Over on USA Today, Grant Morrison has done a wrap-up interview for his Batman Inc series, the last issue of which comes out today. But more interestingly still, he talks about his next project with DC Comics – the graphic novel Wonder Woman: Earth One. And even more interestingly stiller than that, DC have released […]
By Benjamin J. Villarreal While droves of comic book, movie, television, video game, and toy fans roam the San Diego Comic-Con floor booths and exhibit halls, university professors and students are upstairs tackling the big questions through their ongoing research. The Comics Arts Conference is an academic conference that runs in conjunction with both Comic-Con International […]
Once more, I’ve dragged myself away from my usual obsessive witterings about Marvelman to write about another, different, long-lost British superhero. Right now, as you’re reading this, the Internet is about to explode/has already exploded with the news that Grant Morrison and Steve Yeowell’s Zenith is finally being reprinted by British publishing company Rebellion. Zenith […]
At last weekend’s C2E2 the Rebellion/2000 AD crowd was out and represented by marketing man about town Michael Molcher. Snapping a pic of him and his fellow boothworkers you could not help but notice that they were wearing T-shirs baring the logo of Zenith, which is, after Marvelman, perhaps the greatest “lost” superhero of UK comics. Created by Grant Morrison and Steve Yeowell, with original character designs by Brendan McCarthy , it first appeared in in 2000 AD #535 in August 1987, and ran for four story arcs, or ‘phases,’ which finished up in 2000 AD #805 in October 1992. It ran in about 80 issues of the comic; the first three phases were collected in five volumes by Titan Books between 1988 and 1990. Phase Four has never been reprinted.
Spider-Man is hands down one of the most popular characters ever to leap from the pages of Marvel Comics, and is even a strong contender for one of the most popular comic characters produced by any comics publisher. He’s also displayed a particular trademark flexibility in successfully taking to the silver screen and flourishing through […]
by Laura Sneddon–Over the last few weeks, my good friend Pádraig Ó Méalóid has been writing a series of articles about Alan Moore and Superfolks, which became an edgeways look at the long running friction between Moore and fellow writer, Grant Morrison. While Moore has previously spoken out about his thoughts on Morrison in various interviews, Morrison has generally kept quiet on the issue. There have been occasional barbs of course, and plenty of praise, but very little on the actual facts of the matter.
So, just to recap where we left off last time: it looks like Alan Moore has based all the big hits of his career on ideas he stole from Robert Mayer’s 1977 novel Superfolks. Various people, including Grant Morrison, Kurt Busiek, Lance Parkin, Joseph Gualtieri, and even Robert Mayer himself, have claimed at one point or another that Moore based a lot of his superhero work on various aspects of the book, specifically Marvelman, Watchmen, Superman: Whatever Happened to the Man of Tomorrow?, and his proposal to DC Comics for the unpublished cross-company ‘event,’ Twilight of the Superheroes. But is any of this true, or might there be another explanation? To answer that, I’m going to go through the individual allegations or suggestions, and deal them one by one, to see how they hold up.