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Review: X-Men films finally achieve cinematic glory with LOGAN

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Our review of the newest Wolverine solo feature finds that it's finally the film the character deserves

The 10 Best Films of 2016

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Our Entertainment Editor, Kyle Pinion, selects the 10 best films of the year

Review: ROGUE ONE marks a frustrating step back in Disney’s Star Wars

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For just about every potential good moment it flirts with, Rogue One trips over itself with senselessly poor decisions and a breakneck pace when it really could have used some time to allow this feisty little team time to marinate.

Review: DOCTOR STRANGE is Marvel’s best visual spectacle to date

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Our review of Marvel Studios' fourteenth feature

Review: SUICIDE SQUAD, a team-up that’s unlikely to save the DC Cinematic Universe

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The lackluster super-villain team-up fails to provide the spark needed to cap off WB's rough 2016

Review: X-MEN: APOCALYPSE is easily one of the worst films of the franchise

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It's possible we may owe Brett Ratner a big apology. I recognize that quality in these superhero outings are often a game of inches. Sometimes we forgive the somewhat ramshackle plotting of one because of...

Thoughts from a second CAPTAIN AMERICA: CIVIL WAR viewing (spoilers!)

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While I saw Captain America: Civil War a few weeks ago, I got an opportunity to take another peek at it during the press screening that occurred this past Tuesday night. In short, my...

Review: BATMAN v SUPERMAN: DAWN OF JUSTICE sacrifices storytelling for table-setting

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I really like Zack Snyder. I'm not afraid to admit it. I think both Dawn of the Dead and 300 are solidly enjoyable films, the latter likely being his best effort on the big screen....

Review: 10 CLOVERFIELD LANE shows us how to successfully leverage a franchise

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By now you've heard the obligatory spiel about 10 Cloverfield Lane; how the J.J. Abrams-produced project was kept under wraps using a different name and then suddenly thrust upon the public on an unassuming...

Review: DEADPOOL, a movie only a fan could love

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We review The Merc with a Mouth's big screen adventure

Review: Hail, Caesar! – a gorgeous mess

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We review the latest comedic romp from The Coen Brothers

The Beat Goes to the Movies: THE REVENANT

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By Harper W. Harris Whether you agree with its sweeping of last years Oscars or not, Birdman was a big deal. It brought mainstream attention to an artsy, technically impressive film that laid out some...

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