A few years ago, a simple request for a t-shirt design to artist Mike Norton grew into an Eisner Award-winning, multi-volume webcomic. Norton publishes a new page of his Battlepug saga every week, and hardcovers collecting the series are released yearly. To celebrate the release of the third Dark Horse-published volume, I spoke with Norton about his […]
Illustrated version of real torture techniques used by REAL CIA operatives drawn in an old school Basil Wolverton style for added punch.
As long as there have been comics, there have been people imagining what happens when Superman and Lois Lane have sex. Larry Niven’s “Man of Steel, Woman of Kleenex” set the standard, with a sobering, scientific look at Kal-El’s supersonic baby paste, and the potentially horrific effects of a human/Kryptonian hybrid pregnancy. And now the new artist of Rat Queens made his own little version.
Web serialization of a comic intended for print is one of the standard models of comics production now (Although it still isn';t profitable but that’s a whole other post) and here’s avery insightful post by Ben Towle on the conclusion of his webcomic, Oyster War. I’ve been enjoying his account of local skirmishes between 19th century Chesapeake Bay oyster farmers since he started it in 2008, and much has changed in how he put the comics out in that period, including the rise of Tumblr and yet more social media. Towle offers some VERY practical advice including how running it on GoComics affected the comics, mistakes in character design and URLS (get a separate URL for your comic) and also preparing for print:
Return with us to the simpler days of 2007 when Nicholas’s Gurewitch’s The Trial of Colonel Sweeto and Other Stories, a collection of his Perry Bible Fellowship comics was a best selling delight, and Gurewitch was the next Gary Larsen. AlAlthoughne more PBF book appeared—The Perry Bible Fellowship Almanack—it was the last as Gurewitch investigated […]
Brian K Vaughan writes to inform us of some Panel Syndicate related business: Hot on the heels of the release of our new series UNIVERSE! from creator Albert Monteys (which we’re proud to share has been a phenomenal global success so far), Marcos and I are pleased to announce the imminent arrival of THE PRIVATE […]
The other day we linked to the fine Comic Arts LA poster by Sophia Foster-Dimino. Poking around her website, we found this charming comic about the band Cibo Matto, created for Pitchfork Review. Billed as two Japanese expats singing songs about food, Cibo Matto’s 1994 debut Viva! La Woman! is a staple of the 90sscene centering about Grand Royal Records, and led to the haunting Sugar Water video directed my Michel Gondry that features the same footage shown backwards in palindromatic fashion.
Okay not maybe the most chipper reading, but you’ll be thankful for you life after you read it> Dave Sim’s Judenhass (literally “Jew hate”) a harrowing, sensitive look at anti-Semitism and its horrific result in the Holocaust is now being offered for free at the website and via the Sequential app for iPad. Sim may […]
Here’s a little holiday jam to get you in the mood for next week’s Turkey Marathon.
We’ve linked to a few of Jed McGowan’s wordless comics before—including Hawaii, a best in show among geological comics, and Voyager, a wordless comic about a space probe. Despite the dry-sounding material, Xeris-winner McGowan (Lone Pines) presents them in a visually arresting way.
This time out, he’s got a story to tell, and it’s a strange and eerie one entitled Control Room. What happens when that space probe lands on Mars with several sisters aboard? Hit the link to find out.
The long running The Last Halloween is an engrossing tale about a girl and some monsters.
A lot of cartoonists—and many blogs, ahem—have taken to PAtreon as a means to finance the creation of comics. There are quite a few (a round up post is called for, maybe later this week) and Patreon doesn’t make it clear who makes the most, the way Kickstarter does, but Jason Shiga recently hit $1000 a month for his Ignatz winning webcomic Demon. Given his analytic background, there’s much of that in the post, but here’s an excerpt:
A lot of cartoonists—and many blogs, ahem—have taken to PAtreon as a means to finance the creation of comics. There are quite a few (a round up post is called for, maybe later this week) and Patreon doesn’t make it clear who makes the most, the way Kickstarter does, but Jason Shiga recently hit $1000 […]
Australian cartoonist/journalist Eleri Mai Harris isn’t just an editor at The Nib, Medium’s marvelous comics section, run by Matt Bors. She’s a trained journalist who turned to comics to tell stories and in today’s Nib she has a good one: the story of the abortive designs for Canberra, the capital of Australia. Like a few other planned capital cities—Celebration and Brasilia comes to mind—the structural, utopian approach to city design rarely works out. The story also includes a dandy forgotten woman—Frank Lloyd Wright’s associate Marion Mahony Griffin. So sit back and learn some Australian and architectural history.
This Sunday’s New York Times will contain what I would guess to be a full page printed version of the comicMe and the Universe by Anders Nilsen, so you may want to wait for that version to put into your scrapbook. But if you don’t want to get ink on your fingers, here’s a web version of a diagrammatic image of Nilsen’s place in the universe.