Interviews

Via Evan Dorkin's end of year post, which in happier notes, reveals his 2012 projects -- New BEASTS OF BURDEN, woot.

This interview with Chris Onstad about his hiatus from ACHEWOOD could almost have come under our previous belt-tightening post.

Comics are a business that is relatively insulated from the ups and downs of the economy: things are ALWAYS marginal. While there's no doubt but that the global recession has impacted the comics industry — especially with customers dealing with price increases — quite frankly, there wasn't a lot to cut back. There's a good living to be made in comics, and many people do, but no one is buying a yacht — or not very many anyway. And maybe comics are a survival industry because it seems like everyone is just one or two issues away from square one.

It’s end of the year roundup/predictions time again at The Beat, but one pretty safe prediction is that we will likely hear of many more creators, in all sorts of media, exploiting new distribution channels to connect directly with fans. As Michael Wolff points out at leading tech blog GigaOM, “Everywhere you look, artists are taking more control over their own economic well being, in large part because the Internet has enabled them to do so.” Citing some well known recent examples such as comedian Louis CK, author Barry Eisler and comedy podcaster Marc Maron, Wolff sees a growing trend of artists cutting out traditional middle men and presenting their work unfiltered directly to customers, and especially in the case of Louis CK, profiting handsomely from it. And Wolff doesn’t even mention a number of other recent examples of the artist as entrepreneur trend, from multi-platform musician Cee-Lo Green to the Humble Indie Bundle video game collection.

Last year Dean Haspiel kick-started the creative juices of the new year with an essay called "Dear Content Maker" that confronted some of the excitement and uncertainties of the new horizons. Since then he's launched a new website -- Trip City -- and kept juggling all the balls a creator needs to. This year, he has a similar call to arms that surveys the current landscape called "Publish or Perish", named after a tweet by Jimmy Palmiotti:

Warren Ellis takes a stab at Five Predictions About The Immediate Future Of Comics. It's brief -- just go read. A couple of main ideas: * Roll-your-own digital available to creators creates distribution opportunities and chaos * Creators will continue to explore Kickstarter and other methods to get paid for their work * DC and Marvel in diminishing returns. And this classic Ellis observation:

One of the best comics traditions of the holiday season is The Comics Reporter's Holiday Interview series, which is running now. As usual it's an information- and insight-filled series. Thus far we have:

Paul Gravett asks Burns about X'ed Out and more. And this is the source of that preliminary cover for THE HIVE, BTW.

BY JEN VAUGHN - Comic writer, podcast host and serial blogger at his own website, The Invincible Super Blog, and Comics Alliance, Chris Sims sat down to have a chat with me about his upcoming Dracula comic to be fully released on Monday, October 31st, also known as Halloween. Six delicious pages are up as a preview now.

The return of a beloved Beat tradition!

Here is a Village Voice interview with Marv Wolfman, which is interesting for many reasons. Because Wolfman is always a thoughtful commenter on the comics industry and its may pressures, but also because CRISIS ON INFINITE EARTHS --and NEW TEEN TITANS by the same Wolfman/Perez team -- is to the New 52 generation what Fantastic Four #1 (the 1961 one) was to so many before it. With its sweeping changes, dramatic deaths and multiple universes, it set the stage for many a crisis to come. And, famously, there was talk after CoIE of doing a line-wide issue #1 reboot. The idea lay dormant until now. But Wolfman points out that for an event to be an event it should have actual motivation:

Props to the Mindless Ones for transcribing this interview -- recording the soft-spoken heavily accented Morrison is bad enough but when it's from a mike by a speaker phone...really guys, what WERE you thinking? Have you ever heard of SKYPE?