Last May, Alan Moore announced he would be involved with a new line of digital comics called Electricomics. Given that Alan Moore is to computers as Daryl Dixon is to soap, this seemed counter intuitive, but it turns out his daughter Leah was very much involved in it. A line of comics was announced:
“Where is the Netflix of comics?” you ask. Unlimited streaming of everything from Blondie to Urasawa. That remains only a pipe dream, but a site called Comicsfix (get it?) is trying to be the streaming service we want. For $9.95 you get unlimited comics on various apps, and 24 hour access. But access to what? It’s just been announced that Dynamite is the first company Top 10 publisher to sign up with them. You don’t get everything, but some good starter stuff:
Americans can’t get enough Tezuka!
Well sort of. The Japanese comics pioneer was as prolific as he was influential and recently we’ve recently seen a pretty ambitious attempt at getting a bunch of his works into print here in the US from DMP.
But a lot of primo Tezuka’s work was already published here via a series of very attractive volumes published by Vertical which ranged from Black Jack—perhaps his most accessible series and one of the best known—and standlone volumes like Ode to Kirihito. Sadly many of these books are out of print, but not to worry, Vertical is bringing them back in digital form:
Koyama Press is making many of its current and past graphic novels available in digital editions via the Sequential app. The titles available are yet to be announced, but according to the PR it will include some titles that have been out of print. “From cosmic art critiques to despondent, down-on-their luck cats, we’ve got […]
In the local cable show covering diversity in comics linked to earlier today, Ms. Marvel editor Sana Amanat was interviewed and she mentioned that “she’s our #1 digital seller.” It’s been mentioned publicly a few times that it’s among Marvel’s best selling digital titles, and over the summer at a Marvel summit it was announced that the first issue had sold more digitally than in print.
F YEAH!!!!!! If there is one Halloween tradition in comics that must be kept is a new digital comic by Emily Caroll! Her previous uses of the digital palette to create horror has made her one of the few true autuers of “future comics”—and the print iteration, Through the Woods is one of the best graphic novels of the year. Her previous horror comics like His Face All Red, Margot’s Room, Out of Skin and The Hole the Fox Did Make are all classics of terror and digital storytelling.
The Thrillbent digital comics imprint created by Mark Waid and John Rogers is coming to print from IDW, home to many a comics imprint. Starting next year, IDW will bring out print collection of Thrillbent titles, starting with Empire Volume Two and Insufferable,
“I love print comics,” said Waid in a statement. “While we have always proudly been digital-first, print was always in Thrillbent’s business plan–but for a start-up company like ours, it was cost-prohibitive. Once we proved our commitment to ongoing content–Thrillbent currently hosts literally hundreds of new comics, with more added every week–we were courted by several print publishers looking to partner. IDW was the clear choice–its track record for i
David Hine’s Strange Embrace has quietly become a classic horror comic. The eerie tale of a delivery whose weekly trip to a house full of dysfunctional shut ins reveals secret after secret and descends into madness, sexual obssession and death, it’s been published in various editions from Image, Active Images and even Atomeka since 2003. And now you can get the ULTIMATE version of the story via Sequential, the graphic novel app for iPads. This version is in the original black and white (at one point it was colored and though it looked great B&W fits the mood better). It also includes an intro by Paul Gravett, back matter and even AN AUDIO COMMENTARY FOR EACH PAGE. YOU heard that right. Sequential is aiming to make the “criterion collection” of digital graphic novels and they are doing a fine job of it.
Split Lip is a long running—and critically acclaimed— horror comics anthology (ANOTHER)began online in 2006 and ventured into print in 2009. It’s the creation of writer Sam Costello, who enlisted artists including Kyle Strahm (Spread), John Bivens (Dark Engine), Sami Makkonen (Deadworld: Slaughterhouse), T.J. Kirsch (Amy Devlin Mysteries), Christine Larsen (Valentine), David Hitchcock (Springheel Jack), […]
You can’t spell “horror comics” without EC—these finely drawn masterpieces of the macabre set a standard for illustrated chills that were so unsettling, they nearly got the whole comics industry shut down. Fantagraphics has been reprinting the EC comics in handsome books devoted to various artists, including the late great Al Feldstein, Jack Davis, Wally Wood, Graham Ingels […]
While digital comics have changed the medium for good, individual comics apps haven’t really taken off as much as you might think. But there are some good ones out there: Comic Chameleon is a webcomic aggregator that actually picks up popular webcomics like Questionable COntent, Girls with Slingshots and the like. And with permission. They’ve been […]
Marvel collected editions are already available on iVerse, and some other digital platforms, and now, Kobo, the Canadian-based device that also offers apps for Mac, Android, and desktop. Marvel periodicals continues to be exclusive at Comixology and their own Marvel Unlimited All-you-can-ead service, but the GNs are everywhere.
What did we tell you about attempts to diversify digital distribution?
We all know that Amazon’s acquisition of Comixology changed the digital comics landscape. While the benefits that Amazon can bring for Comixology are evident, and still developing, it wasn’t without some steps backwards. When Comixology stopped making in-app purchases due to Amazon/Apple tensions, many publishers saw a drop in digital comics sales. As we’ve […]
The latest comics themed Humble Bundle is Valiant Comics themed and it has SIX DAYS to go. The bundle includes some 120 comics and charity proceeds on the pay-what-you-want model go to Doctors Without Borders/Médecins Sans Frontières (MSF), the Hero Initiative, and the Comic Book Legal Defense Fund (CBLDF). For a mere $15 you can get entirely caught up on Valiant’s excellent offerings here is the chance.
This infographic is also an ad for WEBTOONS, a portal short serialized digital comics that are native on mobile platforms. The site is run by NAVER, the Google of South Korea. Despite the proprietary nature there is still some interesting info on the graph including projected worldwide size of the digital comics market…no idea where that came from, but webtoons are an established entertainment format in South Korea, seemingly more than in the US.
Dynamite is launching their own digital comics store today. The comics will DRM-Free, which makes DRM-free the new (and welcome) trend in digital. And just because they can, they’re launching with some $0.10 comics and 10% of all digital sales for the first month will be donated to the Comic Book Legal Defense Fund.