Tag: working for a living
Jerry Ordway again
The case of Jerry Ordway -- a talented veteran artist who is not getting as much work as he should— continues to resonate. It isn't really about Jerry Ordway. it's about comics, and about the manny many aspirants and passers by and the few who are called. Mark Evanier addresses the odds:
Break into comics with Neal Adams, Kevin Smith, and the million dollar UcreateComics —...
...and then take a long, long time to finish them.
Just kidding. This new buddy pictures in the making will tour four cities as part of the UcreateComics Big Break Tour, starting in NYC...
Doing it their way: Cyanide & Happiness
Since we've been talking about career paths and what not for the last few days, here's another one: after turning down three TV development deals, including Comedy Central, the webcomic Cyanide & Happiness has decided to go DIY.
Jerry Ordway responds and more on comics career paths
Following yesterday's much quoted post on wanting to be hired, artist Jerry Ordway responded to the outpouring of support with more on the perils of exclusives and the freelancers life:
John Allison and Matt Bors weigh in on making money in comics
It's a Monday early in the month, you just paid the rent and you're now wondering how you are going to live on celery for the next 27 days—that must be why so many posts on how to make a living at this here thing are coming out today. We've already seen Jerry Ordway plead to be taken seriously as a creator. But it's not just the old paper and ink crowd that's fretting this day. The webcomickers are at it too.
Must read: Jerry Ordway on ageism in comics
The gravy train usually has a very short ride.
A little bit more on the con that snubbed the colorist
Yesterday's kerfuffle concerned a convention that wouldn't name a colorist as a guest. Although a smallish type kerfuffle, it did lead to a day of praising hard working colorists on twitter, so good came of it.
Kibbles ‘n’ Bits, 1/3/13: Still living in ’12
People are doing it...EVERYWHERE> Let's dive right in.
The money model again: digital and the web and what works
In a follow-up to his hit post on the economics of print comics, Jim Zub is back with a look at digital comics metrics, including the percentages taken by each step in the pipeline...
INTERVIEW: Joe Caramagna Letters The Marvel Universe
Among other similar triumphs, letterer Joe Caramagna has recently become the most prominent letterer in Amazing Spider-Man history, having now worked on over 100 issues of Marvel’s flagship title. Not just content with Spider-Man,...
Cartoonist adapts to changing times
The disintegration of the newspaper business continued this week when the Syracuse Post-Standard announced it was going to a three-times-a-week schedule and laying off 115 employees, including staff cartoonist Frank Cammuso. The Daily Cartoonist...
MUST READ: Art or money?
In advice to an aspiring cartoonist, ABA finalist Gene Luen Yang lays out the dichotomy of career paths:
You have to decide whether self-expression is more important to you or making money from your art...