TweetThe Infinite Wait by Julia Wertz Koyama Press I have a complicated and knotty relationship with auto-bio comics, beset by apprehension and cynicism. There’s no doubt the genre produces some interesting material- Art Spiegelman, Seth, Robert Crumb, to name but a few, but more recently I’ve found a lot of it to be, quite frankly, boring. The […]
TweetFriday is art day! Friday is also the harbinger of the weekend, but who cares about that? Instead, take a look at all the pretty pictures I gathered for you from the shady, cob-webby corners of the Internet you dare not venture… (I can’t say more) FF by Mike Allred (you HAVE to click on this to […]
Tweet17×23 Showcase Contributors: Isaac Lenkiewicz, Kyle Platts, Henry McCausland, Nick Sheehy, Joe Kessler Nobrow Press Following on from the success of the excellent Nobrow anthology- a bi-annual publication of two halves: one comics and one illustration, and their Showcase series, a smaller format paperback comic which launched Luke Pearson’s much-lauded Hilda adventures, Nobrow produced this last July : […]
TweetFor those savvy enough to have read Paul Pope’s (BATMAN: YEAR 100, HEAVY LIQUID, BATTLING BOY in 2013) ONE TRICK RIP-OFF when it first appeared serially in DARK HORSE PRESENTS from 1995 to 1996, or even in its collected edition from Dark Horse in 1997, they experienced the raw power of an unusual story and […]
TweetDC announced a few more cancellations and creator switches yesterday. That’s not unusual in the days leading up to releasing the next batch of solicitations. A six-title cancellation is a little larger than we’re used to seeing, but there’s a slightly bigger picture on the business side of things.
If you read only one think piece on comics by a great cartoonist today, you should read The Literaries by Eddie Campbell. The piece spins off of the current discussion on the place of EC comics which I mentioned the other day. Campbell’s response is specifically to Ng Suat Tong’s declaration that EC comics were mostly well-drawn pulp.
TweetAt the risk of lowering the tone, I relay to you the news of Jane Mai’s Poop Nightmare: so bad it needed capitalization As someone who lives in an old Victorian house, I can say with the weight of experience that there’s nothing worse than burst pipes, leaky drainage and overflowing toilet: the water seeps everywhere […]
TweetNot too long ago, I saw the hardcover of Flashpoint on the library shelf. I didn’t pick up Flashpoint when it came out, given how overused the alternate reality theme was at the time, so I figured I should give it a look and see if the concept had improved with age and reacquaint myself with the Crossover Event […]
TweetYesterday was hourly comics day, John Campbell’s deviation of the 24 hour comic concept originally founded by Scott McCloud, which is a Ronseal sort of deal with participants producing a comic every hour. Most people tend to plump for a narration of what’s taken place in their lives over the hour just passed, which I think is pretty brave: if […]
This is the third year of our Comics Industry Person of the Year poll, and the winner was pretty much a landslide. Every year we ask the participants in our survey to name who they thought was the person who made an impact or set the pace, and to comment anonymously (or on the record) and it was a clear choice this time out. With many people saying it was the Year of Image, Image publisher Eric Stephenson was the runaway winner—and the Saga team of Brian K. Vaughn and Fiona Staples were definitely the Team of the Year, with a significant number of votes.
Tweet In a follow-up to his hit post on the economics of print comics, Jim Zub is back with a look at digital comics metrics, including the percentages taken by each step in the pipeline complete with PIE…charts. A lot of people have talked about the need for cheaper digital comic prices to drive impulse […]