Tweet ICv2 has a new report on the size of a market, this time the hobby game market—games like Magic, Warhammer,various card capture games, D&D and so on which he estimates as being a $700 million industry — not far below the comics industry size of $870 million. : Here’s the pr: Pop culture experts […]
Tweet Wizard World just released its Q2 SEC filings, reporting income up sharply on an increased slate of shows. You’ll recall that Wizard World is a public company having gone “penny stock” a few years ago. The PR cites “higher quality events, including better organization, more programming, and an exciting list of celebrities and artists […]
Tweet Is consolidation still cool? A number of big deals have collapsed in recent days, whether it’s just the dog days of summer or something else in the air. Most notably, Rupert Murdoch suddenly cooled on acquiring Time Warner, when it turned out Warners head Jeff Bewkes—and more importantly, Fox stockholder—weren’t so eager to canoodle. […]
Tweet As just reported, the NY Times delivered a pretty strong diss to the economics of Comic-Con, and I’m sure con vets and observers will be responding very soon, as Marvel’s CB Cebulski already did: @Comixace They fail to mention that the line at Subway on Thurs was that long because of a Community promotion […]
Veteran NY Times entertainment business writers Michael Cieply and Brooks Barnes have perhaps put the final curse on a year in which SDCC got a little bit smaller, by reviving claims that con-goers are low rent consumers unworthy of high end sponsorships:
TweetYou probably heard that DC has revamped their royalties program, adding colorists to the payout mix and lumping digital in with print. We should talk about what’s going on with the single issue sales and royalties. Here’s the gist of it as DC put it in their media release: We’ve also standardized sales thresholds for […]
I’ve been hearing a lot of conspiracy theories of late about DC, and some of them involve their participation/royalties system. In addition for quite a while, people have been complaining about the fact that colorists aren’t eligible for royalties—and neither are digital-first comics.
But that is changing. I understand a letter has just gone out to DC creative folks announcing a complete overhaul of the DC royalty system. For the first time colorists will be eligible for royalties and will get cover credit. And digital first will also be eligible for royalties. Little things like direct deposit and electronic vouchering will also be available.
Tweet Frequent Beat contributor Todd Allen has just launched a Kickstarter for a new edition of his book The Economics of Digital Comics —the goal is quite modest—$500, and it’s already more than halfway there. This book is an update of his previous The Economics of Web Comics which was last updated in 2007. As […]
Tweetby Brandon Schatz A few days before the book’s final order cut-off with retailers, Marvel let it slip that their upcoming Rocket Raccoon series had garnered over 300,000 initial orders, well above expected estimates for the series. Yesterday, the other shoe dropped as reports came in regarding mass quantities of the book having been ordered […]
As reported by Steve Morris, the shutdown of Graphicly, the once competitive digital comics service, has left a lot of unpaid creators, and confusion over its relationship with POD/self-publishing platform Blurb, which hired six former Graphicly employees including founder Micah Baldwin. While it’s clear that Graphicly shut down, whether it actually filed bankruptcy claims isn’t as clear. While poking around with legal filings, I did find an older wrongful termination case by former vp of sales Michael Croy. While disgruntled employee rules apply, it does add to a picture of financial woes that were going on as far back as a couple of years ago. I’d appended both Croy’s complaint and Graphicly’s response.
Tweet For the last few weeks, a war has been brewing between Amazon and book publishing giant Hachette, which publishes Yen Press, and distributes Marvel’s graphic novels to the book trade. At stake: the trade terms between the two companies as Amazon is trying to make more money (something it actually doesn’t do too much […]
A couple of things floating around out there that quantify the rise in comic book convention profits. Rob Salkowitz quantifies some very interesting research by Eventbrite and guesses that comic book theme events could be as much as a $3 billion business, a number that dwarfs the $600-700 million usually given for the comic book industry itself. Attendance is up about 20% every year, while some profits are up by triple digits. While all pop culture events are up, comic book events are up the most, even more than video game and other industries:
Well FINALLY. Warner Bros. stopped heming and hawing and announced that they are actually making a Justice League movie! Hoorah! And it’s going to be directed by Zack Snyder. Hoo…rah? In a big reveal at the WSJ, president of worldwide production Greg Silverman revealed that the JL movie will be a sequel to 2016′s Batman vs Superman, and both will star Henry Cavill as Superman, Ben Affleck as Batman and Gal Godot as Wonder Woman. The role of Cyborg is also being cast. The Justice League movie probably won’t appear until 2018 at the soonest, however, meaning you will be able to completely high school or college before you see this film. Meanwhile, Marvel will have put out a Woodgod movie.
The excited combustion of the Amazon/Comixology announcement has cooled off and now people are just wondering when the first effects of this blockbuster deal will be seen. While many people have been fretting about the survival of Comixology Submit—their upload it yourself, share the profits platform for indie comics—it doesn’t seem like the kind of thing that Amazon would be averse to since they are also big on upload it yourself portals.
When I first wrote about his deal, I linked to Ryan Estrada’s take on Submit, which was that it wasn’t ahuge money maker for him. However I received an alternate view of Submit from Graham Johnson, co-creator of Of Stars and Sword (above)and a member of Serious Turtle Studios.