If you’re in Toronto, you should go to this:
Graphically Speaking: Webcomics!
Featuring Kate Beaton, Willow Dawson, Emily Horne, Brian Mclachlan, & Ryan North
Tuesday, April 7th, 2009, 6:30pm – 8:30pm
@ North York Central Library
Chris Butcher has more comments on his blog:
As you might be aware, The Beguiling works really hard to keep books in stock (for you!) that aren’t offered through standard distribution channels. That includes minis and zines, it includes specialty books of interest to comics fans but not necessarily carried by Diamond, and it also includes print versions of popular online comics (generally referred to as ‘webcomics’). We do this because we like to sell things and make money, but also because we feel that a big part of being a comic book store is… wait for it… Selling Comic Books. And that means regardless of the format, or where they originally appeared. We like comics, we sell comics, and we’re happy to do it.
Over the past few years, more and more comics material has started to become available online. Granted, comics on the internet go back to more-or-less the first protocols for displaying graphics online (and even earlier if you count bbs’), but it’s really been in the past few years that comics specifically intended for the web have become viable, moneymaking enterprises for the folks that do them. Penny Arcade, PVP, Deisel Sweeties, Questionable Content, Wigu/Overcompensating, Achewood, and Toronto’s own Dinosaur Comics, are just a few examples of folks who are making a go of publishing online, and deriving their income from those pursuits.
But how are they doing it? And how does that affect us, a comic book store, the ‘middleman’ who’s being ‘skipped’ in this publishing model.
That’s what we’re going to discuss!