Tweet A two part conversation between Peter Bagge (Hate, Reset) and Zak Sally at TCJ.com plants the flag on the idea that Bagge’s achievements need a reassessment: His editorship of Weirdo followed by Neat Stuff followed by Hate was a run pretty much unparalleled in comics– maybe a handful were as good, but you could [...]
TweetWilliam Kuskin, Ph.D., of the University of Colorado, Boulder, introduced Denver Comic Con’s keynote speaker, cartoonist Chris Ware, as a man who presents “honesty” as an “antidote to the emptiness we see in culture now, countered by art, even if he evokes a nightmare through that honesty”. Ware guided the audience at DCC through the [...]
TweetWe’d like to remind you that a number of fantastic cartoonists are on tour either at the moment or upcoming soon this Spring. We’ve posted their schedules previously but here’s a quick catch-up on who’s where. Get out and support your local (or visiting) cartoonist! Lucy Knisley Gibert Hernandez Tuesday April 16th, 7 pm NEW [...]
Tweet Few cartoonists can hope to have as great a year as Gilbert Hernandez is having, with two upcoming releases of majestic power: JULIO’S DAY and MARBLE SEASON. And you’ll be able to meet the man and get them signed at the following stops: Monday April 15th, 5:30 pm 101 Mattin Center, Johns Hopkins University [...]
Tweet About a month ago, Steve asked me who my favourite comic creators were, and horrible as I am at answering on the spot questions, I did manage to provide him with one name: Julia Gfrorer. If you follow mainstream comics, your most beloved authors put out work regularly, but at indie central, you get [...]
The comics world was saddened last night when this statement was released. It’s hard to overstate Kim Thompson’s impact on the modern comics world—as the publisher of groundbreaking works Love & Rockets and Eightball, the editor of eveyrthing from Acme Novelty Library to Usagi Yojimbo and one of the finest translators in comics. He’s best known for championing European comics and introducing them to a wider audience in the US.
Instant want: Fantagraphics will be collecting Tony Millionaire’s Sock Monkey stories in a treasury edition. The books originally came out from Dark Horse but are joining Millionaie’s Maakie’s collections at FBI.
Daunted by the idea of jumping into the immense canon of Los Bros Hernandez? You’re missing a world of wrestling, gangs, whispering trees and unexpected heartache. If you’re confused about how to read the books, Jeffrey O. Gustafson of Jim Hanley’s universe has just posted a Definitive Guide to Comics’ Supreme Masterpiece that explains which volume comes where.
Tweet After gaining huge mainstream attention for BOTTOMLESS BELLY BUTTON and BODY WORLD—both formally experimental graphic noels that remained emotionally true—Dash Shaw has kept a low profile in recent years, as he works on multimedia projects, including animation. But Fantagraphics has just announced two new books, NEW SCHOOL and 3 NEW STORIES. Exciting news for [...]
Tweet It came as a reward in the Dave Sim epic thread. Just in case you didn’t get to the end, as announced by Fantagraphics publisher Gary Groth, here are some upcoming books in their Carl Barks and EC reprint series: The next Barks book will be titled “The Old Castle’s Secret” and will contain [...]
Noah Van Sciver just wrapped up a week of diaries at TCJ . it’s a pretty quotidian thing, one panel to an activity from drunkenness to reading a comic. Good stuff.
In case we haven’t hammered you over the head with it enough, Van Sciver’s upcoming book THE HYPO, an extremely well researched look at Abraham Lincoln’s early days as a depressed young lawyer, will be one of the buzz books of the fall.
The last holdout has come in, and it’s one of the biggest and best. After years of staying aloof from the digital world, Fantagraphics has announced they are going with ComiXology to release digital versions of the Love and Rockets back catalog, as revealed today on the Love and Rockets panel. We caught up with Fanta’s associate publisher Eric Reynolds to get the who how what and why of bringing some of the greatest cartoonsits in the world to the digital platform: