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2023 IGNATZ AWARDS Nominees announced

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Kate Beaton, Noah Van Sciver, Olivia Stephens, and more are among this year's nominees.
A paper heart is part way out of an envelope.

A love letter to The Nib, in its final days

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The Nib has been an inspiration, and its departure raises questions about the path forward for other indie comics publications.

Kibbles ‘n’ Bits 2/16/22: Jack Kirby and Jack Ruby; Job openings

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Musing on a long ago oddity in the career of Jack Kirby....and looking at some comics industry job openings

Kibbles ‘n’ Bits 12/2/2020: It’s begining to look a lot like Best Of

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And so the annual tradition of year-end best of lists begins!

INDIE VIEW: ‘Texas Chainsaw Sculptor’ and ‘Fizzle #2’ are mini-comics at their best

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John Seven reviews 'Texas Chainsaw Sculptor' by Katie Fricas and 'Fizzle #2' by Whit Taylor

INDIE VIEW: Is ‘The Nib’ the most important comic out there?

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John Seven reviews The Nib #3

Radiator Comics looks to the future with Whit Taylor, a Kiva campaign, and a...

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Radiator Comics has announced that it will take over publishing Whit Taylor’s Fizzle, offering a five-issue subscription and reprinting the first two issues.
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A Year of Free Comics: The History of the FDA and Food Safety

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Cartoonists Whit Taylor and Maki Naro uses the recent E.Coli outbreak as a starting point to explore the history of food safety in the United States and it tracks the creation of the Food...

Free Comics Bonus: PEN’s State of Emergency looks at the matetr of the day

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PEN America has a section of comics called State of Emergency, and I'm sure you can guess what that refers to. Meg Lemke, Rob Kirby, and MariNaomi curated the section and it includes Whitney Taylor: Iasmin...

Review: Whit Taylor’s Up Down Clown tackles mental health issues

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The sad clown is a trope that has been well-used in every storytelling media there is, but Whit Taylor’s Up Down Clown from Ninth Art Press takes that trope further than usual. Rather than...

Must read: Whit Taylor on “A Visit to CAB” and comic arts festival sustainability

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Whitney Taylor continues to be my favorite investigative comics journalist—well, maybe investigative is too strong a word, but if "talking to a lot of people and painting a picture" is the criterion, Whit is it, as her report on Comic Arts Brooklyn shows. This was a strong show but one that experienced an unexpected glitch: a lot of people thought it was a two day show and didn't come to the exhibits on Saturday. This resulted in a smaller crowd and, for some, lower sales. On the day there was a lot of anxiety—it's like basing your business plan on Christmas sales and then there's a big blizzard the day of the big sale—but everyone seems to have survived intact. And yet, is a financial model this precarious one that is "sustainable"? I predict sustainable will be THE word of 2015, as a the last few days of posts here have been exploring. Taylor talks about the model with many publishers and creators and key behind the scenes people like publishing rep Tony Shenton, and while everyone is optimistic, there is no real consensus on whether things are working, improving or just providing a false illusion of hope:

The lot of the indie cartoonist as viewed through the 2014 Small Press Expo

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Even though it's two weeks in the rearview mirror, a lot of worthy writing has been done about this year's Small Press Expo. I'm sure devotees have read all the following, but given all...

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