TweetBy: Nick Eskey DC Collectibles had a fine showing today of toys, figurines, and statues for the upcoming year. Each one meets the fine level of detail that is synonymous with the DC brand. With the variety of collectible shown, it was hard to decide what to talk about in length. For their action figures, […]
Tweet Since The New 52 set records three years ago, the DCU has adhered to a rather rigid house style, one primarily based on 90s comics. But things are DEFINITELY loosening up a bit, as a new team is taking over Batgirl, and it’s one based way more in tumblr culture than Wizard magazine. Starting […]
Sensation Comics, you may recall, is the digital-first Wonder Woman series that will feature diverse folk doing diverse stories about everyone’s favorite star-spangled Amazon. Digital comics will be collected into print issues every few months. So dropped into this rather barebones exclusive story about issue #3 is the stunning news that Gilbert Hernandez will be drawing a Wonder Woman story! And Sean E. Williams and fashion-y illustrator Marguerite Sauvage will be doing another!
Looks like more compassionate—not to mention media-savvy—heads have prevails at DC Entertainment, as they have reversed a lawyer’s decision to disallow a memorial to a boy who died of abuse to have the iconic Kryptonian S on it after all:
TweetAlan Brennert is a well-established DC Bronze age writer who was one of the first to cross over between comics and TV in the 70s and 80s. And he’s made several contributions to DC’s permanent continuity. But in a Facebook post reproduced below, he says that he’s being denied his equity in a character he […]
Tweet This may make you cry. Jeffrey Baldwin is a Toronto child who died of starvation in 2002 after severe abuse at the hands of his grandparents. The grandparents were convicted child abusers but Jeffrey and several siblings were still handed into their care by a children’s “aid” organization. He and a sister were locked […]
Tweet Vertigo is NOT DEAD. Although a lot of people thought DC’s edgy imprint would go the way of the dodo in a more cost conscious environment, this is one of several interesting project I’ve been hearing about coming up. I’m told there will be even more before San Diego. This mini series hit in […]
Tweet To be fair, this news has been out there for months and months, but USA TOday made it official: following the end of the Brian Azzarello/Cliff Chiang run on Wonder Woman, the team of writer Meredith Finch and artist David Finch are taking over the book starting with #36 in November. Mr Finch is […]
I’ve been hearing a lot of conspiracy theories of late about DC, and some of them involve their participation/royalties system. In addition for quite a while, people have been complaining about the fact that colorists aren’t eligible for royalties—and neither are digital-first comics.
But that is changing. I understand a letter has just gone out to DC creative folks announcing a complete overhaul of the DC royalty system. For the first time colorists will be eligible for royalties and will get cover credit. And digital first will also be eligible for royalties. Little things like direct deposit and electronic vouchering will also be available.
Tweet This week Jorn Romita’s first Superman comic debuts, a fairly notable event in that Romita has been known all his career for his Marvel work. DC pulled out the big PR guns and the Times covers the move: For comics fans, Mr. Romita’s change to DC from Marvel is the equivalent of Derek Jeter […]
Tweet Well here’s a project you didn’t expect to see: Quentin Tarantino’s firebrand Django is teaming up with Zorro for an adventure co-plotted by Matt Wagner and Tarantino, with Wagner penning the tale The project is a joint Dynamite/DC production with Reggie Hudlin, who wrote the DC Comics adaptation of Django Unchained, editing the project. […]
Greetings, sales charts fans! It’s time once again to look at DC’s sales figures.
DC take five of the top ten spots on the Diamond sales charts, and after taking a shellacking on market share last month pull up nearly even to their Marvelous Competition, though in a month where the market was down from the previous year.
There are some good things to point to: DC’s strategy of canceling their low-selling ongoing DCU titles and replacing them with weekly titles is working, at least so far. With the exception of last September’s anomalous 3D cover month, May 2014 is the best average sales for the DCU line since in nearly two years, since June 2012. Most importantly, Batman Eternal and Futures End give them several comics in the 50-75K range, an area in which they have been sorely lacking as of late. Mind you this isn’t a long-term strategy, but it keeps the bears at bay for a few more months until the Next Big Event or line-wide gimmick comes along.