Tweet Jeffrey Brown been busy in the past year or so with his best selling Star Wars cartoon books—Darth Vader and Son and Vader’s Little Princess—and an indie film based on his work—Save the Date— but he’s coming back to the genre that made his name with June’s A Matter of Life, a full-color exploration [...]
TweetYou’d be forgiven if you think of Matt Kindt as a breakaway success, since the “slow and steady” approach that’s defined his career so far looks like a sprint to the finish line with the explosive success of MIND MGMT from Dark Horse. Educator and author Travis Langley (Batman and Psychology) sat down with Kindt [...]
Tweet Jennifer Hayden writes and draws her own comics as well as working as an illustrator, and her work appears both in webcomic form and in print. Her first full length book, UNDERWIRE, about her life experiences and family, is already out from Top Shelf, but she’s spent the past winter working relentlessly on a [...]
Interview: Eddie Campbell — “My theory is that we cannot stand the idea that the universe is random…”
TweetIn May Top Shelf in the US and Knockabout in the UK will be co-publishing The From Hell Companion. The Top Shelf website describes it as An astonishing selection of Alan Moore‘s original scripts and sketches for the landmark graphic novel, with copious annotations, commentary, and illustrations by Eddie Campbell. Here for the first time [...]
Tomorrow is the day human history changes direction and sets sail for the future, as SUPERF***CKERS, the cartoon based on the James Kochalka superhero epic, debuts on the Cartoon Hangover video channel.
TweetBY JEN VAUGHN – These photos are photos that SHOULD be out on the internet somewhere instead of sitting on my phone. Chris Ware, Daniel Clowes, Jaime and Gilbert Hernandez, and Charles Burns are all fantastic and so very polite, but take a peak at the cartoonists and talent (younger and not as polite) who [...]
TweetCan’t get to SPX? Why not check out THE 2012 TOP SHELF MASSIVE $3 SALE!, which they hold every year to clear inventory and kickstart next year’s books. The sale runs through Friday, September 28th. Some 170 titles have been marked down to $3 each, including some all time gems—and there are massive sales on [...]
Luckily for the world Alan Moore is nearly as productive as he is cantankerous, and he has interesting stuff coming out at regular intervals. UNEARTHING, a biography of Moore’s close friend and mentor Steve “No Relation” Moore, was originally published in 2010 as a prose book but Top Shelf is publishing a NEW edition with photos by Mitch Jenkins that have turned it into a narrative art book. A special limited edition goes on sale today.
by Alexander Añé — One of the hot topics in the comics industry is the movement into the digital medium, and of course the biggest question in that migration is, “what’s it going to cost?” Sunday afternoon at San Diego Comic-Con, the leading voices in this debate came together to discuss this topic: Mark Waid representing Thrillbent, Scott Kurtz the creator of PvP, IDW Publishing’s ePublishing director Jeff Webber, Chris Ross attending as Top Shelf’s director of digital publications, and moderating the panel is comiXology’s Chip Mosher.
Okay, so as the world has just noticed, in LEAGUE OF EXTRAORDINARY GENTLEMEN: Century 2009 we finally see Alan Moore and Kevin O’Neil’s multiverse spanning pop culture adventure reach the current day (or close to it) and since the current day isn’t in the public domain, there’s good old-fashioned satire in the tradition of about 8000 previous books. The Independent’s Laura Sneddon has the lowdown:
BY JEN VAUGHN – Fantagraphics Books isn’t necessarily THE MAN of the comics world but since I’ve only ever self-published my own comics, MoCCA 2012 was my first two days on the job as a staff member of the independent comics publisher. There are more than a few differences between the two experiences. Read on!
The late Harvey Pekar left behind several projects in various stages of composition, but none was as close to him as CLEVELAND, a love letter and social history of the city that was his muse—an everyman town of ordinary people and the mundane swirl of life that is nonetheless extraordinary. For Cleveland, Pekar’s script found an artist among the greatest of his collaborators: Joseph Remnant, whose dense cross hatched naturalism recalls Crumb (who we meet in these pages) but finds its own voice with expansive staging and research.