Tweet The other day I received an email from comics historian and artist Jim Amash on behalf of inker Terry Austin to alert people that a mailer sent out by retailer Joseph Koch wasn’t all it was cracked up to be. The mailer, part of which you can see above, claimed that this Saturday at […]
X-Men: First Class does something I haven’t seen a superhero movie do before. It’s not just a period piece, that’s unusual enough, but it also places its fantastic characters, Gump-like, in the middle of historical fact. Captain America: The First Avenger, released concurrently, went back in time to place its difficult-to-like protagonist in his proper context, but then wove a fantastical story around him involving ancient Norse artifacts and a guy with no face. First Class not only places its characters in history, it puts them at the center of the darkest, most traumatic events of their time.
Fox has been holding back on the January Jones/White Queen lingerie shots for X-MEN: FIRST CLASS but The Hollywood Reporter is delivering with some shots in era-appropriate (and now fetishized) garb.
With screenings unfolding around the globe, all the buzz on X-MEN: FIRST CLASS has been great (100% on Rotten Tomatoes), and last night the film had its world premiere in NYC, with Marvel’s own John Lowe doing some red carpet commentary. Releasing studio Fox has just added to the fun with a new iPad app X-Men EXTRA which plays into the whole conspiracy angle of the film, which follows Xavier and Magneto as young allies in the 60s. As you can see the app has some fun with the historical record, ala Boilerplate, imaging Emma Frost standing beside Jackie Kennedy in a fetching go-go booted ensemble. Check out the byline for another in-joke.
TweetGeoff Boucher got to ramble around the X-MEN: FIRST CLASS set yesterday, and hear about Matthew Vaughn’s anxiety about getting it finished, and James McAvoy’s take on playing Prof. X and so on. “We’re filming at the moment, we’ve a lot to get done,” said a weary Vaughn, whose credits include memorable but modest-grossing indie […]