SDCC ’14: Images Expo Full Lineup Announcements

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by Zachary Clemente

At Image’s pre-SDCC Expo,12 announcements were made, we covered it live, but here are the full details:

 

Rick Remender and Sean Gordon Murphy’s TOKYO GHOST:

tokyoghost SDCC 14: Images Expo Full Lineup Announcements

TOKYO GHOST welcomes readers to the isles of New Los Angeles, 2189. Humanity has become nothing more than a sea of consumers, ravenous and starving wolves, sick from toxic contamination, who have to borrow, beg, and steal for the funds to buy, buy, buy their next digital fix. Getting a thrill, a distraction from reality, is the only thing left to live for. Entertainment is the biggest industry, the drug everyone needs, and gangsters run it all. And who do these gangsters turn to when they need the “law” enforced? Led Dent and Debbie Decay, constables of the law, which is a nice way to say “brutal killing machines.” The duo are about to be presented with an assignment that will force them out of the decay of LA and into the mysterious lost nation of Tokyo.

 

Marian Churchland, Claire Gibson, and Sloane Leong’s FROM UNDER MOUNTAINS:

fromundermountains SDCC 14: Images Expo Full Lineup Announcements

Set in the isolated country of Akhara, rival houses face off in the struggle for political power and military security in FROM UNDER MOUNTAINS. Three unlikely figures—a lord’s daughter, a disgraced knight, and a runaway thief—will change the fate of their world, but the only hope of peace may lie with the mystery shrouded goblins and witches, and the ancient powers they command.

 

Joe Casey and Paul Maybury’s VALHALLA MAD:

valhallamad SDCC 14: Images Expo Full Lineup Announcements

VALHALLA MAD introduces a set of brand new characters: the Glorious Knox, Greghorn the Battlebjorn and Jhago the Irritator. The series depicts this

particular trio of fun-loving gods’ return to Earth—Manhattan, specifically—to drink and party and revel in their resplendent godhood after many decades of being away. Needless to say, they find a very different world than the one they last visited.

 

John Arcudi and James Harren’s RUMBLE:

rumble SDCC 14: Images Expo Full Lineup Announcements

RUMBLE is a strange book, that’s for sure—like a scarecrow-Conan fighting in a Louis C.K. TV show directed by David Fincher—with a supporting cast of odd characters, many of whom aren’t even human.  

 

Ray Fawkes’ INTERSECT:

intersect SDCC 14: Images Expo Full Lineup Announcements

Bodies shift and merge, warring with themselves. Blood rains from the skies. A child’s song is translated into toxic, thought-destroying whispers. Everything is changing. Everything is wrong. This is the world of INTERSECT.

 

Tom Neely and Keenan Marshall Keller’s THE HUMANS:

humans SDCC 14: Images Expo Full Lineup Announcements

Apart, they are nothing… deemed by society as outcasts, misfits, losers, no good punks! But together, they are THE HUMANS! Follow Bobby, Johnny, and all The HUMANS as they fight and fly down the road to oblivion on a ride filled with chains, sex, leather, denim, hair, blood, bananas and chrome.

 

Gabriel Hardman’s KINSKI and Hardman and Corinna Bechko’s INVISIBLE REPUBLIC:

invisiblerepublic SDCC 14: Images Expo Full Lineup Announcements

KINSKI, previously a digital-only collection, both written and drawn by Hardman, promises to be a quirky crime thriller about Joe, a down-on-his-luck salesman who finds a cute puppy. The thing is, this puppy already has a home. What starts as a simple rescue mission from neglectful owners quickly escalates into a righteous crusade. Hardman announced a second project to be executed with frequent collaborator Bechko (HEATHENTOWN, Savage HulkStar Wars: Legacy). Described as a gritty sci-fi series, INVISIBLE REPUBLIC explores the secret history of one man’s rise to power after an unspeakable act of violence elevates him to folk-hero status on a war-torn planet seeking independence.

 

Becky Cloonan and Andy Belanger’s SOUTHERN CROSS:

southerncross SDCC 14: Images Expo Full Lineup Announcements

Now boarding: SOUTHERN CROSS, tanker flight 73 to Titan. Alex Braith is on board retracing her sister’s steps to the refinery moon, hoping to collect her remains and find some answers. The questions keep coming though—How did her sister die? Where did her cabin mate disappear to? Who is that creep across the hall? And why does she always feel like she’s being watched?

 

Jeff Lemire and Dustin Nguyen’s DESCENDER:

descender SDCC 14: Images Expo Full Lineup Announcements

DESCENDER will explore one young robot’s struggle to stay alive in a universe where all androids have been outlawed and bounty hunters lurk on every planet.

 

Ivan Brandon and Nic Klein’s DRIFTER:

drifter SDCC 14: Images Expo Full Lineup Announcements

Mankind’s colonization of the galaxy has left countless planets mined bare and lifeless in DRIFTER. A space transport crashes onto a backwater world whose unique properties set the stage for a story that combines the dark wonder of a strange and alien landscape with the struggles of an abandoned and lawless frontier town.

 

Kurt Busiek and Ben Dewey’s TOOTH AND CLAW:

toothclawl SDCC 14: Images Expo Full Lineup Announcements

In TOOTH AND CLAW, a secret conclave of wizards brings a legendary champion back through time to save the world, with disastrous consequences. Swords, sorcery, animal-wizards, gods, empires, golems of radioactive decay, crystalline badlands, con women, ancient armories, young love, mystery, blood and death and treachery and destiny…TOOTH AND CLAW is an epic story you won’t want to miss out on.

 

Warren Ellis and Declan Shalvey’s INJECTION:

injection SDCC 14: Images Expo Full Lineup Announcements

INJECTION explores how loud and strange the world is becoming, and the sense that it’s all bubbling into chaos—a chaos poised to become the Next New Normal—and that we did this to ourselves without thinking for a second about how we were ever going to live inside it.

“Each and every year, it is our goal to grow the comics marketplace with new creativity, and this current slate of talent is intent on doing exactly that,” said Eric Stephenson, Publisher at Image Comics. “It’s nothing short of thrilling to be involved with so much unique and inventive talent, and I couldn’t be more proud of the work these amazing men and women are developing as we finish out this year and head into the next. We don’t pass out assignments or dictate directions here, we ask writers and artists what they want to do and let their creativity guide us. For some, relying on so much new material might seem like an uncertain way forward, but I prefer to look at every venture into uncharted territory as yet another path to the future. Thanks to these creators and more, that  future is looking brighter than ever.”

As always, keep your eyes keenly trained on The Beat for any and all coverage from San Diego Comic-Con 2014!

Comments

  1. Mark Fuller says:

    It seems that Image does own at least one thing: a massive high horse for Eric Stephenson to sit on.

    Seriously, he can dress it up as a principled view about the good of comics, but the disingenuous rhetoric is a nasty attempt to head off the threat the likes of of Boom, IDW, Dark Horse etc. pose to Image’s market share by delegitimising their business models.

    Image is putting out a handful of outstanding books, but let’s not kid ourselves that there is a not an awful lot of self-indulgent tripe as well. It seems to me that an honest appraisal of Image’s success would show that it rests on three pillars:

    1. A handful of great books, some of which have found big audiences
    2. Enjoying the benefits of creator brands and audiences that have been built at big publishers
    3. Riding a post-Walking Dead wave of speculation

    I’d love to see a comics journalists put this to Stephenson, along with questions about what unestablished creators get from the Image deal – aside from use of the Image logo and a nice spot in Previews. Is Image helping creators to develop their properties and grow their audience? Do they offer any PR and marketing support beyond initial launch announcements? Do they help broker deals with other media? And do they think that sacrificing a small degree of IP ownership is a fair price to pay for this type of support?

  2. Erik Scott says:

    I think these announcements are examples of how Image and the other indies can work complementary to Marvel and DC as opposed to antagonistically to each other. I like to see many of these artists being able to tell stories with the big two as well as their own works, as opposed to either or. I think the publishers work so hard to present books as an either/or scenario, that they miss the point that people like Jeff Lemire and Dustin Nguyen on a creator owned Image title, only helps them have more work over all for all publishers.

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  1. […] the summer Image Expo one of the most notable announcements was Tooth and Claw by Kurt Busiek and Ben Dewey. Not only did it mark the return of Busiek with a […]

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