At last weekend’s C2E2 the Rebellion/2000 AD crowd was out and represented by marketing man about town Michael Molcher. Snapping a pic of him and his fellow boothworkers you could not help but notice that they were wearing T-shirs baring the logo of Zenith, which is, after Marvelman, perhaps the greatest “lost” superhero of UK comics. Created by Grant Morrison and Steve Yeowell, with original character designs by Brendan McCarthy , it first appeared in in 2000 AD #535 in August 1987, and ran for four story arcs, or ‘phases,’ which finished up in 2000 AD #805 in October 1992. It ran in about 80 issues of the comic; the first three phases were collected in five volumes by Titan Books between 1988 and 1990. Phase Four has never been reprinted.
TweetSpider-Man is hands down one of the most popular characters ever to leap from the pages of Marvel Comics, and is even a strong contender for one of the most popular comic characters produced by any comics publisher. He’s also displayed a particular trademark flexibility in successfully taking to the silver screen and flourishing through [...]
by Laura Sneddon–Over the last few weeks, my good friend Pádraig Ó Méalóid has been writing a series of articles about Alan Moore and Superfolks, which became an edgeways look at the long running friction between Moore and fellow writer, Grant Morrison. While Moore has previously spoken out about his thoughts on Morrison in various interviews, Morrison has generally kept quiet on the issue. There have been occasional barbs of course, and plenty of praise, but very little on the actual facts of the matter.
So, just to recap where we left off last time: it looks like Alan Moore has based all the big hits of his career on ideas he stole from Robert Mayer’s 1977 novel Superfolks. Various people, including Grant Morrison, Kurt Busiek, Lance Parkin, Joseph Gualtieri, and even Robert Mayer himself, have claimed at one point or another that Moore based a lot of his superhero work on various aspects of the book, specifically Marvelman, Watchmen, Superman: Whatever Happened to the Man of Tomorrow?, and his proposal to DC Comics for the unpublished cross-company ‘event,’ Twilight of the Superheroes. But is any of this true, or might there be another explanation? To answer that, I’m going to go through the individual allegations or suggestions, and deal them one by one, to see how they hold up.
In 1977 Dial Press of New York published Robert Mayer’s first novel, Superfolks. It was, amongst other things, a story of a middle-aged man coming to terms with his life, an enormous collection of 1970s pop-culture references, some now lost to the mists of time, and a satire on certain aspects of the comic superhero, but would probably be largely unheard of these days if it wasn’t for the fact that it is regularly mentioned for its supposed influence on a young Alan Moore and his work, particularly on Watchmen, Marvelman, and his Superman story, Whatever Happened to the Man of Tomorrow? There’s also a suggestion that it had an influence on his proposal to DC Comics for the unpublished cross-company ‘event,’ Twilight of the Superheroes. But who’s saying these things, what are they saying, and is any of it actually true?
TweetThe atmosphere waiting in line for “The Writer’s Room” panel was highly charged. Any one of these comics writers garners a massive following, but putting them together was like some kind of nexus of writing mystique. All the better if you happened to be a fan of all three, like many practically jumping up and [...]
Studio Coffee Run: Ed Brubaker adaptations, RZA + Morrison = Happy!, Arrow scores high ratings, etc.
TweetEd Brubaker has a veritable slew of projects in development for TV and feature films, including Rising Suns, an espionage thriller to air on NBC and an adaptation of his graphic novel Coward, that Electric City is producing (via THR and Deadline) Woot! Master MC, The RZA of the Wu Tang Clan, is teaming up [...]
That’s a lot to promise. When mold-breaking comics retailers James Sime and Kirsten Baldock united with iFanboy podcast host Ron Richards to put together a show—“all magick, no science” as Sime repeated over the weekend—their goal was to dismantle the current model of comic book conventions and build something new in its place.
TweetApparently Jon Sung, aka Flickr’s Ferocious J, had uncovered that the London Olympics mascots were actually the villains from Grant Morrison’s Invisibles several years ago, but it took until MorrisonCon for the world to find out. On that basis alone, the show was a success. While our MorrisonCon correspondents are sleeping off their opium binges, [...]
TweetBy Steve Morris Happy marks the first creator-owned story from Grant Morrison in a while, with the writer busy reworking Batman and Superman over the past few years. A miniseries for Image, the book sees Morrison collaborating with Darick Robertson for a crime serial set at Christmas. And based on the first issue, this feels [...]