Alan Brennert is a well-established DC Bronze age writer who was one of the first to cross over between comics and TV in the 70s and 80s. And he’s made several contributions to DC’s permanent continuity. But in a Facebook post reproduced below, he says that he’s being denied his equity in a character he […]
Who even is Emily and where did she go? Those are the first two questions that spring into the mind when reading ‘And Then Emily Was Gone’ by John Lees, Iain Laurie, Megan Wilson and Colin Bell. A mystery series which quickly leaps into the horrific and fantastical without a word of warning, this month […]
I’ve been hearing a lot of conspiracy theories of late about DC, and some of them involve their participation/royalties system. In addition for quite a while, people have been complaining about the fact that colorists aren’t eligible for royalties—and neither are digital-first comics.
But that is changing. I understand a letter has just gone out to DC creative folks announcing a complete overhaul of the DC royalty system. For the first time colorists will be eligible for royalties and will get cover credit. And digital first will also be eligible for royalties. Little things like direct deposit and electronic vouchering will also be available.
Wonder Woman has always been a part of Nicola Scott’s life, in fact it might seem like she was destined to work with the heroine’s, be as an artist or an actress. Scott came late to comics and in fact, it was the simple desire to draw Wonder Woman every day that set her on her path to DC.
Her pursuit of her dream is a study in determination and will cause no small amount of awe given the fiercely competitive industry she wanted to break into. Below Nicola discusses her Wonder Woman, Wonder Woman’s appearance in the upcoming Batman vs Superman movie, and how a failed Wonder Woman pilot set her on her path to comic success.
Comics design is something everybody appreciates whenever they walk into a store – in many cases, it’s one of the central reasons why they try a comic series they’ve never seen before. And yet it’s something which doesn’t get discussed as much as it perhaps should do, considering the importance of a good logo or […]
After several years and countless surprising twists and turns in the lives of the main characters, Sarah Burgess’ long-running webcomic ‘The Summer of Blake Sinclair’ has come to an end. But now readers can start all over again, right from the start, as Burgess has brought the series to print via publishers ZetaBella. Described by […]
Christian Beranek is the writer of Validation, a webcomic telling stories from the life of a trans girl living in the city. The series addresses the idea of her looking for a place in society as she finds friends, goes dating, reads a lot of comics (of course) and gets involved in the comics community. […]
By Matt O’Keefe Over ten years in the making, Mark Waid and Barry Kitson’s Empire is finally back. Volume 2 just debuted as on Thrillbent as a comic. I spoke to Mark about transitioning the series and updates on Thrillbent’s iOS app and new subscription model service. Can you describe Empire for those who haven’t […]
By Matt O’Keefe The first series out of Dynamite Entertainment’s Creators Unleashed program, The Devilers is a comic book about an apocalypse inspired by a number of different faiths. Joshua Hale Fialkov writes and Matt Triano illustrates a group of holy men going into battle against an enemy that’s a culmination of all their beliefs. I spoke with […]
Next week sees the release of the third trade of Fairest, the spinoff series of Fables which has seen a number of writers and artists tell standalone stories spotlighting the different female characters of Bill Willingham’s world. Return of the Maharaja, however, tries something a little different still – writer Sean E. Williams and artist […]
Standing at seven and a half feet tall, pro-wrestler Andre The Giant more than earned his title over a three-decade career which saw him wrestle in America and Japan and memorably then turn his attention to the silver screen. And this month sees the first substantive biography of André René Roussimoff published by First Second. […]
When thinking about the crazy world we live in today, where The Walking Dead is the most successful thing on TV and Marvel is the most successful thin in movies, I often think back to a seminal moment in the debate between creator-owned and company-driven: the 2008 debate between Robert Kirkman and Brian Bendis which took place at that year’s Baltimore Comicon. The think kicked off when a pre-Talking Dead sharpened Kirkman posted a video editorial calling for more creators to band together to make creator owned comics more of a thing, He even had an agenda for the process (emphasis mine.):
As Summer 2014 starts to break onto the horizon, one of the first big launches of the year sees Mariko and Jillian Tamaki working together for a new graphic novel, This One Summer, published this week through First Second. A story of two girls, Rose and Windy, This One Summer is a tale of growing […]
A couple of incidents this week of creators who spoke out, and editors who took offense at the speaking out.
First off, we’ve noted many times that Jim Starlin and Marvel seemed to have reached a happy place in terms of Starlin created characters Gamora and Thanos getting the big screen treatment in Avengers and Guardians of the Galaxy. Starlin, whose various cosmic works such as The Infinity Gauntlet have been hugely influential in that end of the Marvel Universe, created a new Thanos graphic novel for Marvel and all seemed to be well. But then….things weren’t. Newsarama has a full rundown of the matter but The Beat first noticed something might be up when Starlin posted this on his FB page: