the true terror is the most […]
Few comics are as suitable for Halloween reading as Robert Kirkman’s Outcast, which opens with a gruesome, intense demonic possession, and continues with an exploration of a great central character, Kyle Barnes, who has to deal with his own connection to possession and the demonic world. We all know Kirkman is a horror master, but Azaceta’s art on the book is sleek and controlled, aided by top notch colors.
The first collection of Outcast comes out in December.
This extraordinary book—surely one of the most beautiful picture books of the year— has a complicated history. It began with Mattotti’s phenomenal illustrations, originally commissioned for the Metropolitan Opera’s 2007 production of Engelbert Humperdink’s opera Hansel and Gretel. Later French publisher Gallimand commissioned Jean-Claude Mourlevat to write text to go with it. And now Neil […]
The long running The Last Halloween is an engrossing tale about a girl and some monsters.
Alex Schubert’s Blobby Boys go on a rampage of referencing Ben Jones and Charles Burns in this episode. And check out the rest of Vice’s comics—maybe Halloween themed ones this week!
F YEAH!!!!!! If there is one Halloween tradition in comics that must be kept is a new digital comic by Emily Caroll! Her previous uses of the digital palette to create horror has made her one of the few true autuers of “future comics”—and the print iteration, Through the Woods is one of the best graphic novels of the year. Her previous horror comics like His Face All Red, Margot’s Room, Out of Skin and The Hole the Fox Did Make are all classics of terror and digital storytelling.
David Hine’s Strange Embrace has quietly become a classic horror comic. The eerie tale of a delivery whose weekly trip to a house full of dysfunctional shut ins reveals secret after secret and descends into madness, sexual obssession and death, it’s been published in various editions from Image, Active Images and even Atomeka since 2003. And now you can get the ULTIMATE version of the story via Sequential, the graphic novel app for iPads. This version is in the original black and white (at one point it was colored and though it looked great B&W fits the mood better). It also includes an intro by Paul Gravett, back matter and even AN AUDIO COMMENTARY FOR EACH PAGE. YOU heard that right. Sequential is aiming to make the “criterion collection” of digital graphic novels and they are doing a fine job of it.