DC’s FAQ for the New 52

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201107011604 DCs FAQ for the New 52

In answer to all the questions that retailers — and a few readers and certainly Beat readers have — DC has sent out an FAQ on the relaunch/reboot/September to their retailer accounts, with a cover letter by Bob Wayne. It shows great insight into what people are squawking about and gives a good fact sheet on returnability, pricing, digital, and so on. Well be back later with analysis of all this.

THE NEW 52 AND YOU

**********

Key Messages

· “DC Comics – The New 52″ is the DC Entertainment publishing initiative that is an aggressive undertaking of launching the entire line of 52 DC Comics character series with all-new #1 first issues in September, accessible to both new and current readers.

· The lead book is Justice League, written by Geoff Johns and illustrated by Jim Lee, in-stores August 31st.

· Timely delivery of our books – top titles, week in and week out – is paramount to this new publishing initiative.

· As partners, our goal is to provide brick-and-mortar retailers with world-class product (books with innovative stories and artwork that feature iconic characters) and world-class service (unrivaled marketing support, the industry’s only co-op program, personal account service, etc.), and that is what we’re going to continue to do.

· 48 of the 52 titles in September are $2.99, the standard price for a 20 story-page art & editorial book, showing our unrivaled commitment to making comics affordable for new and existing readers alike.

· DC Entertainment is diversifying its distribution platform by being the first major publisher to launch same-day digital – making periodical titles available digitally the same day as print, at the same price, beginning August 31st.

GENERAL

* Why do it? There is a lot of speculation out there, are you “rebooting” the titles?

This is an epic and ambitious initiative that ushers in a new generation of comics for DC Comics and will set the tone for storylines and characters for years to come. With all of the titles starting at #1, our creative teams have the ability to take a more modern approach – not only with each character, but with how the characters interact with one another and the universe as a whole, and focus on the earlier part of the careers of each of our iconic characters. A time when they didn’t have as much experience defeating all their nemeses. A time when they weren’t as sure of their abilities. A time when they haven’t saved the world countless times. It’s this period that is rich with creative opportunity as we show why these characters are so amazing, so iconic and so special.

We think fans will be excited by this approach and The New 52 will provide DC Entertainment an opportunity to aggressively reach the widest possible audience worldwide, through captivating stories and an accessible entry point. We see great opportunities to tell new, contemporary, cutting edge stories building off the best known, classic stories that make up each of the title’s back histories.

* DC Comics has had a number of reboots, what makes this one different?

This is not a reboot, it’s a launch. This is a historic initiative for DC Entertainment and the DC Comics characters – and a first in the company’s publishing history. This next era of DC Comics characters will see 52 all-new #1 issues of its super hero titles at the same time AND same-day digital across the board. In addition to the number changes, our talented creative teams are working behind the scenes to create compelling storylines and new costume designs for many of our iconic DC Comics characters.

* Why not call it a reboot?

It’s not a reboot. A reboot is typically a restart of the story or character that jettisons away everything that happened previously.

This is a new beginning which builds off the best of the past. For the stories launching as new #1s in September, we have carefully hand-selected the most powerful and pertinent moments in these characters’ lives and stories to remain in the mythology and lore. And then we’ve asked the best creators in the industry to modernize, update and enhance the books with new and exciting tales. The result is that we retained the good stuff, and then make it better.

* Does The New 52 undo events or continuity that I’ve been reading?

Some yes, some no. But many of the great stories remain. For example – Batgirl. The Killing Joke still happened and she was Oracle. Now she will go through physical rehabilitation and become a more seasoned and nuanced character because she had these incredible and diverse experiences.

* So will all titles be entry points or will you need to know back-story for some?

Each title will read as a #1 issue that will make jumping into the story extremely accessible for all types of readers. The stories are designed in a way that new fans will be able to pick up a book and immediately be drawn into the story, while at the same time existing fans will be engrossed by the new and epic moments that take place.

* Do the new #1s mean that the previous stories didn’t take place?

Our creative teams have a firm understanding of the storied heritage of characters and titles. The new #1 issues will introduce readers to a more modern, diverse universe of DC Comics characters, with some character variations in appearance, origin and age. All stories will be grounded in each character’s legend – but will map to real world situations, interactions, tragedies and triumphs.

Overall, DC Entertainment is focused on putting out the most innovative storylines, featuring the most iconic characters, created by the most creative minds within the industry.

* Might you just introduce a new DC “Ultimate” line and give it the spotlight for a few months, then have the opportunity to bring back the other continuity? Will this all be put back to “normal” after a few months?

No – this is the new universe of DC Comics characters. This is an epic and ambitious initiative that ushers in the next era of the DC Comics characters and will set the tone for storylines and characters for years to come. This is not an “event,” because events expire.

* Why are you changing the costumes?

DC Entertainment is led by some of the biggest fans of comics out there. We know that if Geoff and Jim are excited about the stories and artwork, we’re on to something big. While there may be some naysayers, when we thought about starting the entire DC Comics universe line of comics with #1/first issues we looked at the benefits for the long haul, not just a year or two. Our goal is to create a watershed moment for DC Entertainment – and the industry as a whole – where fans will remember this as a time of innovation while maintaining DC Entertainment’s commitment to creating entertaining and masterfully created stories.

* Do you not care about your company’s history? If you do this right, what do you want your legacy to be 75 years from now?

The legacy of DC Entertainment, and DC Comics before it, is based on the creativity of our editors and our creative talent, and our commitment to the best storytelling possible. DC has always been about character development and growth.

Take Batman for example. In the early days he was a vigilante who brandished a gun. Then he morphed into a whimsical character and then in the 1960’s he became more of the gritty, grim avenger of the night. We can all agree that we are glad Batman evolved.

Our goal is to create a watershed moment for DC Entertainment – and the industry as a whole – where fans will remember this as a time of innovation while maintaining DC Entertainment’s commitment to creating entertaining and masterfully created stories.

* Specifically why end Action and Detective before they reach their 1,000th issues? Action Comics is the longest running American comic book, followed closely by Detective Comics, the company’s namesake. Isn’t renumbering these series actually a retreat from the love of “comics as comics”?

Our Co-Publishers and editors thought long and hard about this. It was an extremely important decision that was not taken lightly. But executing this unprecedented event meant taking creative risks on every level and pushing forward with big, new ideas. A partial renumbering would not have had the impact we needed to showcase the amazing changes and direction we have planned for the new DC Comics universe of characters. Counting issue numbers is focusing on the past, not the future.

* Can this event fix/undo an event I don’t like from the past?/ Can this event bring back a character from the past that I miss?/ Does this event change the status of (insert pretty much any character here)? What would you say to someone whose favorite superhero no longer exists?

Characters are always evolving in the DC universe and part of the evolution means that characters come and go. While not all current characters will be part of the new DC Comics line of books, we are confident the ambitious plan we are creating will introduce a new generation of protagonists and antagonists that will captivate readers.

We are kicking things off with our best and brightest characters and what makes them so compelling and great. Simply because you don’t see a personal favorite in the September launches doesn’t mean your favorites are gone. This is just the beginning.

SALES INCENTIVES

* What about returnability?

We are backing up our commitment to you and this launch, by putting our copies where are mouths are. We will be offering 100% returnability on 41 titles. Returnability on nearly 80 percent of the line allows retailers to order more boldly on these titles giving the books their best opportunity to reach new and existing consumers.

To qualify for returnability, your total post-FOC September orders (including Justice League #1) in retail dollars for DC periodicals must be 125% or more of your May post-FOC orders for DC periodicals. On retailer invoices dated 7/13/2011, retailers will receive their returnability target number. It will appear on the parent account invoice as: MAY118215 DC THE NEW 52 RETURNABILITY TARGET NUMBER (NET). We’re working with Diamond to establish a tracking system so that retailers can monitor their progress towards reaching their target number.

Retailers will be required to return stripped covers from the returnable issues along with an affidavit of destruction to Diamond Comic Distributors at a date to be named later. The return fee will be $.20 per cover. Also returnability will start one month after the date the issue goes on sale, but will be valid through mid-December 2011.

Graphic novels and DC Direct purchases are not included in the target.

The 41 titles eligible for returnability during the months of September, October and November are:

* ALL STAR WESTERN
* ANIMAL MAN
* AQUAMAN
* BATGIRL
* BATMAN AND ROBIN
* BATMAN: THE DARK KNIGHT
* BATWING
* BIRDS OF PREY
* BLACKHAWKS
* BLUE BEETLE
* CAPTAIN ATOM
* CATWOMAN
* DC UNIVERSE PRESENTS
* DEATHSTROKE
* DEATHSTROKE
* DEMON KNIGHTS
* DETECTIVE COMICS
* FRANKENSTEIN, AGENT OF S.H.A.D.E.
* THE FURY OF FIRESTORM
* GREEN ARROW
* GREEN LANTERN CORPS
* GRIFTER
* HAWK AND DOVE
* I, VAMPIRE
* JUSTICE LEAGUE DARK
* JUSTICE LEAGUE INTERNATIONAL
* LEGION LOST
* LEGION OF SUPER HEROES
* MEN OF WAR
* MISTER TERRIFIC
* NIGHTWING
* OMAC
* RED HOOD AND THE OUTLAWS
* RED LANTERNS
* RESURRECTION MAN
* THE SAVAGE HAWKMAN
* STATIC SHOCK
* SUICIDE SQUAD
* SUPERBOY
* SUPERGIRL
* SUPERMAN
* VOODOO

* What are the incentives for the other 11 titles?

Variants

For variants, we chose our core iconic titles, the ones that you tell us your consumers want most. And of course, we sought out those titles with the most compelling visuals. This variant program will continue for September, October, and November at least. We will be offering variants on five different titles, effectively one each week. Some specifics so far:

JUSTICE LEAGUE #1 VARIANT EDITIONS

· For every 25 copies of the Standard Edition ordered, you may order 1 Variant Edition with a cover by David Finch
· For every 200 copies of the Standard Edition ordered, you may order 1 Variant Edition with a pencil cover by David Finch

VARIANT COVERS

One title featuring a variant cover edition each week in September (plus a 1 in 200 pencil version). The quantity of variant editions you may order will be determined by your lowest ordered of title of The New 52 on FOC in the same week:

· ACTION COMICS #1 VARIANT EDITION
Cover by Jim Lee and Scott Williams

· BATMAN #1 VARIANT EDITION
Cover by Ethan Van Sciver

· GREEN LANTERN #1 VARIANT EDITION
Cover by Greg Capullo

· THE FLASH #1 VARIANT EDITION
Cover by Ivan Reis and Tim Townsend

Deep Discounting

For deeper discounts, we chose those break-out titles which can help you focus your staff and customers. Books that have real potential that is arguably hidden potential to-date, a real compelling creator, a real obvious jumping-on point for your readers, etc. We will be offering an additional 15% discount on six different titles. This deep discounting will continue for September, October, and November at least.

· BATWOMAN #1
· GREEN LANTERN: NEW GUARDIANS #1
· STORMWATCH #1
· SWAMP THING #1
· TEEN TITANS #1
· WONDER WOMAN #1

* Which of the 52 titles are not $2.99?

Four of The New 52 are $3.99 with additional pages of content. They are:

· JUSTICE LEAGUE

· ACTION COMICS

· ALL STAR WESTERN

· MEN OF WAR

* Why didn’t you tell us about this earlier this year at the ComicsPro meeting in Dallas, at the Diamond Retailer Seminar in Chicago or anytime prior to when the news broke?

Our plans have been evolving all year, and most of our planning occurred after both of those meetings. Once our idea developed, we didn’t want to spoil the surprises we have planned. In order to make sure we can tell the best stories possible, we needed to keep initial details under wraps. We value the relationships we have with our retailers and we’ll be sure to continue working as partners over the course of the launch, and beyond. You’ll be getting news in advance moving forward, as you should.

* Isn’t there now a “dead stock” issue on all previous comics and books that are made stale by this move?

We feel consumers buy and look for quality. That means the backlist that was and is popular will continue to be so. And that the best new stories will get readers excited about reading and finding all the great stories and comics which preceded September. The months leading up to September are the set up for the incredible changes we have planned. We feel readers will want to see how the current stories conclude and new stories play out as we ready the pipeline for the best to come. Retailers who believe their customers will skip some of our titles prior to The New 52 have the option of reducing their orders pre-FOC.

* Will DC Entertainment be able to get comics to us on-time for Wednesday sales on 9/07, the Wednesday after Labor Day?

We are working with Diamond to insure timely delivery of our comics that week. We hope to have details to you pre-FOC.

* Any way we can read copies of the comics earlier?

In today’s digital world it is extremely difficult to release advance copies of books because of piracy issues. We have seen advance copies get immediately scanned and released wide on the Internet – which in the end only decreases your ability to sell hardcopies. In the past we have sent advance black and white issues, but that was in the pre-digital era.

We are speaking with Diamond about previewing technology that gives retailers a secure first-look at comics. We will provide you more information as soon as we have it.

MARKETING

* What concrete plans are there to promote this to the general public?

With the launch of this epic event, DC Entertainment is implementing a proportionally ambitious marketing plan to share this news with current fans, lapsed fans and non-fans (what we consider “fans-to-be”).

You’ve seen part of this initiative at work with all the media coverage that has been generated since the announcement was made earlier this month. In addition, we’re going to be implementing an aggressive paid advertising campaign and word-of-mouth program to ensure we’re sharing the excitement we have over this news with the rest of the world.

Also our 75%-reimbursement co-op program will help retailers use new contemporary ways to market their stores and our books locally.

Related marketing content and promotional information will be packaged and highlighted in millions of Warner Home Video DVDs will be going out 4th quarter.

We have a lot of exciting plans in the works so you’ll definitely be hearing from us leading up to September.

* How is DC Entertainment going to market their September books for new readers?

DC Entertainment is going to position September as the best jumping on point to read monthly comics in a generation. With comics at the forefront of pop culture right now, we believe there are tens of thousands of consumers waiting for this moment.

* Which advertising channels will we use to promote the September books?

Since we are seeking a multi-tiered, multi-faceted audience, we will be using a variety of marketing channels to spread our message. We have already seen the enormous publicity response to The New 52 and how that has driven consumer awareness; we anticipate that will continue through launch. On the advertising side, we will be using a mixture of television advertising (both targeted network placement and co-op), Facebook advertising and targeted Search Engine Buys to seek out specific stripes of consumers. Hugely important as well are our on-line efforts, as we use the growing strength of social networking to build a new fan base for our books. Each of these platforms allows us to focus on consumers with specific pop culture and reading preferences.

* When will the logos for all of The New 52 be available for promotional use?

The logos will be posted to the DC Entertainment retailer page on diamondcomics.com on July 13th.

* Will we be able to order extra copies of the promotional book for The New 52 that’s going to arrive at retail on July 20th?

Retailers will receive copies of DC COMICS – THE NEW 52! # 1 PREVIEW BOOK on July 20 in quantities equal to five times orders at FOC on FLASHPOINT #1, providing you ordered at least five (5) copies of FLASHPOINT. These copies will be provided to retailers at no charge by DC Entertainment. (Retailers will be responsible for the cost of freight.) Additional copies will be available for reorder in limited quantities at a price of $.25 US net. These copies will only be available for reorder after the initial free allocation arrives in-stores on 7/20.

* When will co-op materials for The New 52 be available?

The co-op materials will begin being posted to the DC Entertainment retailer page on diamondcomics.com on July 13th. The page will be updated as additional items are completed.

* What type of co-op ads is DC Entertainment doing to support the launch of The New 52?

o Facebook
o Print
o Website / Banner
o Radio
o TV
o Movie Theatre
o Newsletter (print and digital)
o Large vinyl banners and standees (new and exclusive to Sept)

* Will we be able to have a midnight sale for JUSTICE LEAGUE #1 and FLASHPOINT #5?

Yes, we’ll offer a sale that begins at 12:01am (your local time) on 8/31. We’ll be announcing further details on this soon. This will be open to all accounts currently receiving comics on Tuesday for Wednesday on-sale.

UK retailers please note: Due to the Monday, August 29 Summer Bank Holiday, the midnight sale option will not be available to UK retailers.

* What has the press said about The New 52 so far?

“Epic” – USA Today

“Audacious” – New York Times

“Audacious…Seismic” – LA Times’ Hero Complex

“Fascinating” – NPR’s Monkey See

“Unprecedented” – Gawker’s io9

“Tantalizing” – The Hollywood Reporter

“Game-changing” – Big Shiny Robot

“Bold” – Popmatters

“Can’t wait” – ScreenRant

“Sets a precedent” – Blastr

“Historic” – PSFK

“Radical…bold move” – Publishers Weekly

“The ballsiest move of the decade” – Comics Alliance

“Dramatic” – The Onion AV Club

“The comic book world is a-buzzin'” – Ain’t It Cool News

DIGITAL

* Why are you going to same-day digital if digital is just “dental floss”?

To recall the analogy, same-day digital is dental floss compared to a sheet of 8.5 x 11 paper representing brick-and-mortar (i.e. over 95% of our business now and in the foreseeable future). Our goal is to expand both the size of the paper and the floss.

We believe the excitement we build through our marketing and promotional campaign benefits greatly from having immediate access to our content from every kind of reader. This exposure will benefit the sheet of paper more than the dental floss, so to speak.

For decades, the industry has bemoaned the fact we are not striving to bring in new readers. We feel day and date will bring the level of online chatter and excitement about storylines and books to new highs and having same-day digital titles will allow every kind of fan to participate in that excitement. In the end, more readers of comics whether in print or digital benefits the entire industry.

* What time will same-day digital releases go on sale? Will they be available to consumers before my store opens?

We are working with ComiXology to change our “go live” time each Wednesday to 2:00pm ET/11:00am PT. We expect to be able to make this adjustment prior to the 8/31 in-store date for Justice League #1 with ComiXology and the DC App. Apple sets their own release times for the iTunes stores, as does Sony for their PlayStation Network. We will attempt to have their release times in harmony with the ComiXology release times, but that may not be possible.

* When comics are delayed due to snow and ice/road conditions, will the release of the same-day digital titles also be delayed? If not, will all of my purchases that week be returnable since DC Entertainment was unable to maintain the same day digital schedule?

If the delay is system-wide, for example if no comics were shipped out on the scheduled day from our printer to Diamond, we would attempt to delay the digital release to match. If the delay is regional, we would not have a way to delay digital releases for only one region of the country.

* When comics have a scheduled delay due to holiday shipping delays, and DC Entertainment and/or Diamond announce that Thursday will be the in-store day, will the release of the same-day digital titles also be delayed?

Yes.

* Will the $4.99 JUSTICE LEAGUE polybagged combo have the same cover as the standard edition or will it have a variant cover?

The cover on the polybagged Justice League will feature the same art as the standard edition, however it will have a different color scheme and a color burst calling out the digital code inside.

* Is the $4.99 JUSTICE LEAGUE polybagged combo pack only for JUSTICE LEAGUE #1, or will this continue to be offered each month?

Each month.

* Is DC Entertainment going to offer the polybagged digital combo option on any titles other than JUSTICE LEAGUE?

We are only rolling this out on JUSTICE LEAGUE for now.

* Are the print and digital the same price?

Yes, for the first 4 weeks, a $2.99 print comic will be a $2.99 digital comic. After 4 weeks, the digital price will drop to $1.99. Following that pattern, for the first 4 weeks, a $3.99 print comic will be a $3.99 digital comic. After 4 weeks, the digital price will drop to $2.99.

DC Entertainment’s DIGITAL RETAILER AFFILIATE PROGRAM

* When will additional details of DC Entertainment’s Digital Retailer Affiliate Program be available?

Additional details are expected to be rolled out on or around July 20th.

Many retailers accept pre-paid preorders two months in advance from our customers prior to Diamond’s initial order due date, and we need to be able to make those transactions now to meet the needs of those preorder customers, not some indeterminate time between now and when Justice League #1 goes live on 8/31.

* What steps has DC Entertainment taken to help us bridge this cash-flow problem and consumer budgeting problem?

While we are not currently set up to offer digital pre-orders and/or digital subscriptions, ComiXology is working to be able to add this functionality.

* Is ComiXology the only source for retailers to participate in DC Entertainment’s Digital Retailer Affiliate Program?

Yes.

* Does ComiXology have a beta version available for retailers to view?

ComiXology plans to have a demo of the beta version ready for view by July 20th at San Diego. Prior to that date, you can look at read.dccomics.com and comics.comixology.com for mirrors of the content and layout they will have.

* How long will it take ComiXology to contact me after I apply at retailers.comixology.com?

ComiXology’s goal is to respond to all retailer information requests by the next business day. By July 20th we expect ComiXology to begin emailing additional details to retailers who have signed up for the service.

* Is ComiXology adequately staffed to handle this potential influx of affiliates?

They’ve partnered with icV2.com to help roll out and support the affiliate program.

* Will ComiXology be able to meet a deadline of 8/31 to have a dedicated DC Entertainment digital store running on my website?

Yes, that is their goal for accounts who sign up now.

* When customers purchase a DC Entertainment digital comic through my website, does the customer pay me, ComiXology or DC Entertainment?

All purchases are processed and received by ComiXology.

* Who pays me the 30% of the cover price on a DC Entertainment digital purchase made through my website? DC Entertainment? ComiXology?

The payment will come from ComiXology, however the extra percentage for operating a dedicated DC Entertainment digital comics site comes from DC Entertainment’s margin.

* When will I be paid my share of the digital sale? How often? How will I receive?

ComiXology is working towards monthly direct payments to retailers’ accounts, after retailers meet a benchmark amount of sales. Details of the payment method are being worked out by ComiXology.

* If taxable in my area, am I collecting sales tax on the digital sale?

No, ComiXology will be taking care of all sales-related concerns.

* Is DC Entertainment participating in the Diamond Comics digital initiative?

No, not at this time.

* Is there a way for retailers without websites to sell DC Entertainment digital comics?

Retailers will need a website in order to develop a dedicated DC Entertainment digital comics site.

Comments

  1. That was impressive! The level of transparency they are trying to maintain is awesome.

    I think 10 years from now, we will view this move as “The Thing DC did right…” while we we bitch about how Marvel/Disney just licenses their characters out to some outfit in Argentina.

  2. rick hood says:

    Really?……Really! I hope this succeeds cause the comic book business needs help big time if it is going to continue to remain a viable entertainment medium. Seriously…

  3. I applaud this and I hope it sets a new tone for DC.

  4. Reluctant Hero says:

    This is awesome. I’m very much looking forward to buying digital comics on my iPad. It’ll be even better if my LCS can join this digital affiliates program and get some kind of monetary kick-back from DC!

  5. * Why would the general public, who haven’t been interested in your titles every time you’ve rebooted them in the last twenty five years, be interested now?

    It’s digital now. Di-Gi-Tal. The kids will buy anything digital. Look at… whasername? Lady Gogo. Digital. Electric Superman? Not digital. Shorts-less Superman? Digital. Instant sales.

    I’m sorry if the complexities of our plan confuse you.

    *Why not produce something new for-

    GET THE HELL OUT!

  6. Allen Rubinstein says:

    Kind of a shame that the protest in San Diego will probably shut down the relaunch before it gets started. Damn those fanboys! Damn them to hell!

  7. Well, at least somebody high up at DC can deliver some substance, even though it’s still a bit late. Hope DiDio got a copy for reference.

  8. Keyser says:

    “accessible to both new and current readers”.

    This made me laugh. Google “Blackest Night reading order” and see how many pages and threads of debates on how to read what should have been a simple story and how it’s gotten so complicated. And these are fanboys going back and forth. You expect the novice to stay with it? Starting over from #1 is nothing but a sales pitch. When they go three or four issues in and there’s some other epic event of the century they start it will still be hard to follow.

    I think William George had the best comment.

  9. Ian Boothby says:

    So to sum up. The new DC Universe now with 75% more pants!

  10. I think William George had the best comment.

    *Sniff* I’m so happy. I usually just get called a heretic and cased with torches and backing boards.

  11. I particularly enjoyed the extremely cherry-picked quotes from around the Internet. Those were unintentionally hilarious from what’s purposely being left out.

  12. I have a question!

    Will someone hold me?

    Because this scares me. And some of the word parsing in this FAQ–we’re not calling it a reboot because it’s only a partial reboot, and no one will know what’s been rebooted and what hasn’t until it comes up, which will confuse new and old readers and creators alike— only served to scare me more.

    Hold me, DC! I’m terrified!

  13. Bookbuster says:

    Still no sign that they’ve given any consideration to retailers outside of the US…

  14. Martin says:

    There’s tons of disgusting spin and evasiveness in that FAQ. But nothing worse than this:

    “· 48 of the 52 titles in September are $2.99, the standard price for a 20 story-page art & editorial book, showing our unrivaled commitment to making comics affordable for new and existing readers alike.”

    Yep. And launching all of those 52 titles online at once has forced your hand at selling digital comics for 2.99.

    Digital comics…where new readers matter.

    That said, my biggest fear is that this ISN’T spin on DC’s part…that they’re actually dumb enough to think they’ve got the reboot all figured out. Given how poorly the company has been managed over the past few years, I wouldn’t be surprised if they’re just business clueless (Time Warner won’t give them any pointers, so long as they can keep selling Batman toys and gearing up moves), which frightens because I don’t want them making a disaster move that causes them long-irreparable harm.

  15. All I want to know is this: is Keith Giffen writing Justice League International and will it be funny? Because I saw a drawing of a team that looks a whole heckuva lot like the 90s JLI, and I love it.

    Also:

    48 of the 52 titles in September are $2.99, the standard price for a 20 story-page art & editorial book, showing our unrivaled commitment to making comics affordable for new and existing readers alike.

    Please don’t call $2.99 for a 20 page comic affordable. Please, please do not do this. You are making me insane here. It’s not. You can spin it however you want but it’s not. The worst part is that you are dealing with a product that is trying to reach a younger audience and with a younger audience there is a serious elasticity of demand. There’s an excellent chance that if D.C. piqued their interest, they could make more money by selling their comics less expensive.

    I’m 34 years old and have a comfortable enough income and I’ve decided floppy comics are too expensive. Okay? It’s not affordable. It’s just not. If you’re going to overprice your comics, don’t get Orwellian on the price. We all know it’s too much. Just say what the price is and leave it if that’s what you’re going to do.

  16. Synsidar says:

    This text was interesting:

    With all of the titles starting at #1, our creative teams have the ability to take a more modern approach – not only with each character, but with how the characters interact with one another and the universe as a whole, and focus on the earlier part of the careers of each of our iconic characters. A time when they didn’t have as much experience defeating all their nemeses. A time when they weren’t as sure of their abilities. A time when they haven’t saved the world countless times. It’s this period that is rich with creative opportunity as we show why these characters are so amazing, so iconic and so special.

    Unless DC Editorial plans to “remake” old stories, it appears that continuity for some characters will be affected, in that previous encounters won’t have occurred. I don’t believe that’s good for experienced readers, since even if a villain and hero don’t remember meeting each other, the reader does, and unless the characters are substantially changed, they will react to each other the same way. Batman-Joker encounters won’t suddenly be new; they will still be opposites. Writers still won’t be able to recycle story material as if it never occurred.

    I wonder how much the “youthening” of DC’s heroes was influenced by Marvel’s policy of treating their heroes as though they’re generally in their 20s. That might seem like the perfect age for attracting young and old readers alike, but people in their 20s lack wisdom. A perpetually optimistic and naive hero is worse than an experienced, cynical one.

    I skipped over the retailer-oriented material, but it appears that DC is concerned mostly with attracting new readers, and hopes that old readers don’t leave.

    SRS

  17. Synsidar says:

    Hold me, DC! I’m terrified!

    Ah, heartfelt emotion! Exactly what DC Editorial was hoping for.

    I’m fortunate to be unattached to any of the heroes. Whatever happens, I’m an observer.

    And it helps to be cynical. Marvel’s AVENGERS: CHILDREN’S CRUSADE is the worst series I’ve ever read. There’s no plot, no premise — if it were to be redone, everything would have to be thrown out. But that’s what I expected, so I’m not upset. As far as I’m concerned, the series has no effects on the characters whatsoever.

    IMO, an iron-fisted approach to editorial control is the best one, but only as far as enforcing quality standards is concerned, not dictating how writers write and what they write about. The only way to prevent bad material from being published is to reject it, and to demand a rewrite if the idea has potential.

    SRS

  18. [i]“With all of the titles starting at #1, our creative teams have the ability to take a more modern approach – not only with each character, but with how the characters interact with one another and the universe as a whole, and focus on the earlier part of the careers of each of our iconic characters. A time when they didn’t have as much experience defeating all their nemeses. A time when they weren’t as sure of their abilities. A time when they haven’t saved the world countless times. It’s this period that is rich with creative opportunity as we show why these characters are so amazing, so iconic and so special.”[/i]

    and yet Damian and Blackest Night as still in continuity?

    holy crap. DC is trying to have it both ways
    that can’t work well

    This is not a reboot. This is a reboot. This is not a reboot. This is a reboot. This is not a reboot. This is a reboot. This is not a reboot. This is a reboot.

    It’s like Two Face took over the DC offices. Quick, someone call Batman.

  19. Synsidar says:

    holy crap. DC is trying to have it both ways
    that can’t work well

    It would be worth asking DiDio or Harras how their continuity revisions are supposed to work. Marvel, for example, has long been described as using a ten-year timeline. The current issue is always the present, while the age of superheroes (back to FF #1) goes back ten years. Heroes’ origins have also been re-dated occasionally, in line with that thinking.

    It might be, that if they intend to write characters as being in their 20s and early 30s, that events such as those in THE KILLING JOKE will have occurred, but at an earlier point in Barbara Gordon’s history. No one ages past their 20s, so, if, say, Gordon is written as being 26, her entire life as Batgirl would have occurred within the range of 21-25.

    Since Harras worked as Marvel’s E-i-C for a while, it makes sense that he’d suggest using Marvel’s approach for designating characters’ ages.

    BTW, the HTML tags for italics are <i></i>

    SRS

  20. Goofball814 says:

    I wonder how much the “youthening” of DC’s heroes was influenced by Marvel’s policy of treating their heroes as though they’re generally in their 20s. That might seem like the perfect age for attracting young and old readers alike, but people in their 20s lack wisdom.

    I can help but think if DC wanted to “youthening” their heroes, why do they keep resurrecting they “old guys” to replace the young guns. Replacing Kyle Rayner with boring old Hal Jordan. Let’s bring back boring, stale a$$ Barry, instead of Wally West or Bart Allen. Con-el and Wonder Girl are basically background characters in Team books! And when is the last time we’ve seen Conner Hawke, Green Arrow kid that replaced him for many years?

    DC “youthened” their characters 15-20-30 yeArs ago, and did a fine job, and created some really good characters. But the current regeme has relegated them to background character, or completely forgotten, in the current books!

    If I wanted to read these Silver age stories, I’d pick up the back issues ( which can generally be found for a better price than $3 an issue)!

  21. Skepticface says:

    That’s pretty ambitious. 52 new titles? I wonder how many of those will be cancelled within a year?

  22. Glenn Simpson says:

    @BradyDale – Marvel has proven that there are lots of people who are willing to pay $3.99 for 22 page comics, so $2.99 for 20 pages seems like a pretty good bargain.

    If more people had dropped Marvel’s $3.99 books and bought more of DC’s $2.99 books, these changes might not have had to take place.

    @Xenos – yes, they are trying to compromise between making the books completely accessible to new readers and losing all of their older readers. They are giving their writers whatever they need to tell the best stories, and keeping the things that were the most popular from the past.

  23. Finally, some solid-ish information on their advertising! If only they were being more upfront about which audiences they’re targeting. 20-something male gamers? Stay-at-home moms who watch superhero cartoons with their kids? Book junkies looking for a new read?

    How about the books with minority lead characters – titles like, say, Batwing and Mister Terrific aren’t the most talked about right now, but running ads on sites/channels with a high proportion of black visitors might lead to some “Awesome, more superheroes I can kind of identify with!” interest.

    Considering how the past decade’s flood of superhero movies has given us very few minoririty leads (movie-shaped Catwoman product aside,) this relaunch is an excellent opportunity to remind people “Hey, we have superheroes that aren’t white/straight! Like, multiple ones!”

  24. * Why are you changing the costumes?

    …Our goal is to create a watershed moment for DC Entertainment – and the industry as a whole – where fans will remember this as a time of innovation while maintaining DC Entertainment’s commitment to creating entertaining and masterfully created stories.

    So superfluous costume alterations signifies a watershed moment? I mean, I could understand it if everyone got brand-spanking new costumes that threw out most of the iconic superhero costume mainstays from the 1940s with the goal of creating new wardrobes which will in turn hopefully become iconic in their own right, but that’s not what’s happening. The watershed moment concerning costumes seems to be one of unnecessary lines, piping, and armor placed overtop old-school circus-strong-man superhero pajamas.

    Superheroes dress for spectacle. What does today’s world recognize as timeless spectacle? If you were to say high-V-neck collars, you would be wrong. Tron piping and overcomplicated stitching of a costume’s fabrics very well may be go down as the 2010’s version of the chains, spikes and trench coats craze of the ’90’s.

    I guess we’ll all get to see, soon enough…

  25. Synsidar says:

    I suppose that one creative reason to choose writing a superhero as a guy in his 20s is that it’s easier to depict him as unattached and still wondering about a career path. Were a thirty-something with a wife, two kids, a mortgage, and a career to unexpectedly gain a power, he’d be more likely to reject it, use it only as a means of profit, or use it only in case of a personal emergency. The “With great power. . .” philosophy doesn’t work nearly as well when someone already has responsibilities.

    If someone in the real world were to gain a power, he’d be much more to use it secretly or in emergencies than to use it openly. Using it in public — he’d drown in the flood of publicity.

    SRS

  26. jason says:

    pricing digital comics the same as pamphlets is going to kill this whole thing before it starts. they just aren’t worth it and they are too easily available for free on the internet

  27. Bill K. says:

    I can help but think if DC wanted to “youthening” their heroes, why do they keep resurrecting they “old guys” to replace the young guns. Replacing Kyle Rayner with boring old Hal Jordan. Let’s bring back boring, stale a$$ Barry, instead of Wally West or Bart Allen.

    DC “youthened” their characters 15-20-30 yeArs ago, and did a fine job, and created some really good characters. But the current regeme has relegated them to background character, or completely forgotten, in the current books!

    Exactly. DC has had an excellent opportunity to relaunch their characters to appeal to modern audiences while also appealing to those who prefer nostalgia an tradition. Most of their characters are legacy heroes. Up until about 10 years ago it seemed as though they understood the value of that. You could invent a new character with a new costume while keeping the strongest elements of the property intact.

    I find it amazing that creative bosses at DC who seem to be most behind this and keep telling us how necessary it is to keep these characters young and fresh are the ones most responsible for wrecking what was a fairly successful process of continual character relaunches and inventing young fresh replacements to bring back obsolete versions of those characters that they liked when they were kids.

  28. BrianMc says:

    I agree that $2.99 is too expensive, for floppies and especially for digital. But here’s a thought for moving the digital project: While print costs are pretty fixed, digital leaves a lot more pricing room. Whatever the price point, why not make the first issue of a storyline cheaper, as an incentive to jump aboard?

    So if you are pricing your monthly Action Comics at $2.99, when issue 7 starts a new story arc, make the digital $1.99, attracting more readers and, if your content is good, keeping some around for the rest of the story at $3/chapter.

  29. Archie says:

    When customers purchase a DC Entertainment digital comic through my website, does the customer pay me, ComiXology or DC Entertainment?

    All purchases are processed and received by ComiXology.

    Sooo.. I’m supposed to use my website to make money for ComicXology? This sounds ridiculous.

  30. I find it amazing that creative bosses at DC who seem to be most behind this and keep telling us how necessary it is to keep these characters young and fresh are the ones most responsible for wrecking what was a fairly successful process of continual character relaunches and inventing young fresh replacements to bring back obsolete versions of those characters that they liked when they were kids.

    It’s almost seems like their claims of wanting new readers is just for show and what they really want is lapsed collectors to come in and buy a bunch of first issues, doesn’t it?

  31. Or should I say more accurately: A bunch of shop owners to panic order a bunch of first issues just in cast lapsed collectors come in looking for them?

  32. You know, the question about the new costumes… the answer has nothing to do with the question.

  33. I can’t claim credit… they caught this over at Project Rooftop: http://bit.ly/jhSUlG

    Check it out: Hal doesn’t have a ring on in that image above. No ring on the Green Lantern!

    Editorial snafu, or is Hal taking Kyle Rayner’s spot from the previous universe? Guy Gardner has his ring on in the JLI cover, so it’s not an across the board move.

  34. Tókyo says:

    Okay, i have to say i dont like this ‘new 52 idea’. First of all, I dont think this is really going to bring new readers. Comic industry just dont set the worl on fire as it used to, and there’s nothing DC or anybody could do about it. Now a days, kids like video games and movies, that’s the way comic industry have to make money. In press comic is not a big money resource anymore, end of story!

    And I dont like reboots (specially “all history” reboots like this one). If they rebooted only an event, that would be okay, but the hole history of the characters??? And this ‘this is not a reboot’ thing is bullshit!

    If it was just a relaunch, those sotries would not take place at the currenct chronology. If you tell an origin of a character again, from zero, and at the currenct chronology, it’s nothing but a reboot!

    I hope I’m wrong, but I dont think i’m gonna like this new 52 titles.

  35. Jackofhearts says:

    I really believe this will bring in new readers, as I am one. I’ve been a fan of comics since I was quite young but always cared more for marvels stories and characters. But over the last few years I’ve become a huge batman fan, mainly thanks to Frank miller’s long Halloween. And that slowly started to peak my interests in DC’s universe.
    I’ve never had any interest in buying back issues or reading up about characters on wiki’s to find out who they are and what they’ve done. I’d much rather be there when it happens and be part of the excitement along with all other fans of the series. Now thanks to DC I’ve been given a perfect window to jump right into there universe and find a whole new set of characters to love.
    I’ve already preordered about 15 series and find I’m having to stop myself going online and buying more.
    Thanks DC!!! X

  36. Dalimar says:

    I am looking forward to this. Why? Because there are 2 things that really bother me about comics and keep me from reading them. 1) massive cross title story lines. Good egample of this, Blackest Night. I do not subscribe to every title this story was presented in, nor do I wish to. It is extremely difficult to read in continuity, I still don’t comprehend it all cause it was all over the board. 2) refferences to back stories I have no chance of ever reading because they are out-of-print. This singularly keeps me from wading in to some titles. What’s the piont when you haven’t a clue what’s going on? At least with digital publishing the new reader of a title will be able to purchase back copies as in the digital world inventory is a moot point as archiving take very little resources.

  37. Anthony says:

    Man they really think they know what all of us want, but in overall, with all of this, is a bunch of B.S. I t just not the DCU without the real heroes and it seems to get worse by the issue, it feels.

    I sense this will not last forever. They just can’t just alienate and white wash everything and making the DCU into something it’s not.
    not too mention showing sexual acts is just crossing the line and overdoing the blood and gore was just not necessary. I was planning to introduce my little nephew to comic books with superman but with with reboot and what they are doing with it, it has become disgusting and I would not let my nephew come anywhere near garbage. Rather sooner or later, these so-called “new readers” would come to realize of what they are doing to the DCU and right now, it’s sales are going down as we speak and some people have failed to realize this reboot is being fueled by ego and thats never a good thing. It just not the DC comics without the real heroes and lot of us need them back. And so do I!

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