Bookmark: The Business of Cartooning resource page

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After yesterday’s bucket of cold water dumped over our heads by Jim Zub, we were toying with the idea of making a “resource page” with links to facts and figures on the industry but former Flash Gordon artist and current MCAD teacher Jim Keefe has done it for us! Keefe collects various pages and post on contracts, horror stories, rates and other things everyone should know. We recommend that young creators (and maybe some old ones as well) check out all the links.

ComiCON-versation #13: LBCHC 2013 Wrap-up…

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Tweet by Mike Scigliano So after what amounts to close to a year of preparation and work, the 2012 edition of the Long Beach Comic & Horror Con has come and gone. I’ve spent the last two weeks going over my notes, exhibitor notes, and online comments to really get a handle the details. What [...]

Warren Ellis on writing dialogue

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In response to a reader, Warren Ellis passed along the following notes for writing dialog which strike us as very useful. With apologies, here’s the whole thing:

A Letter Lasts Longer

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TweetDean Haspiel went off with a specially selected group of artists and cartoonists to Florida a few weeks ago, as part of a comic-arts residency at the Atlantic Centre for the Arts. As part of the mentoring scheme, he tried an artistic experiment, which yielded some pretty interesting (and, well, pretty) results. Haspiel wrote a small [...]

INTERVIEW: David Gallaher, King of Digital

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Over the last ten or so years, one thing has been guaranteed: where there are new ways of developing and progressing digital comics, there you will find David Gallaher. Writer for a variety of comics including High Moon, Box 13, Darkstar & The Winter Guard and Deadlands, Gallaher has been at the forefront of digital comics for years. Amongst others he was involved with the DC digital project Zuda, had the first original content published by ComiXology, and has recently successfully brought his new graphic novel Only Living Boy to Kickstarter.

Halloween supplemental: horrific work areas

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Colleen Doran is rightfully horrified by the above photo of a work area—that belongs to an unnamed cartoonist. As a prescription, she offers a list of declutterizing resources, which I’m sure we could all do with a look at.

INTERVIEW: Jordan D. White reveals the secrets of editing

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TweetIf you’re a fan of the X-Men, then you should thank editor Jordan D. White for handling them so well. Marvel’s finest moustache has been busy working within the X-Men office for several years now, editing titles like Uncanny X-Men, Wolverine & The X-Men, Uncanny X-Force, and many others. Before then, he worked on a variety of [...]

How to: Gary Panter on how to keep a sketchbook

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Tweet Everyone has linked to Gary Panter’s ten tips for keeping a sketchbook, but that is because they are so awesome. You can make all kinds of rules for your art making, but for starting in a sketchbook, you need to jump in and get over the intimidation part — by messing up a few [...]

INTERVIEW: Joe Caramagna Letters The Marvel Universe

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TweetAmong other similar triumphs, letterer Joe Caramagna has recently become the most prominent letterer in Amazing Spider-Man history, having now worked on over 100 issues of Marvel’s flagship title. Not just content with Spider-Man, however, Caramagna also works on Marvel titles as diverse as Avengers Academy, Daredevil, Captain Marvel, Uncanny X-Men and New Avengers. Simply [...]

INTERVIEW: Matt Smith On Ten Years With 2000AD

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TweetSince 2002, Matt Smith has been the editor for 2000AD, the mostly-crazed British sci-fi anthology magazine which first appeared on shelves over 35 years ago. Since coming in as editor, he’s watched writers and artists like Frazer Irving, Si Spurrier, Jock, Henry Flint, Rob Williams and Leigh Gallagher take the book and continue to push [...]