The US branch of the international literary organization PEN America is holding an auction of “Firest EDitions/Second Thoughts” tpo help support its mission of freedom of expression. The auction, to be held at Christies, includes first editions of various famed books annotated and signed by the origianl authors. Among the works p for bid on […]
As we noted a few days ago, Comic Arts Brooklyn, the final comics related event on the NYC calendar, will expand to two days this year, with exhibits on Saturday, November 8, and programming on Sunday November 9th, at a new venue, the Wythe Hotel. Programming director Paul Karasik has just released the lineup, and the news that, just like at NYCC, the panel room will be cleared between panels! Line up now for your Raymond Pettibon wristband!
Gabe Fowler, the main man behind Comic Arts Brooklyn, the late fall comics arts fest that traditionally caps off New Yorks comics year, has announced the festival will expand to days in 2014. Taking place November 8-9, the show will see exhibits at the usual place at the Mt Carmel Church on Saturday and on Sunday a complete track of programming at the Wythe Hotel, which is also located in Williamsburg.
Announced guests this year include Roz Chast, Richard McGuire, Raymond Pettibon and Art Spiegelman, but as you can see from the above poster,more guests have been added including Michael DeForge, Lisa Hanawalt, Julie Doucet (!!!!), Josh Bayer, Charles Burns, Aisha Franz, Al Jaffee, Tim Lane, Benjamin Marra, Jim Rugg and Olivier Schwauwen.
Wordless, a multimedia collaboration between Art Spiegelman and PHilip Johnston, is touring the country, and may just come to a city near you. If it does, run run to see it!
“Wordless” is, ironically, not wordless at all, but Spiegelman narrating a history of the early, silent woodcut graphic novels of the first half of the 2oth century, works by artists like Frans Masereel, Lynd Ward, Milt Gross, Otto Nuckel, and Si Lewen. The projected comics are accompanied by improvised jazz styling by the a band led by Philip Johnston Band, and the evening is full of information, music and the magic of art and storytelling. YOu can read more about it on a tumblr Spiegelman has set up, (Spiegelman tumbles, says the headline) and here’s an article from SFGate with more thoughts on the venture. And here are the dates:
§ Bill Kartalopoulos went to the The Billy Ireland Cartoon Library and Museum opening and he thought it was pretty awesome. Another major holding is the International Museum of Comic Art Collection, a large and diverse body of comics artwork and related materials in multiple formats and genres originally collected by Mort Walker for his […]
Representing comics production in popular culture has long been missing a piece of the puzzle. We’ve had excellent documentaries about ground-breaking creators like Will Eisner, characters like Wonder Woman, and even explorations of rising con-culture in the USA, but the least likely to receive attention, the mode of indie comics production right now, has come […]
This was the third indie show of the year—TCAF and SPX were the other two—where I experienced the complete rapture of falling in love with comics all over again for the first time. Love, death, mystery—when the first time happens all over again, you know you’re in the right place. I wasn’t the only one feeling the love.
The Brooklyn Comics and Graphics Festival this year was, by all accounts, pretty crowded and hot in the main building, but the governing factor was high attendance, and the discussion panels, held at The Knitting Factory, also confirmed the trend. They were highly attended, and for the most part, standing room only. This signals a […]
“How does it feel to be here, surrounded by cats?” The moderator’s already off to an auspicious start, given his (what I believe to have been, given my complete lack of German comprehension) promise not to discuss “why mice, why the holocaust.” It’s the proverbial gorilla in a room full of cats, of course, and while Spiegelman has visited the country a number of times in the past 25 years or so, it seems an odd choice not to discuss it the day before the opening of a retrospective on the cartoonist’s work. And here we are, like clockwork, dipping our toes in the water, the moderator asking how it feels sitting in this room, being, you know, the guy who got famous by writing a comic book about the Holocaust.