Rachel Deering is a writer and letterer best known for her horror projects like Anathema, a werewolf story which was successfully funded through Kickstarter and has gone on to receive pretty unanimous acclaim. You may also recognise her name from other comics like Amelia Cole, and the Womanthology project. She’s returned to Kickstarter this month for […]
Straight from the offices of Publishers Weekly, it’s More to Come! Your podcast source of comics news and discussion starring The Beat’s own Heidi MacDonald. In this week’s More To Come interview special, Calvin Reid speaks with Andrew Aydin, Rep. John Lewis‘s staffer and his coauthor on the graphic novel March Book One about the […]
Straight from the offices of Publishers Weekly, it’s More to Come! Your podcast source of comics news and discussion starring The Beat’s own Heidi MacDonald. In a More To Come interview special episode, Heidi talks with acclaimed indie comics creator Jeff Smith about his Eisner-winning kids’ fantasy epic Bone, his adult sci-fi tale RASL, the […]
One of the advantages in writing for The Beat is the opportunity to provide under-appreciated comic creators with a platform, to share work which genuinely excels, work which excites you. This interview with Julia Gfrӧrer, whose comics and art work I have been a fan of ever since I came across it over a year ago, […]
I first came across L Nichols work via her comic for Retrofit: Flocks. To date, Flocks is one of the most powerful works I’ve read, and one which, to be perfectly honest, I’d most likely avoid on paper. It charts Nichols’ own experiences of growing up in a Christian household and community and realising she’s gay […]
ComiXology Submit lauched on March 6, 2013, as a platform for independent comics creators to upload their comics, wait for approval, and if accepted, market their comics directly through ComiXology at a 50% profit share (minus mobile distributor fees and credit card fees before the split). To all accounts, it sounds like an amazing opportunity […]
Adam Cadwell is a writer and artist whose works include The Everyday, an autobiographical webcomic which ran for three years between 2007 and 2010. He is currently working on the six-issue series Blood Blokes, about vampire life in Manchester. Which, it turns out, is very similar to just plain old ‘life’ in Manchester.
Over the last ten or so years, one thing has been guaranteed: where there are new ways of developing and progressing digital comics, there you will find David Gallaher. Writer for a variety of comics including High Moon, Box 13, Darkstar & The Winter Guard and Deadlands, Gallaher has been at the forefront of digital comics for years. Amongst others he was involved with the DC digital project Zuda, had the first original content published by ComiXology, and has recently successfully brought his new graphic novel Only Living Boy to Kickstarter.