By Jeffrey O. Gustafson
Damn Events. Maybe it’s just a marketing term, but as I noted above, it’s a matter of scale. I’m sick of the term, and a little tired of the Events themselves, but Infinity is an Event by marketing and by definition. Going back to the cycle events that started in the age of Nu-Marvel, most have just been vehicles for launching other things, or killing characters. But Infinity is different. Sure, it’s the same in some things, but the quality is different, the structure is different, and the finished product is completely unalike any event. It’s Marvel’s differentest Event, and it’s Marvel’s best.
Strong words in a cycle that gave us Civil War, but the goal posts were/are different. Civil War was very much a vehicle for other things, and while flawed, was quite good. It also set a standard of sales and expectations that following events haven’t quite met. So I’m not really applying the same kind of standards, and looking at Infinity as its own unique order of Event storytelling. And unique is a great way to describe it. Writer Jonathan Hickman is a rare talent. His creator-owned books of the past year have been some of the best mainstream comics being published. And indeed, Infinity – the whole rigamarole that includes Avengers and New Avengers – might be the year’s best Superhero comic.
Let’s start with the art. Infused with Hickman’s distinct visual design aesthetic, Infinity features the prodigious talents of (alphabetically) Jimmy Cheung, Mike Deodato, Jerome Opena, Dustin Weaver, Lenil Francis Yu, and more. I can get frustrated with inconsistent art. But different is not always inconsistent and the art teams were consistent with the different stories Hickman was naturally telling. And damned good at it, too. Yu’s stuff suffers a little in the end, but otherwise the entire team is flawless, even Deodato (who I usually don’t really get, I guess) who changed up his style. Any series with 100 pages of Jimmy Cheung is a graphic-novel’s worth of content, more than worth the trip. Infinity 6 stars Cheung with an assist from Weaver, who give the work detail and care, the flash and energy they bring to the proceedings, the scope and execution of the grand space-operatic Epic and superpowered battling. Hickman and Marvel give them a ton of space to play and they tackle the proceedings with glee. If you haven’t been reading Infinity to this point, then picking up issue six might seem like a pointless exercise if not for the visual astonishments, and there are plenty.
The story in issue six is all action and it’s big big BIG. By this point, Hickman’s already pulled out all the stops. The twist of Inhumanity came a couple of issues ago, the juicy space opera elements have come and gone, the incursion has been averted. But Hickman keeps creating more stops to pull. This is all in the genius of the series’ structure. Secret Invasion, another invasion story as a point of comparison, was all decompressed middle and a silly twist to set up some other nonsense. But Infinity is so much more and then some. There’s been so many amazing visuals from the falls of Wakanda and Attilan, to the glorious space battles, to the Illuminati’s machinations, to every single thing involving Black Bolt. There sheer amount of story that is going on, has gone on, so masterfully juggled and interwoven by Hickman, complex yet accessible, all funnels into this finale issue.
Infinity is dense, thrilling, beautiful, intense piece of superhero sci-fi comic storytelling. The final main chapter is the capstone to this grand epic. Hickman’s vision with this story was clear and the execution flawless. And this is a fun, visually stunning (in story and art and Ideas) mainstream productions, written by one of the comic medium’s best talents.
Jeffrey O. Gustafson is a Brooklyn-based comics blogger and the creator and writer of The Comic Pusher blog at ComicPusher.com