So about that Oblivion Graphic novel…

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With Oblivion—the Tom Cruise SF vehicle—opening next week, we have some official word about the graphic novel that inspired it, via Radical Studio’s evp Jesse Berger. Although I’ve been skeptical in the past about Radical’s publishing plans, they approached me in good faith to set the record straight, which is appreciated. In this case the pitch that inspired the movie—an ashcan edition of a text and concept art hybrid—will eventually be published, but not until the movie has run its course:

Although Kosinski has been saying in interviews that he didn’t feel the graphic novel treatment would be published, as he felt it was a version of the story he wasn’t that connected to, Radical, obviously, feels differently. “I think he’s leaving out the fact that movies and books don’t need to be exactly the same. They are called source material for a reason,” says Berger. However, because of various marketing factors, including keeping some of the surprises in the film secret, Radical will not release the graphic novel version until later in 2014.


So there. Radical is also planning to revisit their take on Hercules, which will form the basis of a movie next year, and has more film projects planned, as well as a digital platform for their IP. As Berger told me, comics publishing isn’t the easiest business in the world, so we’ll leave this story with Radical mostly in the business they probably always wanted to be in: developing movie properties.

As I said in the first piece linked to above, the glitzy comics-to-movies company model of the Aughts—Virgin, Radical, Platinum—has mostly run its course, with very little to show for it.

BUT, coming up later this year: 2 Guns, starring Mark Wahlberg and Denzel Washington and based on the Steven Grant/Mat Santolouco comic of the same name, published by Boom! Studios. Boom! is obviously in the comics publishing business for the long haul, and 2 Guns is a story Grant worked on for a long time. I’m always rooting for both Steven Grant and Denzel and this sounds like a solid thriller based on solid source material.

Are comics the shortcut to Hollywood success? No way. Does hard work sometimes pay off? Absolutely. Save me the aisle seat.

Comments

  1. “Yeah, we’re delaying the graphic novel instead of releasing it while the movie is still in theaters, because … we don’t want people to accidentally read it and spoil the movie … yeah, that’s it! It has nothing to do with the graphic novel not existing (yet)!”

  2. The Beat says:

    According to Arvid Nelson, the writer, this is done. It is just an odd situation all around.

  3. I’ve already had folks asking for the book. Most seem to believe me when I tell them it doesn’t exist.

  4. jacob lyon goddard says:

    I’m a little sad the the names of the original creators of the ashcan weren’t mentioned in this article.

  5. Xenos says:

    Wait.. Arvid Nelson worked on this fiasco? That is too bad. Either he was dragged ibto this ‘based on a graphic novel’ crap and hored to make a book based on a sxriptment or he wrote a neat comic and it got shoved on the back burner as the company and studios felt their movie was so important yhe book it was based on needed to be burired.

    Geez. Not as if the trailer gives half of the second half away anyway.

    Now where is my Rex Mundi movie? It was like a DaVinci Code done way more interesting and smarter.

  6. Gianluca Glazer says:

    It’s not coming out. Heidi should know this already and stop giving them press.

Trackbacks

  1. [...] to movie studio execs and agency reps during SDCC 2010. The Comics Beat’s Heidi McDonald has an excellent summary of what happened to the graphic novel, shares her thoughts on the short-lived success of [...]

  2. [...] ich weder ein großer Fan von Tom Cruise, noch ein Leser der Graphic-Novels von Joseph Kosinskis Oblivion bin, hat mich dieses post-apokalyptische Filmszenario voll in seinen Bann gezogen. Der Clou bei [...]

  3. […] reservations about Protocol: Orphans going into reading it, as Comics Beat‘s Heidi MacDonald opined earlier this year, “the glitzy comics-to-movies company model of the Aughts—Virgin, Radical, Platinum—has […]

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