Jill Lepore, author of The Secret History of Wonder Woman, talks about how the Amazons origins are tied up with the history of suffrage and birth control and nicely sums up the history of women in comics in a couple of paragraphs:
Independent Sources is a local to NYC show that spotlights ethnic and local news. Hosted by Zyphus Lebrun, it’s put together by CUNY (City University of New York ) and runs on their cable station. Last week’s episode, covers various aspects of diversity in comics, with thoughtful interviews with Marvel’s Sana Amanat, Image’s David Brothers, Morgan Dubin from Abrams Comic Arts, Jonathan Gray, Assistant Professor of English, John Jay College, artist Dexter Vines and yours truly. Aside from my having to terrifyingly reënect walking into a comic shop, it’s a sprightly look at the basic issues of diversity and the widening audience for comics. There’s also a nice segment on a cosplayer who designed a Rita Repulsa costume and others for curvier women.
I totally stole this from artist/producer Denys Cowan’s FB page, but it’s an interesting little sidenote, Back in the 90s people still read magazines, and liquor companies would purchase full page advertisements in these magazines. Man, history is SO WEIRD, right? Anyway, Dewars scotch ran a series of profiles of debonair achievers attempting to convince you that if you drank their scotch you would also be a debonair achiever. Cowan, then well known for his Batman and Question comics and about to co-found Milestone Media, was a fitting choice but it did seem like a win for comics at the time. This predated the Rob Liefeld Levis commercial, but both are a reminder that cartoonists as media figures is far from a recent phenomenon.
In all the current hoo hah about video games, diversity and propaganda, it’s worth remembering that women make up nearly 50% of most kinds of gamers. There are some exceptions, of course. Unlike the comic industry, the video gaming industry has the money to study this sort of thing, and the Entertainment Software Association has put together many statistics on the age and gender of gamers. The most recent study shows that 48% of all gamers are women.
I was spit balling with Brett Schenker the other day, he of the groundbreaking Facebook study on comic demographics, and I wondered what his methodology would day about female games.
Navigating monthly orders is a bone-numbing pain. I feel as though this is something I write a variation of in most of these columns. The sensation clearly remains. It’s a thankless process that rarely ends happily, with hundreds of order codes to run through and thousands of bits of data to think of. In the […]
Here’s the sixth part of my interview with the late Steve Moore, with more to follow. The 1st, 2nd, 3rd, 4th, and 5th parts are already online, along with some explanation of how the interview came about. One note on the text, which is particularly relevant in this section, so worth repeating: As we went […]
No one is better than Charles Burns, and his unnamed trilogy—X’ed Out, The Hive and the new Sugar Skull—may be an even greater achievement in horror than his masterful Black Hole. The horror is on the page—talking maggots, ruined faces, a grim grey land of cannibals and humanoid insects—but the true terror is the most […]
Few comics are as suitable for Halloween reading as Robert Kirkman’s Outcast, which opens with a gruesome, intense demonic possession, and continues with an exploration of a great central character, Kyle Barnes, who has to deal with his own connection to possession and the demonic world. We all know Kirkman is a horror master, but Azaceta’s art on the book is sleek and controlled, aided by top notch colors.
The first collection of Outcast comes out in December.
This extraordinary book—surely one of the most beautiful picture books of the year— has a complicated history. It began with Mattotti’s phenomenal illustrations, originally commissioned for the Metropolitan Opera’s 2007 production of Engelbert Humperdink’s opera Hansel and Gretel. Later French publisher Gallimand commissioned Jean-Claude Mourlevat to write text to go with it. And now Neil […]
The long running The Last Halloween is an engrossing tale about a girl and some monsters.
Alex Schubert’s Blobby Boys go on a rampage of referencing Ben Jones and Charles Burns in this episode. And check out the rest of Vice’s comics—maybe Halloween themed ones this week!
F YEAH!!!!!! If there is one Halloween tradition in comics that must be kept is a new digital comic by Emily Caroll! Her previous uses of the digital palette to create horror has made her one of the few true autuers of “future comics”—and the print iteration, Through the Woods is one of the best graphic novels of the year. Her previous horror comics like His Face All Red, Margot’s Room, Out of Skin and The Hole the Fox Did Make are all classics of terror and digital storytelling.
David Hine’s Strange Embrace has quietly become a classic horror comic. The eerie tale of a delivery whose weekly trip to a house full of dysfunctional shut ins reveals secret after secret and descends into madness, sexual obssession and death, it’s been published in various editions from Image, Active Images and even Atomeka since 2003. And now you can get the ULTIMATE version of the story via Sequential, the graphic novel app for iPads. This version is in the original black and white (at one point it was colored and though it looked great B&W fits the mood better). It also includes an intro by Paul Gravett, back matter and even AN AUDIO COMMENTARY FOR EACH PAGE. YOU heard that right. Sequential is aiming to make the “criterion collection” of digital graphic novels and they are doing a fine job of it.