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Review: 10 CLOVERFIELD LANE shows us how to successfully leverage a franchise

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By now you've heard the obligatory spiel about 10 Cloverfield Lane; how the J.J. Abrams-produced project was kept under wraps using a different name and then suddenly thrust upon the public on an unassuming...

Review: DEADPOOL, a movie only a fan could love

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We review The Merc with a Mouth's big screen adventure

Review: Hail, Caesar! – a gorgeous mess

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We review the latest comedic romp from The Coen Brothers

Review: THE HATEFUL EIGHT is the quickest three hours you’ll ever spend in the...

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We review Quentin Tarantino's claustrophobic eighth feature

The Beat Goes To The Movies: THE GOOD DINOSAUR

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We review Pixar's second feature of 2015

The Beat Goes To The Movies: SPECTRE

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After a big hit like Skyfall, how does 007's next adventure fare?

The Beat Goes To The Movies: Steve Jobs

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The biopic has really overstayed its welcome. We've come a long way since the halcyon days of Patton, but in recent years, the genre has become synonymous with "larger than life" mythologizing, with the...

The Beat Goes To The Movies: The Martian

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The week of its release, and The Martian's science is already outdated by the recent discovery of water on Mars. Years from now, viewers will look back and shake their heads at the barren and dry depiction of the planet, along with the size and dimensions of cell phones, probably. Or the fact that we even had cell phones. But we'll forgive The Martian for being so last week.

The Beat Goes To the Movies: Sicario

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Judging by the first few scenes, Sicario looks like a great chance to see Emily Blunt flex her literal and figurative acting muscles – another reminder of the Black Widow that could have been – in the role of a strong female lead working on a task force to take down a Mexican drug cartel. But what actually follows is much murkier and, arguably, much more true to life.

Review: Fantastic Four, a case of botched vision colliding with studio demands

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In the current mold of superhero film-making, it's difficult to escape the prevailing wisdom of how studios formulate their respective franchises. There's the Marvel method, which embraces the colorful comic tones and inherent silliness...

Review: Mission: Impossible – Rogue Nation works best when the adrenaline kicks in

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While my familiarity with the television series is admittedly meager, the consistently Tom Cruise-led Mission: Impossible film entries have played like minor American efforts at aping the formula that made James Bond a success....

Review: Terminator Genisys – What’s the point?

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Can the dormant Terminator franchise find new life?

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