Playboy has a long interview with Stan Lee here (link NSFW but not really as much as you’d think), Normally I’d call this an “autumnal” interview, but under the circumstances, it’s more…the lion in winter. Lee, perhaps realizing this is one of the few spots he has to dig in a little, sometimes avoids the kind of jokes and spin he uses in other interviews. And while his memory is always spotty (and any Lee interview includes may spots where he takes the question and moves the answer to more familiar territory) his grasp on things is still pretty sharp all things considered.
It might be all well and good for Harry Potter and his inherited money and fancy scholarship-based schooling in a Scottish castle, but stories about young magic-users rarely seems to ever look beyond that. We always seem to end up reading about Chosen Ones, rather than stories which look beyond prophecies and epic fates. For […]
Goblins don’t get the respect they deserve, do they? They’re twisted creatures of malicious intent, born of dark magic and with creepy pointed ears – but nobody ever gives them their due as servants of evil. Not so writer Lela Gwenn, however! Lela has taken to Kickstarter to help fund a prologue issue for a […]
[IDW publisher Ted Adams is one of the most personable executives in the industry, and one of the most forward looking when it comes to expanding to new markets. As IDW celebrates its 15th anniversary, we chatted with Adams about the structure of the company, his background and how IDW has explored new outlets and products including digital, mass market and merchandising. One of IDW's biggest recent success stories in their "Micro Fun Packs"—little goodie bags sold at mass market checkout areas which include a mini comics, stickers, foldout posters, and POG-like collectibles—an unusual move into merchandising for a comics publisher but one he thinks will drive readers back to comics shops. IDW's successes also includes creator owned books like 30 Days of Night and Locke and Key and one of the industry's best archival programs with the Library of American Comics and Yoe Books. Given his background in the maw of the "indie comics era" working at Eclispe, Dark Horse and Image, Adams has been able to put what he calls his entrepreneurial spirit to work on taking advantage of the expanding audience for comics. And he's not done yet. Many thank to IDW's Rosalind Morehead for setting up this interview.]
Straight from the offices of Publishers Weekly, it’s More to Come! Your podcast source of comics news and discussion starring The Beat’s own Heidi MacDonald. In this week’s interview special, Publisher’s Weekly’s Calvin Reid interviews indie comics master Dean Haspiel about his beginnings as well as his latest work, including The Fox from Archie Comics […]
Kelly Angel is the writer and artist of Anything About Nothing, a webcomic which describes itself better than I ever could. But I shall describe it anyway! A collection of strips, longer-form comics, illustrations and worries about her cats, Anything About Nothing is one of the biggest and most popular web series on Tapastic. Down […]
Jim Zub’s 2014 is picking up some real speed right now. Most well-known for his series Skullkickers with Edwin Huang and Misty Coats, which is soon heading towards the penultimate arc, he’s building up a head of stream to take him straight through into 2015. Alongside his creator-owned fantasy sword-swinging monster-kicking fighty fight series, he’s also now writing various projects for DC, Marvel, Dynamite and many others.
One of the most interesting things about Zub as a creator, and what first caught my attention, is his openness about his career and creative process. The extensive comic book tutorials on his website offer some brilliant advice on a range of topics, from publicity to building a creative team, and right through to the tricky stuff nobody else talks about – like, for instance money.
Which means there’s a lot to talk to him about! Ahead of issue #25 of Skullkickers – which you’ll get to see preview pages from below – he spoke to me about building Skullkickers, assembling the team, and how he’s managed to keep interest in the series so high.
If you like comics, you’ve almost certainly seen Matthew Wilson’s work. Colourist for many of the most acclaimed comics of the last few years, his work has been seen on Wonder Woman, Young Avengers, Swamp Thing, Phonogram, Secret Avengers and many more comics. Colouring is getting more attention now than it has ever done before, […]
Buoyed by the success of the five arc of Five Ghosts, the ship-shape creative team of Frank Barbiere, Chris Mooneyham and Lauren Affe have been sailing forward these past few months on a wave of critical acclaim. Okay, sorry, no more ship puns. With the second arc of the much-loved Image series now underway, protagonist […]
Ryan K. Lindsay has made that fabled journey from comic-critic to comic-writer, balancing both aspects of his writing neatly as he launches new books at both Monkeybrain Comics and Sequart. With his newest series now announced – Headspace, a Prisoner-esque mindtrip of a story which throws absolutely everything at the lead character – Ryan was […]
By Matt O’Keefe In coordination with its parent company, Marvel is bringing a piece of Disney history to comics. Seekers of the Weird is a five-issue miniseries inspired by art created by Imagineer Rolly Crump for a Disneyland attraction that never came to fruition. I talked to the writer of Seekers, Brandon Seifert, about exploring […]
Shadowbinders is a webcomic from creators Kambrea and Thomas Pratt. Having previously worked for Disney, the duo decided to take their latest idea to the internet, where it’s spent the last four years building up an impressive fanbase – and a vast, magical world, filled with monsters and floating ships and myths and legends. Focusing […]
The Irish comics scene is one of the busiest in the world right now, and almost certainly one of the fastest growing. Spurred on by creators like PJ Holden and Declan Shalvey, more and more writers and artists are making a name for themselves in comics. And one of the newest of those is colourist […]
_________ By Matt O’Keefe One of Thrillbent’s first launches, The Endling is a story in which characters of the present interact with humanity a billion years of evolution later. I chatted with its writer Jonathan Larsen about the story and art of The Endling, writing in the “swipe” style that Thrillbent pioneers, his future in comics, and a lot […]
Interview: Mark Waid on the Inner Demons of Daredevil, Attitude Adjustment for the Hulk, and the Thrill of Digital Comics
________ By Matt O’Keefe Not only has Mark Waid been pioneering digital comics over the past few years; he’s also broken new ground in mainstream comics. In Daredevil and Indestructible Hulk heroes are actively addressing their mental health, taking steps to lead better lives. I spoke to Waid about the approach he’s bringing to his […]