You probably heard that DC has revamped their royalties program, adding colorists to the payout mix and lumping digital in with print. We should talk about what’s going on with the single issue sales and royalties. Here’s the gist of it as DC put it in their media release: We’ve also standardized sales thresholds for […]
I’ve been hearing a lot of conspiracy theories of late about DC, and some of them involve their participation/royalties system. In addition for quite a while, people have been complaining about the fact that colorists aren’t eligible for royalties—and neither are digital-first comics.
But that is changing. I understand a letter has just gone out to DC creative folks announcing a complete overhaul of the DC royalty system. For the first time colorists will be eligible for royalties and will get cover credit. And digital first will also be eligible for royalties. Little things like direct deposit and electronic vouchering will also be available.
Frequent Beat contributor Todd Allen has just launched a Kickstarter for a new edition of his book The Economics of Digital Comics —the goal is quite modest—$500, and it’s already more than halfway there. This book is an update of his previous The Economics of Web Comics which was last updated in 2007. As you […]
by Brandon Schatz A few days before the book’s final order cut-off with retailers, Marvel let it slip that their upcoming Rocket Raccoon series had garnered over 300,000 initial orders, well above expected estimates for the series. Yesterday, the other shoe dropped as reports came in regarding mass quantities of the book having been ordered […]
As reported by Steve Morris, the shutdown of Graphicly, the once competitive digital comics service, has left a lot of unpaid creators, and confusion over its relationship with POD/self-publishing platform Blurb, which hired six former Graphicly employees including founder Micah Baldwin. While it’s clear that Graphicly shut down, whether it actually filed bankruptcy claims isn’t as clear. While poking around with legal filings, I did find an older wrongful termination case by former vp of sales Michael Croy. While disgruntled employee rules apply, it does add to a picture of financial woes that were going on as far back as a couple of years ago. I’d appended both Croy’s complaint and Graphicly’s response.
For the last few weeks, a war has been brewing between Amazon and book publishing giant Hachette, which publishes Yen Press, and distributes Marvel’s graphic novels to the book trade. At stake: the trade terms between the two companies as Amazon is trying to make more money (something it actually doesn’t do too much of) […]
A couple of things floating around out there that quantify the rise in comic book convention profits. Rob Salkowitz quantifies some very interesting research by Eventbrite and guesses that comic book theme events could be as much as a $3 billion business, a number that dwarfs the $600-700 million usually given for the comic book industry itself. Attendance is up about 20% every year, while some profits are up by triple digits. While all pop culture events are up, comic book events are up the most, even more than video game and other industries:
Well FINALLY. Warner Bros. stopped heming and hawing and announced that they are actually making a Justice League movie! Hoorah! And it’s going to be directed by Zack Snyder. Hoo…rah? In a big reveal at the WSJ, president of worldwide production Greg Silverman revealed that the JL movie will be a sequel to 2016’s Batman vs Superman, and both will star Henry Cavill as Superman, Ben Affleck as Batman and Gal Godot as Wonder Woman. The role of Cyborg is also being cast. The Justice League movie probably won’t appear until 2018 at the soonest, however, meaning you will be able to completely high school or college before you see this film. Meanwhile, Marvel will have put out a Woodgod movie.
The excited combustion of the Amazon/Comixology announcement has cooled off and now people are just wondering when the first effects of this blockbuster deal will be seen. While many people have been fretting about the survival of Comixology Submit—their upload it yourself, share the profits platform for indie comics—it doesn’t seem like the kind of thing that Amazon would be averse to since they are also big on upload it yourself portals.
When I first wrote about his deal, I linked to Ryan Estrada’s take on Submit, which was that it wasn’t ahuge money maker for him. However I received an alternate view of Submit from Graham Johnson, co-creator of Of Stars and Sword (above)and a member of Serious Turtle Studios.
by Rob Salkowitz Is Amazon’s acquisition of comiXology the beginning of the end, or just the end of the beginning, of digital comics’ golden age? It didn’t take a genius to predict that something was going to happen with comiXology this year. The company had come too far, too fast. The iron was hot. The […]
Launched last year at San Diego Comic-Con, Madefire aims to be both a publishers and platform for developing next level motion comics/future comics/whatever you want to call them. And now, in traditional start-up fashion. they’ve just announced a $5.2 million round of funding, which was led by original funder True Ventures, with participation from Anthem […]
Straight from the offices of Publishers Weekly, it’s More to Come! Your podcast source of comics news and discussion starring The Beat’s own Heidi MacDonald. In this week’s episode, Heidi and the rest of the More to Come Crew – Calvin Reid and Kate Fitzsimons – discuss Batwoman, J. H. Williams III, W. Haden Blackman […]
The unthinkable has happened. A cartoonist has been hired for a job that pays a living wage. Instead of heating up old shoe leather to serve with his peanut butter, he’ll be able to invest in a George Foreman grill and serve grilled chicken on his top ramen, just like the serving suggestion on the […]
Valiant has just announced it’s teaming with Mexican publisher Kamite to distribute a new line of Spanish-language versions of the Valiant line. Foreign publishing deals are a smart way to cut your creative costs down and develop new audiences. The Mexican comics industry is probably most familiar to American audiences via the lurid “photonovelas” you […]
About Comics was a total baller before we ever knew what a micro-publisher was, with books by Charles Schulz, Gail Simone and more. According to publisher Nat Gertler, it’s a bit of an on again off again thing nowadays, but still has a good backlist. Gertler writes to say that due to his Canadian printer […]