Bucking the odds, Fantagraphics will be selling new, wonderful comics at Booth #1718. If past years any any indication, here you will find the cohorts of Team Comics crouching under a bunker as Big Bang Theory shrapnel whizzes over head. But you will be able to buy COMICS.COMICS I SAY. I have stolen the text and pictrues from their blog post to show you these comics. If you cannot find something to entice you here, you are not only dead inside, you are a flesh eating zombie roaming a cold, harsh world:
• Lost Cat by Jason The new graphic novel by Jason is both a playful take on the classic detective story. A detective happens to find a lost cat and finds that he and the woman to whom he returns it have a lot in common. They agree to meet again… but she’s disappeared. Isolation and memory intertwine in the longest story by Jason to date.
i & Jean-Pierre Verney (translated by Kim Thompson) Tardi’s second WWI masterwork is told with a sustained sense of outrage, pitch-black gallows humor, and impeccably scrupulous historical exactitude, in masterful full color. Goddamn This War! shares with It Was the War of the Trenches its sustained sense of outrage, pitch-black gallows humor, and impeccably scrupulous historical exactitude.
• Bread & Wine: An Erotic Tale of New York by Samuel ‘Chip’ Delany and Mia Wolff. A new edition of the groundbreaking memoir of (and by) award winning science fiction author Samuel R. Delany, and drawn by artist/martial arts instructor Mia Wolff. Bread & Wine flashes back to the unlikely story of how Delany befriended Dennis, and how they became an enduring couple – Delany, a professor at Philadelphia’s Temple University, Dennis, an intelligent man living on the streets. Touching and honest, this moving, sexually charged love story resonates to this day.
• The Daniel Clowes Reader: A Critical Edition of Ghost World and Other Stories, with Essays, Interviews, and Annotations edited by Ken Parille This landmark collection features ten of Clowes’s most influential graphic narratives, along with interviews about his career and creative process, and twelve thought-provoking essays by contemporary scholars and critics. Aside from the celebrated Ghost World, it also includes stories – some reprinted for the first time – about boys coming of age, troubled superheroes, and the place of artists and critics in popular culture. Perfect for the college literature/graphic narrative classroom.
• The End of the Fucking World by Charles Forsman In his debut graphic novel, Forsman follows James and Alyssa, two runaway teenagers. James exhibits a rapidly forming, violent sociopathy that threatens both of their futures, while Alyssa remains blinded by young love. Forsman’s story highlights the disdain, fear and existential search that many teenagers fear, but through a road trip drama that owes as much to Badlands as The Catcher in the Rye. The End of the Fucking World is certain to be one of the most talked-about graphic novels of 2013.