As you may have recalled, Ridley is actually one those big comics fans in Hollywood and spent a while writing comics for Wildstorm, including a run on the Authority, the mini-series Razor’s Edge: Warblade, and The American Way. The latter is a book that really deserves to be on more comics reading lists—an 8 issue mini-series drawn by Georges Jeanty and Karl Story that has similar themes to Darwyn Cooke’s New Frontier about the cold war and superheroes, but treats them with a much harsher view. The book follows the government’s development of the Civil Defense Corps, a pr-driven team of superheroes introduced in the early 60s, and the turmoil that stem from the first African-American member in the Civil Rights era. A lot of comics mini-series have tried to be “the Next Watchmen” and The American Way is one of the few series that takes that tired “What if superheroes really existed???” idea and gives it a take based on the real world and not the imagined one.
How does gender break down for some of the more popular “indie” graphic novels versus mainstream graphic novels vs the average? And it’s clear, there’s a difference. Taking 17 various graphic novels (and if folks add suggestions in comments, I’ll be happy to add upon this) I looked at men and women who were fans in the United States. I tried to stick to actual graphic novels, or books that have been long out of print and thus a complete graphic novel is how it’s now consumed.
While we don’t have any market research, the eyes don’t lie. If you go to conventions and comic book stores, more and more female readers are emerging. They are starved for content and looking for content they can relate to. – Axel Alonso, Marvel’s editor-in-chief While making the rounds promoting Marvel’s new series Ms. Marvel, […]
[Photo via Hasbro] Does sex really sell? We all know it does, but marketing dude Spencer Chen has a post at Techcrunch that suggests Booth Babes Don’t Work. Booth Babes, as we all know, are very pretty, often revealingly clad models, almost always female, who are hired to lure people to trade show displays. The […]
Alison Baker is co-publisher of Monkeybrain Comics and I think it’s no secret that her super-power is bering super smart: when she isn’t promoting and publishing comics, she’s working as a political operative, making political ads for campaigns. Thus the debut of her new column “ALLISON TYPES ” for CBR is good news all around. […]
As soon as the above triumphal tableau from Image Expo was posted, just after Princess Leia presented Scott Snyder with his medal, I knew Twitter would blow up over the mostly white, mostly XY make-up of this tableau. I can’t embed those tweets but I think if you follow twitter you have a pretty good […]
In all of the recent talk about sexual harassment in comics, many of the responses to well-documented incidents in bars has been “Oh, I never saw anything like that!” or “Maybe that’s not how it happened.” Well, here’s an incident that took place ON A PANEL IN FRONT OF AN AUDIENCE. That’s right, in front […]
With the announcement of Gal Gadot as Wonder Woman by Warner Bros., I wondered just how popular is Wonder Woman around the world and more interestingly, in each country. With there being over 200 countries in the world, I narrowed the focus a bit. I picked countries in various parts of the world that I […]
At the beginning of each month I take a survey of all of the self-identifying comic fans on Facebook, looking at the changes from month to month. Two months (and some change) ago Facebook updated the interface I achieve this by, giving me more options in how to choose and, I suspect, expanding the algorithm […]
For all of these posts I’ve tried to instill the idea that there isn’t a simple comic fan. While it might mostly be men, comic fandom is a diverse crowd whose specific interests varies by gender, race, age and more. No two character fandoms are the same. No two publisher fandoms are the same. Marketing […]
In the words of NY Times bestselling author Mariah Huehner, “Women don’t exist for you to approve of or to make you feel better about the shitty way the world works. We don’t exist for you at all. We exist for ourselves. And we’re going to keep demanding for our rightful place in the world whether you like it or not.”
There’s that social context for indie comics I was talking about a while ago. Following a twitter exchange, Ignatz nominee Whit Taylor expands on issues of race in indie comics circles: I feel slightly uncomfortable talking about my own experiences, because I don’t want to alienate or blame anyone. Indeed my work doesn’t appeal to […]
Much has been made over this past week over Marvel‘s announcement about a new Ms. Marvel. The usual nutwings took to the internet to condemn Marvel’s plan to diversify its line of characters and present varied and new comics that might lead to new readers, or possibly more diversified readership. Hopefully, Marvel realizes that to […]