Kibbles ‘n’ Bits 11/21/13: We must all go to Columbus now

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Tweet§ Bill Kartalopoulos went to the The Billy Ireland Cartoon Library and Museum opening and he thought it was pretty awesome. Another major holding is the International Museum of Comic Art Collection, a large and diverse body of comics artwork and related materials in multiple formats and genres originally collected by Mort Walker for his […]

31 Days of Halloween: Toby Cypress’s Frankenstein

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Tweet Here’s an awesome piece by Rodd Racer/Head Lopper/Black Science/much more artist Toby Cypress, who informs us that you can buy it as a poster right here. nice one!

FILM REVIEW: CARTOON COLLEGE Gets Under the Skin of Making Comics

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TweetRepresenting comics production in popular culture has long been missing a piece of the puzzle. We’ve had excellent documentaries about ground-breaking creators like Will Eisner, characters like Wonder Woman, and even explorations of rising con-culture in the USA, but the least likely to receive attention, the mode of indie comics production right now, has come […]

The mystery and joy of BCGF

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This was the third indie show of the year—TCAF and SPX were the other two—where I experienced the complete rapture of falling in love with comics all over again for the first time. Love, death, mystery—when the first time happens all over again, you know you’re in the right place. I wasn’t the only one feeling the love.

On the Scene: BCGF 2012: Ware, McGuire, and Spiegelman on Creating the Architecture of Comics

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Tweet The Brooklyn Comics and Graphics Festival this year was, by all accounts, pretty crowded and hot in the main building, but the governing factor was high attendance, and the discussion panels, held at The Knitting Factory, also confirmed the trend. They were highly attended, and for the most part, standing room only. This signals […]

On the Scene: Art Spiegelman in conversation, Cologne, Germany

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“How does it feel to be here, surrounded by cats?” The moderator’s already off to an auspicious start, given his (what I believe to have been, given my complete lack of German comprehension) promise not to discuss “why mice, why the holocaust.” It’s the proverbial gorilla in a room full of cats, of course, and while Spiegelman has visited the country a number of times in the past 25 years or so, it seems an odd choice not to discuss it the day before the opening of a retrospective on the cartoonist’s work. And here we are, like clockwork, dipping our toes in the water, the moderator asking how it feels sitting in this room, being, you know, the guy who got famous by writing a comic book about the Holocaust.