INDIE VIEW: ‘Texas Chainsaw Sculptor’ and ‘Fizzle #2’ are mini-comics at their best
John Seven reviews 'Texas Chainsaw Sculptor' by Katie Fricas and 'Fizzle #2' by Whit Taylor
INDIE VIEW: ‘Death Threat’ and ‘Paper Pencil Life #6’ offer different approaches to meditative...
John Seven reviews 'Death Threat' and 'Paper Pencil Life #6'
INDIE VIEW: ‘Babcia,’ ‘Red Ultramarine,’ and the stories we tell ourselves
John Seven reviews 'Babcia' and 'Red Ultramarine,'
INDIE VIEW: Kristyna Baczynski celebrates nature; ‘Fissure’ warns us about ourselves
Kristyna Baczynski's 'Autumn Wild,' 'Winter Wild,' and 'Spring Wild,' and Vault Comics' 'Fissure'
Radiator Comics looks to the future with Whit Taylor, a Kiva campaign, and a...
Radiator Comics has announced that it will take over publishing Whit Taylor’s Fizzle, offering a five-issue subscription and reprinting the first two issues.
INDIE VIEW: Three very different types of quests in ‘Babyface,’ ‘Gogor,’ and ‘Nobody Is...
John Seven reviews 'Babyface,' 'Gogor #1,' and 'Nobody Is In Control #1'
INDIE VIEW: Telling women’s stories in ‘Colored’ and ‘Future Corpse’
John Seven reviews 'Colored: The Unsung Life of Claudette Colvin' and 'Future Corpse'
INDIE VIEW: ‘Chicken Rising’ just feels like the end of the world while ‘The...
John Seven reviews 'Chicken Rising' and 'The Consumptive #4'
INDIE VIEW: ‘Bronze Age Boogie,’ ‘Invisible Kingdom,’ and comics by Miranda Harmon make for...
John Seven reviews 'Bronze Age Boogie #1' 'Invisible Kingdom #1' 'One Weird Trick' and 'Turtles'
Charles Forsman’s Netflix lightning strikes twice with ‘I Am Not Okay With This’
One of the biggest surprise Netflix hits of 2018 came from comics but not of the superhero variety. The widely-acclaimed series The End of the Fucking World, which was nominated for a BAFTA and...
Review: In ‘Fluorescent Mud’ and ‘John, Dear’ it’s not all in the characters’ heads
Two new books from Retrofit/Big Planet use the comics form to meditate on the psychological overtaking the physical, both with strong executions in different styles.
Reading Eli Howey’s Fluorescent Mud is like wandering through someone...
Review: ‘270°’ and ‘To Build A Fire’ honor different aspects of nature in beautiful...
Is nature our friend or our enemy, or maybe a little of both? Perhaps it’s not even measurable against the human experience, since we are the only creature that has willfully left it behind...
