Tweet On Saturday, December 1st, the Hamilton Gallery Theater in Carroll Gardens, Brooklyn, hosted a benefit for a Red Hook landmark, Sunny’s Bar, in attempt to help bring it back from the verge of storm-ravaged closure. Sunny’s Bar, only a short distance from the waterfront, was filled with water and sludge by Hurricane Sandy, and […]
TweetTRIP CITY at one year old is quite a verbal-visual-aural beast containing over 600 items of content including comics, podcasts, essays, stories, poems, and all points in between. Where does a massively productive digital arts salon go from here? This anniversary week, co-founders Chris Miskiewicz and Jeffrey Burandt have talked to us about their digital […]
Tweet As the “Brooklyn-filtered Literary Arts Salon” TRIP CITY rounds home plate on its first year of existence, the four co-curators Dean Haspiel (BILLY DOGMA), Seth Kushner (CulturePOP, LEAPING TALL BUILDINGS, SCHMUCK), Chris Miskiewicz (EVERYWHERE), and Jeffrey Burandt (AMERICANS UK) have agreed to be interviewed by The Beat about how this unusual multi-arts experiment came […]
Tweet It’s anniversary week for TRIP CITY, the Brooklyn-filtered literary arts salon that launched digitally one year ago in November 2011 under the guidance of founding members and curators Dean Haspiel (BILLY DOGMA, BORED TO DEATH), Seth Kushner (CulturePOP, LEAPING TALL BUILDINGS, SCHMUCK), Chris Miskiewicz (EVERYWHERE), and Jeffrey Burandt (AMERICANS UK). TRIP CITY has also […]
Tweet Disclaimer: this journalist is one of the newest additions to the TRIP CITY collective. When I first heard the name TRIP CITY, since I have lyrical turn of mind, it fired my imagination. A digital city? What might that entail? When I first visited the TRIP CITY website, I found what seemed to be […]
TweetDean Haspiel went off with a specially selected group of artists and cartoonists to Florida a few weeks ago, as part of a comic-arts residency at the Atlantic Centre for the Arts. As part of the mentoring scheme, he tried an artistic experiment, which yielded some pretty interesting (and, well, pretty) results. Haspiel wrote a small […]
Tweet “An Evening with Dean Haspiel”, held at the Cinema Arts Center, in Huntington Long Island on October 4th, was as much a tour of the last twenty years of comics history as a look at Haspiel’s long and varied career thus far. His immense oeuvre presented plenty of fodder for discussion, as well as […]
TweetBy Hannah Means-Shannon The revelries following the Ignatz Awards continued long into the night and crowded the lower levels of the conference center took over the bar and spilled out onto patios, steps, and walkways, but that didn’t stop expo-goers from taking in another day of star-powered panels on Sunday. The big names and signings […]
TweetBy Hannah Means-Shannon Asbury Park Comic Con wowed fans last May at it’s inaugural event with its atmospheric venue and bevy of guests who had one particular trait in common: a penchant for creator-owned projects. The founder of the con, comics creator Cliff Galbraith set out to interpret comic cons in a new light, away […]
On the 14th of September, in a satellite event leading up to the Small Press Expo in Bethesda, Maryland, comics creator Dean Haspiel took the podium in the James Madison building of the Library of Congress to make a little history on the basis of a subject small in size but impressive in cultural impact: mini comics. Haspiel had previously announced his personal 600 item donation of the comics, self-published and often diminutive in size, to the LoC via Warren Bernard, Executive Director of the Small Press Expo, who helped to arrange and conduct the donation. Haspiel’s donation will be part of a sub-grouping within the newly established Small Press Expo collection at the LoC. The collection will contain, among other worthy selections, past and future Ignatz Award nominated works. Haspiel was particularly appropriate to take the stage and explain the role of indie comics to his audience because his work has appeared in both mainstream comics like Marvel and DC as well as creator-owned and small press publications. As such, his works are actually filed under more than one category at the LoC: mainstream comics and mini comics.
It was a year for considering what has changed and what has stayed the same in comics at the Harvey Awards. While a new MC, Phil LaMarr, took the stage, many of the nominees for the awards appeared pretty evenly stacked between superhero works from Marvel and DC and indie publishers with a wide variety of material from adult to all-ages content. Another feature of the nominations was the predominance of multiple nods to the same works, leaving a certain amount of anticipation not just about what works and creators would win a Harvey, but even about how many Harveys might one particular nominee might garner.
Hero Complex has debuted a holiday themed motion comic called “The Angel” by Dean Haspiel and Daniel J. Kramer with a soundtrack by Moby. Since it was created to be a motion comic it’s actually entertaining! It’s kind of an animation/poetry/music video mashup more than a comic but we’re not really keeping score at this point.
Via PW Comics Week, yet another peek at STRANGE TALES II, this time by Dean Haspiel.
They said it couldn’t be done but at Saturday’s Creative Arts Emmys, Dean Haspiel was a winner in the Main Title Design category for Bored to Death, along with collaborators Tom Barham, Marci Ichimura, and Anthony Santoro. Haspiel is shown here with series creator Jonathan Ames and their Emmy.
Other nerdcentric winners were Neil Patrick Harris for Glee, Robot Chicken for Outstanding Short-format Animated Program and Isaiah Mustafa for the best Commercial, The Man Your Man Could Smell Like. And of course, Betty White.
TweetAlarming but true: IDW and Desperado are teaming to publish this account of Dean Haspiel’s early comics and life story. The tale will be penned by Graphic NYC’s Chris Irving and includes these thrilling chapters: * Buttons: Threat or Menace? * This Man, This Shirt * This Man, No Shirt * Naked Lambada the Kirby […]