The preliminary list is here. To say some critical darlings are missing would be an understatement. However some excellent reader favorites are well represented. But you can still write in—the top five write ins will be added to a list of final nominees.
Koyama Press is making many of its current and past graphic novels available in digital editions via the Sequential app. The titles available are yet to be announced, but according to the PR it will include some titles that have been out of print. “From cosmic art critiques to despondent, down-on-their luck cats, we’ve got […]
More and more job openings at DC Entertainment are being listed at the WB web site, and where once a Joe Orlando just barked at people that Superman’s tights were blue, now it takes a village of VPs to keep the content properly strategized. Take this job, VP, Content Strategy, who works with
the Co-Publishers (Lee and DiDio), the SVP, Editorial Strategy & Administration (a person not publicly announced, I believe), Franchise Management, Business Development, and Sales. He or she will be a busy bee indeed.
At the summer Image Expo one of the most notable announcements was Tooth and Claw by Kurt Busiek and Ben Dewey. Not only did it mark the return of Busiek with a new comic for the first time in years, but Dewey’s art looked amazing. The story involves high fantasy, with animal protagonists and Game of Thrones level intrigue. The first issue is on sale today in a bargain format: just $2.99 for 40 pages of story. As you can see from the preview pagesk, this is one spectacular comic.
One of the best things comics do is world-building and this looks to be a strong examples of that by Busiek and Dewey.
Earlier this year, the selection of Bill Watterson as the Grand Prix winner at the Angoulême comics festival created quite a stir. The winner is traditionally the “grand marshal” of the whole festival, helping plan exhibits and appearing at official events. (Or, as in the case of Willem, last ear’s winner, hanging out at Le Chat Noir until 1 am with everyone else.) It seemed a bit of a stretch for Watterson, but was it impossible?
Although the once reclusive Calvin & Hobbes creator hasn’t exactly turned into Taylor Swift, he makes occasional semi public appearances and is way more accessible in interviews. (If you call once or twice a year accessible.) When the win was announced, Watterson’s editor Lee Salem said he would try to tell him how wonderful Angoulême is, so maybe Watterson would make an exception for this so not a comic-con event?
UPDATE: A GoFundMe has been set up to help Kelly Dale in this difficult time. Artist Jeremy Dale has passed away suddenly. Best known for his work on Action Labs Skyward title, he had just been at NYCC creating commissions now posted on his website. His wife Kelly reported his passing on FB: It is […]
In the local cable show covering diversity in comics linked to earlier today, Ms. Marvel editor Sana Amanat was interviewed and she mentioned that “she’s our #1 digital seller.” It’s been mentioned publicly a few times that it’s among Marvel’s best selling digital titles, and over the summer at a Marvel summit it was announced that the first issue had sold more digitally than in print.
Acknowledging that moving cross country and restaffing an editorial department might be distracting for its staff, DC officially announced it’s two month fill-in event today, CONVERGENCE. The event will replace the New 52 line-up for two months, April and May of 2015, with a framing 9-issue mini-series, starting with a zero issue, and spinning into 40 two part mini series. Promo art by Carlos Paguayan and Jose Marzan Jr.
The event has been rumored for quite a while, and I’m told it was hatched back in the spring as a way to ease the transition as DC personnel make the move from NYC to Burbank in April 2015. The event was originally run by Tom DeFalco but he moved on and was replaced by ex-Marvel/Teshkeel editor Marie Javins, who worked closely with Dan Didio on the event.
The event was announced this morning in USA Today. The whole event is being overseen by TV’s Jeff King, (White Collar, Continuum, Stargate SG-1) with Carlo Pagulayan and Stephen Segovia on art on the framing mini, and Dan Jurgens and Scott Lobdell helping oversee things. The 40 two-issues minis will feature a wide variety of writers and artists.
F YEAH!!!!!! If there is one Halloween tradition in comics that must be kept is a new digital comic by Emily Caroll! Her previous uses of the digital palette to create horror has made her one of the few true autuers of “future comics”—and the print iteration, Through the Woods is one of the best graphic novels of the year. Her previous horror comics like His Face All Red, Margot’s Room, Out of Skin and The Hole the Fox Did Make are all classics of terror and digital storytelling.
The Thrillbent digital comics imprint created by Mark Waid and John Rogers is coming to print from IDW, home to many a comics imprint. Starting next year, IDW will bring out print collection of Thrillbent titles, starting with Empire Volume Two and Insufferable,
“I love print comics,” said Waid in a statement. “While we have always proudly been digital-first, print was always in Thrillbent’s business plan–but for a start-up company like ours, it was cost-prohibitive. Once we proved our commitment to ongoing content–Thrillbent currently hosts literally hundreds of new comics, with more added every week–we were courted by several print publishers looking to partner. IDW was the clear choice–its track record for i
David Hine’s Strange Embrace has quietly become a classic horror comic. The eerie tale of a delivery whose weekly trip to a house full of dysfunctional shut ins reveals secret after secret and descends into madness, sexual obssession and death, it’s been published in various editions from Image, Active Images and even Atomeka since 2003. And now you can get the ULTIMATE version of the story via Sequential, the graphic novel app for iPads. This version is in the original black and white (at one point it was colored and though it looked great B&W fits the mood better). It also includes an intro by Paul Gravett, back matter and even AN AUDIO COMMENTARY FOR EACH PAGE. YOU heard that right. Sequential is aiming to make the “criterion collection” of digital graphic novels and they are doing a fine job of it.
Split Lip is a long running—and critically acclaimed— horror comics anthology (ANOTHER)began online in 2006 and ventured into print in 2009. It’s the creation of writer Sam Costello, who enlisted artists including Kyle Strahm (Spread), John Bivens (Dark Engine), Sami Makkonen (Deadworld: Slaughterhouse), T.J. Kirsch (Amy Devlin Mysteries), Christine Larsen (Valentine), David Hitchcock (Springheel Jack), […]
You can’t spell “horror comics” without EC—these finely drawn masterpieces of the macabre set a standard for illustrated chills that were so unsettling, they nearly got the whole comics industry shut down. Fantagraphics has been reprinting the EC comics in handsome books devoted to various artists, including the late great Al Feldstein, Jack Davis, Wally Wood, Graham Ingels […]
It looks like the results of last month’s settlement in the Jacky Kirby lawsuit against Marvel has yielded swift results: Kirby and Stan Lee are now being given co-credit in books including Fantastic Four, Inhumans and the X-men. And Joe Simon and Jack Kirby are being given co-creator credit on Captain America. Among the books […]
Here’s one of those matters where there are really no winners. The Wallce Wood Estate, which is administered by J. David Spurlock, the publisher of Vanguard Publishing, is suing Wood’s ex-wife Tatjana Wood, for the possession some of 150-200 pages of Wood art. According to the complaint, the pages are worth between $2000-25,000 each.
Once again, Stan Lee Media, the shell company that does nothing but line the pockets os lawyers with frivolous lawsuits, has been dealt a blow in their attempt to take over the world. The 9th Court of Appeals ruled that no, Stan Lee Media doesn’t not own Spider-Man.