There haven’t been many new developments in the “Future comics” category of late; that is comics that use animation, gifs, or other tablet- or web-based technology as a storytelling tool, beyond Madefire’s leading the category. It seems like motion comics and the costs of developing platforms have sort of put this on the backburner…plus guided view and the like are now such a standard aspect of reading comics that they don’t elicit much comment.
As humongous and “earth shattering” as event comics can be they usually aren’t the endgame a publisher has in mind. The payoff usually lies in what comes after, whether it’s in the form of another event or a new series. Unfortunately for Marvel the pattern that’s developed is a stale event followed by a great series; one example that comes to mind was Dark Avengers coming after the Secret Invasion event. Marvel’s latest case, AXIS, while convoluted at times, has set the stage for Tom Taylor to play on the other side of the big two field with Superior Iron Man.
By Matt O’Keefe In the world wide web there’s a lot that goes unnoticed, even in more niche industries like comics. For the last few years artist Gannon Beck, along with various writers, has been telling tales of the Spaces Corps, a guild reminiscent of the Green Lantern Corps at DC or the Nova Corps […]
By Harper Harris John Patrick Green is a Long Island-based comics creator, best known for his collaboration with Dave Roman, Teen Boat. In an announcement made yesterday by First Second, Green is striking out on his own with the younger audience based Hippopotamister: the story of a Hippopotamus and his friend, Red Panda, who leave their home […]
Out with the old, in with the new? As we’ve been reporting, October comics sales were pretty damn massive. It’s the culmination of a year that started a little rocky but has blossomed as new trends blew into town behind a strong trade wind. Multiversity’s David Harper has the much needed big think piece on what’s happening complete with CHARTS. First he points out that The Big Two are still the big two:
Americans can’t get enough Tezuka!
Well sort of. The Japanese comics pioneer was as prolific as he was influential and recently we’ve recently seen a pretty ambitious attempt at getting a bunch of his works into print here in the US from DMP.
But a lot of primo Tezuka’s work was already published here via a series of very attractive volumes published by Vertical which ranged from Black Jack—perhaps his most accessible series and one of the best known—and standlone volumes like Ode to Kirihito. Sadly many of these books are out of print, but not to worry, Vertical is bringing them back in digital form:
And as the end of year lists circulate, Spring catalogs are also making 2015 all the closer. SelfMadeHero has announced their Spring 2015 line, some of which has been listed here before. In recent years, SelfMadeHero has distinguished itself for a line of graphic novels both visually stunning and emotionally compelling. This list sounds equally strong.
By David Nieves Even though Los Angeles is the entertainment capital of the world, ten years ago, you’d be remiss to find comic conventions, toy shows, or most other forms of pop culture gatherings. The monthly mini show at the Shrine Expo was at times more a flea market than a convention and Frank and […]
Koyama Press is making many of its current and past graphic novels available in digital editions via the Sequential app. The titles available are yet to be announced, but according to the PR it will include some titles that have been out of print. “From cosmic art critiques to despondent, down-on-their luck cats, we’ve got […]
Exhibitors at Comic Arts Brooklyn this weekend were kind enough to send me listings of their books—as usual there is something for everyone. I received so many listing I’m dividing this into two parts. Many thanks to the creators who took the time to send me news of their work. It looks to be a very exciting show. Enjoy!
Jen Wang has built up a nice little shelf of graphic novels for herself—Koko Beware, which she wrote and drew, and In Real Life, which she drew from Cory Doctorow’s story.
And now she’s launched a new webcomics called THE WHITE SNAKE, which will update when new chapters are done.
The first chapter is a dandy one, opening with a mysterious murder by…snake? But which snake, and why, and what happened to the snake?
by Zachary Clemente FREDERATOR STUDIOS DEBUTS PREMIERE SEASON OF EAGERLY ANTICIPATED ANIMATION HIT: BEE & PUPPYCAT Created by Adventure Time Artist Natasha Allegri, Most Successfully Funded Animation Project in Kickstarter History, Premieres November 6 on Cartoon Hangover YouTube Channel Now, this is super-exciting news! When the first two episodes (collected here) of Bee & Puppycat first hit […]
Today what will probably be the biggest selling graphic novel—or hybrid graphic novels, or picto-fic or whatever you want to call it—of the year goes on sale. Wimpy Kid #9, The Long Haul is the latest installment of Jeff Kinney’s best selling series, and it finds the Heffleys going on a sumer road trip. Anyone who grew up with a family and car will immediately need no further hype as to the horrors and comedy plot potential inherent in the family road trip, but just in case you need more of a pitch:
We’ve linked to a few of Jed McGowan’s wordless comics before—including Hawaii, a best in show among geological comics, and Voyager, a wordless comic about a space probe. Despite the dry-sounding material, Xeris-winner McGowan (Lone Pines) presents them in a visually arresting way.
This time out, he’s got a story to tell, and it’s a strange and eerie one entitled Control Room. What happens when that space probe lands on Mars with several sisters aboard? Hit the link to find out.