TweetAlthough published by Dark Horse, S.H.O.O.T. First isn’t a biography of Greedo from Star Wars. In fact, this miniseries from Justin Aclin and Nicolás Selma is an action-adventure, in which a team of atheists track down and shoot up a succession of horrific monsters from around the globe. Why are the team all atheist, you ask? […]
TweetValiant’s editors were talking about something strange on Twitter yesterday. Boom’s editors were doing the same today. They kept going on about cars and something called #NYCCKOTR, which nobody would explain when I asked about it. Well! Today this weird list of letters has been revealed to be New York Comic Con: King of the […]
TweetHere’s a pretty huge story that kind of slipped below the radar yesterday: Dark Horse Book has shifted from Diamond to Random House for its bookstore distribution. Diamond will, of course, continue to distribute Dark Horse periodicals. That leaves Image and IDW the biggest bookstore accounts at Diamond—along with many smaller ones, including Archaia, Top […]
Tweet It’s great to see writer Alex De Campi back in comics. She’s a singular creator with a singular style. Grindhouse: Door Open at Midnight comes out from Dark Horse next month. It’s an anthology of twisted tales, with art by Simon Fraser, Gary Erksine, Frederica Manfredi, Francesco Francavilla, Dan Panosian, Chris Petersen and more.
TweetItty Bitty Hellboy sees the Aw Yeah Comics! team of Art Baltazar and Franco take on Mike Mignola’s red-skinned hero, for a miniseries starting in August. Originally due to be a three-issue series, fan demand has bumped the mini up to a bumper five-issue epic. And apropos of nothing, Dark Horse have sent a preview […]
Tweet by Bruce Lidl If nobody cares about DRM on digital comics, why does everybody keep bringing it up? San Diego 2013 was unquestionably a triumph for digital comics heavyweight comiXology, with a stream of announcements of new initiatives and new partnerships. Chip Mosher may have been one of the busiest men at the […]
Tweet By Bruce Lidl There’s lots of excitement for the Monkeybrain crew at Comic-Con, with a slew of new titles announced to celebrate the digital first company’s successful first year. But nothing would cap this amazing year like an Eisner Award, and Colleen Coover and Paul Tobin’s Bandette will be carrying the Monkeybrain banner high […]
TweetDark Horse have broken away from the rest of the pack! The announcement has come in that Francesco Francavilla will be following up his extremely successful Black Beetle miniseries with a second mini in October, called Necrologue. A five-issue series, Francavilla will once again handle both writing and art duties on the book.
Tweet[*spoilers throughout] I’ve been following Oni Press’s HELHEIM since it started and have been impressed with it all along, but some of the plot elements have finally started emerging that make it not only an interesting story, but a very promising one for a longer run. HELHEIM follows the life, death, and undead life of […]
TweetThe official trailer for upcoming movie R.I.P.D. hit the internet last week, and sparked a stampede of people rushing to label the supernatural buddy cop romp as stepping a little too neatly into the swanky shoes of the Men in Black. Some went so far as to write R.I.P.D. off as a poor MiB rip-off. Here’s […]
Tweet Looking for a strong comics heroine who wears a reasonable amount of clothes and has a lot of kick-ass adventures? Look no further than TREKKER, Ron Randall’s long running SF bounty hunter who debuted many moons ago in Dark Horse Presents. Mercy St. Clair has been back as both a webcomic and a new […]
Tweet Interviewing Matt Kindt at WonderCon brought with it some unusual circumstances. Just prior to speaking to Kindt, I had the opportunity to hear him talk about his career history in a mammoth 90 minute panel interview, which I later covered for The Beat. This posed a serious question: what could I possibly ask him […]
Tweet In 2006, Zack Snyder’s 300 was a innovative blockbuster that gave America’s frustration over the war in Iraq an acceptable outlook, made Gerard Butler’s codpiece an enduring movie star, and put the Frank Miller/comic book/high contrast esthetic on everyone’s radar. Since then a sequel was considered problematic becuase—spoiler! —everyone died in the end, but […]